DOI Page / Citation link:
https://doi.org/10.11588/diglit.28460#0458
Division A.—School of Nuremberg.—Springinklee.
415
| der verkiindung Marie ge | predigt zu Rotteburg | Durcli Andream | Keller. |
1. 5. 24.”
Purckased from Mr. Caspari, 1875.
(84. BORDER WITH TWO ANG-ELS AND TROPITIES OP ARMS.)
No impression of the original woodcut is in the Print-room collection, It is to bo
found in the Library on the title-page of the quarto Latin Bible printed by Peypus,
December, 1522 (see p. 377).
84a. BORDER WITH TWO ANG-ELS AND TROPHIES OF ARMS.
Copy.
[171 x 122.] The background, white in the original, is black in the copy, which is
from a book with the title, “Yon dem hayligisten | Opffer der Mess ... (1. 11)
Durch | Gasparu Schatzger | Barfiisser Ordes: | 1525:”
Purchased from Mr. Caspari, 1875.
A different copy, witli white background, was used in George Chapman’s “ Euthymiae
Raptus,” London, 1609 (title-page in Bagford collection, Harl. MS. 5963, no. 387).
V. DOUBTFUL WOODCUTS.1 Uos. 85-89.
85. BORDER WITH THE BAPTISM OF CHRIST.
B. vii, 183, 30. H. 1934.
For a description of the subject, see p. 353, no. 11. This impression is on the title-
page of “Stellarium Corone | benedicte virginis Marie,” etc. (J. Stiicks, Niirnberg,
1518, fol.).
Purchased from Mr. Gutekunst, 1870.
This woodcut, first published in 1517, may perhaps be the work of Springinklee.
The angel at the 1. side at the top, and those on both sides of the bottom compartment,
remind one of his angel types; the landscape of the Baptism is somewliat in his
manner, and maybe compared especially with the background of the St. Sebald of 1514
(B. app. 19). But there are difficulties in recognising his style, for instance, in the
"Virgin, or in the Whore of Babylon; and I hnd nothing in the whole work quite
decisive in favour of his authorship.
86. THE JUDGMENT OF PARIS. B. vii, 146, 134.
For a description, see p. 358, no. 28. I liesitate to attribute this woodcut to
Springinklee.
In the inventory of 1837.
87. TIIE EMBRACE. B. vii, 146, 135.
For a description, see p. 359, no. 29. Probably by Springinklee,2 like the round
St. Jerome, B. 115.
In the inventorv of 1837.
1 Por others, see nos. 12, 13, 21, 34, 35, 45, of tlre anonymous woodcuts of the
school of Diirer (p. 348, sq.). Nos. 11, 23, 24, 28, 29, 33, of that group are represented
by other impressions among Springinklee’s works. See also the notes on nos. 124 and
145 of tlie woodcuts attributed to Diirer liimself.
2 Attributed to him bv W. Sclimidt, Repertorium, xvi, 30S.
415
| der verkiindung Marie ge | predigt zu Rotteburg | Durcli Andream | Keller. |
1. 5. 24.”
Purckased from Mr. Caspari, 1875.
(84. BORDER WITH TWO ANG-ELS AND TROPITIES OP ARMS.)
No impression of the original woodcut is in the Print-room collection, It is to bo
found in the Library on the title-page of the quarto Latin Bible printed by Peypus,
December, 1522 (see p. 377).
84a. BORDER WITH TWO ANG-ELS AND TROPHIES OF ARMS.
Copy.
[171 x 122.] The background, white in the original, is black in the copy, which is
from a book with the title, “Yon dem hayligisten | Opffer der Mess ... (1. 11)
Durch | Gasparu Schatzger | Barfiisser Ordes: | 1525:”
Purchased from Mr. Caspari, 1875.
A different copy, witli white background, was used in George Chapman’s “ Euthymiae
Raptus,” London, 1609 (title-page in Bagford collection, Harl. MS. 5963, no. 387).
V. DOUBTFUL WOODCUTS.1 Uos. 85-89.
85. BORDER WITH THE BAPTISM OF CHRIST.
B. vii, 183, 30. H. 1934.
For a description of the subject, see p. 353, no. 11. This impression is on the title-
page of “Stellarium Corone | benedicte virginis Marie,” etc. (J. Stiicks, Niirnberg,
1518, fol.).
Purchased from Mr. Gutekunst, 1870.
This woodcut, first published in 1517, may perhaps be the work of Springinklee.
The angel at the 1. side at the top, and those on both sides of the bottom compartment,
remind one of his angel types; the landscape of the Baptism is somewliat in his
manner, and maybe compared especially with the background of the St. Sebald of 1514
(B. app. 19). But there are difficulties in recognising his style, for instance, in the
"Virgin, or in the Whore of Babylon; and I hnd nothing in the whole work quite
decisive in favour of his authorship.
86. THE JUDGMENT OF PARIS. B. vii, 146, 134.
For a description, see p. 358, no. 28. I liesitate to attribute this woodcut to
Springinklee.
In the inventory of 1837.
87. TIIE EMBRACE. B. vii, 146, 135.
For a description, see p. 359, no. 29. Probably by Springinklee,2 like the round
St. Jerome, B. 115.
In the inventorv of 1837.
1 Por others, see nos. 12, 13, 21, 34, 35, 45, of tlre anonymous woodcuts of the
school of Diirer (p. 348, sq.). Nos. 11, 23, 24, 28, 29, 33, of that group are represented
by other impressions among Springinklee’s works. See also the notes on nos. 124 and
145 of tlie woodcuts attributed to Diirer liimself.
2 Attributed to him bv W. Sclimidt, Repertorium, xvi, 30S.