DOI Page / Citation link:
https://doi.org/10.11588/diglit.28460#0192
167
DIYISIOISr B.—DOTTED PRINTS.
f THE CIRCUMOISION.
Schr. 2198. (Reproduction.) W.—B 14.
[66 x 48.] Photograph of the original in the University Galleries, Oxford.
B 1 (1-4).
THE MASTER BARTHOLMEUS. >■
FOUR SUBJECTS FROM THE LIFE OF CHRIST.
(1.) Schr. 2216. Christ a.nd the Woman of Samaeia.
Christ stands 1. pointing with the forefinger o£ his 1. hand to the palm
of his r. hand as he converses with the woman of Samaria, who stands in
the middle of the print, facing three-quarters 1. and leaning backwards to
balance the weight of two large water-bottles, with a band round the centre,
single handles, and stoppers in their mouths, which she holds in either hand.
Christ has a cruciform nimbus with rays on the disk ancl a double rim.
His one garment falls in straight folds from the breast to the feet. The
woman wears a high turban with a cloth passed round it and under the
chin. Her long robe, open at the throat and turned back to show the
lining, is drawn closely over her breast, then confined at' the waist by a
belt, from which it falls in straight folds to her feet. Behind her is the
well, an oblong stone basin with a wooden structure over it to support
the pulley by which the bucket is drawn up on a chain. On the base is
the inscription + + gtj) + ttttt + Ut'tltCft. The basin is surrounded
by an open drinking-trough full of water.
[123 x 89.]
(2.) Schr. 2218. The Raising of Lazarus.
Christ stands 1. in the same costume as in the preceding print, at the
foot of the open tomb, which lies obliquely across the print. Lazarus sits
in the tomb with both hands raised towards our Lord. His face, arms
and feet are bare. St. Martha stands next to our Lord, and two of the
Apostles are seen r. Beyond them the heads of five Jews may be dis-
tinguished. A round building with an arcade and a steep roof with a
bulbous top is in the background. In front, at the foot of the print, is a
scroll with the artist’s name
[122 x 88.]
(3.) Schr. 2221. The Entry into Jerusalem.
Christ, still in the same costume, raising his r. hand in the act of
benediction, rides on an ass towards the gate of Jerusalem, r., where a
DIYISIOISr B.—DOTTED PRINTS.
f THE CIRCUMOISION.
Schr. 2198. (Reproduction.) W.—B 14.
[66 x 48.] Photograph of the original in the University Galleries, Oxford.
B 1 (1-4).
THE MASTER BARTHOLMEUS. >■
FOUR SUBJECTS FROM THE LIFE OF CHRIST.
(1.) Schr. 2216. Christ a.nd the Woman of Samaeia.
Christ stands 1. pointing with the forefinger o£ his 1. hand to the palm
of his r. hand as he converses with the woman of Samaria, who stands in
the middle of the print, facing three-quarters 1. and leaning backwards to
balance the weight of two large water-bottles, with a band round the centre,
single handles, and stoppers in their mouths, which she holds in either hand.
Christ has a cruciform nimbus with rays on the disk ancl a double rim.
His one garment falls in straight folds from the breast to the feet. The
woman wears a high turban with a cloth passed round it and under the
chin. Her long robe, open at the throat and turned back to show the
lining, is drawn closely over her breast, then confined at' the waist by a
belt, from which it falls in straight folds to her feet. Behind her is the
well, an oblong stone basin with a wooden structure over it to support
the pulley by which the bucket is drawn up on a chain. On the base is
the inscription + + gtj) + ttttt + Ut'tltCft. The basin is surrounded
by an open drinking-trough full of water.
[123 x 89.]
(2.) Schr. 2218. The Raising of Lazarus.
Christ stands 1. in the same costume as in the preceding print, at the
foot of the open tomb, which lies obliquely across the print. Lazarus sits
in the tomb with both hands raised towards our Lord. His face, arms
and feet are bare. St. Martha stands next to our Lord, and two of the
Apostles are seen r. Beyond them the heads of five Jews may be dis-
tinguished. A round building with an arcade and a steep roof with a
bulbous top is in the background. In front, at the foot of the print, is a
scroll with the artist’s name
[122 x 88.]
(3.) Schr. 2221. The Entry into Jerusalem.
Christ, still in the same costume, raising his r. hand in the act of
benediction, rides on an ass towards the gate of Jerusalem, r., where a