Division A.—School of Nuremberg.—SpringinJclee.
401
60. THE SUREENDER OF A PROVINCE. No. 95 (97).
Maximilian stands 1. on the platform, with a sword, point upwards
in his r. hand. A woman stands before him bareheaded, raising her r.
hand, probably in the act of swearing allegiance. Behind her is a shield
on which the arms have never been cut. On a seat in front is a winged
female figure (Prudence ?) holding a compass in her 1. hand. On the side
of the car is a landscape with four towers and many trees. The car is
propelled by two men sitting on a platform at the back, who turn the
handles of a machine which acts on the cogs of the hind-wheels.
[382 x 4:30.] An early proof, with the watermark of the 1526 edition, an eagle
with a sickle on its breast. The r. lower corner is spoilt by double striking,
The block was cut by Hans Erank.
61. A WAR. No. 96 (98).
On the platform Maximilian, on horseback, is 'trampling on his
prostrate foes. On a bracket before the car stands a winged woman
carrying a pole luxuriantly clothed with hops. On the side of the car
four landsknechts are guarding a large number of civilian prisoners. Two
landsknechts, walking by the hind-wheels, propel the car by levers working
on a system of cog-wheels in front.
[380 x 376.] As no. 54.
The block was cut byHansFrank,
62. A SURRENDER. No. 97 (99),
On the platform Maxhnilian, with a bishop (the Bishop of Utrecht ?)
at his r. hand, is addressing a group of kneeling bui’gesses. Jpstice, a
winged woman carrying scales in her 1. hand, stands on a bracket in front
of the car. On the side of the car a procession of choristers and priests,
the first of whom carries a reliquary, is entering a church r. The car is
propelled by six landsknechts, of whom five are visible.
[376 x 370.] As no. 54.
The block was cut by Hans Erank.
63. THE CAPTURE OF A TOWN. No. 9S (100).,
On the platform is a large model of a city with Maximilian 1. advancing,
mounted, at the head of his troops, with the Burgundian standard. A
winged woman, holding a branch of laurel (?) in her r. hand, sits on a seat
in front of the car and looks back, On the side of the car is a long narrow
compartment representing a camp. The car is propelled by an extra
wheel with projecting spokes, on which a landsknecht places his hands and
feet.
[385 X 424.] An early proof, witli the watermark of the 1526 edition,
The block was cut by Wolfgang Resch.
64. A SURRENDER. No. 99 (101),
On the platform Maximilian, standing, sword in hand, in front of a
throne h, receives with his left hand branches of a flowering shrub from a
group of men who stand on a lower level. On a pedestal rising from the
2 P
401
60. THE SUREENDER OF A PROVINCE. No. 95 (97).
Maximilian stands 1. on the platform, with a sword, point upwards
in his r. hand. A woman stands before him bareheaded, raising her r.
hand, probably in the act of swearing allegiance. Behind her is a shield
on which the arms have never been cut. On a seat in front is a winged
female figure (Prudence ?) holding a compass in her 1. hand. On the side
of the car is a landscape with four towers and many trees. The car is
propelled by two men sitting on a platform at the back, who turn the
handles of a machine which acts on the cogs of the hind-wheels.
[382 x 4:30.] An early proof, with the watermark of the 1526 edition, an eagle
with a sickle on its breast. The r. lower corner is spoilt by double striking,
The block was cut by Hans Erank.
61. A WAR. No. 96 (98).
On the platform Maximilian, on horseback, is 'trampling on his
prostrate foes. On a bracket before the car stands a winged woman
carrying a pole luxuriantly clothed with hops. On the side of the car
four landsknechts are guarding a large number of civilian prisoners. Two
landsknechts, walking by the hind-wheels, propel the car by levers working
on a system of cog-wheels in front.
[380 x 376.] As no. 54.
The block was cut byHansFrank,
62. A SURRENDER. No. 97 (99),
On the platform Maxhnilian, with a bishop (the Bishop of Utrecht ?)
at his r. hand, is addressing a group of kneeling bui’gesses. Jpstice, a
winged woman carrying scales in her 1. hand, stands on a bracket in front
of the car. On the side of the car a procession of choristers and priests,
the first of whom carries a reliquary, is entering a church r. The car is
propelled by six landsknechts, of whom five are visible.
[376 x 370.] As no. 54.
The block was cut by Hans Erank.
63. THE CAPTURE OF A TOWN. No. 9S (100).,
On the platform is a large model of a city with Maximilian 1. advancing,
mounted, at the head of his troops, with the Burgundian standard. A
winged woman, holding a branch of laurel (?) in her r. hand, sits on a seat
in front of the car and looks back, On the side of the car is a long narrow
compartment representing a camp. The car is propelled by an extra
wheel with projecting spokes, on which a landsknecht places his hands and
feet.
[385 X 424.] An early proof, witli the watermark of the 1526 edition,
The block was cut by Wolfgang Resch.
64. A SURRENDER. No. 99 (101),
On the platform Maximilian, standing, sword in hand, in front of a
throne h, receives with his left hand branches of a flowering shrub from a
group of men who stand on a lower level. On a pedestal rising from the
2 P