DOI Page / Citation link:
https://doi.org/10.11588/diglit.28460#0628
I
5. Aug( 1971
Mai 1963
11* 63 568
JuVi 'S''1
EarJy German and Flemish Woodcuts.
P. 268, no. la, add “ This copy was used again in Maresclial’s 1525
Vulgate entitled ‘ Biblia Magna.’ ”
P. 317, to the literature on the arcli may now be added “ C. Giehlow.
‘ Urkundenexegese zur Ehrenpforte Maximilians I.’ (Sonderabdruck aus
Beitrage zur Kunstgeschichte, Franz Wickhoff gewidmet), Wien, 1903.”
Dr. Giehlow works out Kolderer’s share in the design, and makes it
probable that the painting of the arch sent by Maximilian to his daugliter
(■see p. 319) was the old design by Kolderer and not the new one by
Diirer, whose innovations at first incurred the censure of the Emperor.
Dr. Giehlow’s essay contains a reproduction of tlie original figure of
££ Rudolf der streitpar,” by Dlirer ('see p. 321).
P. 334, end of remarks on no. 140, for ££is said to exist ” read “exists.”
I saw this impression (framed) in 1903.
P. 336, seventh line from end. The full Latin text of the letter is
published, with facsimiles of Diirer’s sketches for the arms of Staiber and
Stabius, in Mitth. d. Ges. f. vervielf. Kunst, Vienna, 1903, no. 3.
P. 350, no. 5, add “ The Crucifixion of this series is in the Dresden
Cabinet. Mary Magdalen embraces the cross. To 1. Mary swoons,
upheld by Johu ; to r. are tlie centurion, mounted, and a man witli high
feathers on his hat, holding a sword in his 1. hand. [248 X 172].”
P. 363, remarks on 35, 1. 8, after “Cabinet” add ££One of these
impressions was includecl in Amsler ancl Ruthardt’s sale, Berlin, 4 May,
1903, Catalogue 68, no. 774.”
P. 382, nineteenth line from bottom, for “ seventeen,” “ thirteen,”
read “ nineteen,” ££ fifteen.”
P. 410, no. 79b. The copy was usecl in the Vulgates printed by
J. Mareschal, Lyons, 1523, 1525, 1526 and 1527. This impression is
from the 1527 edition. Themark seen here, with the initials I. M. added,
forms Mareschal’s device (Silvestre 136).
P. 426, remarks on 25, 1. 7, for “ woodcuts ” read “ woodcut.”
P. 435, 11. 5, 8, for “Pekka” read “ Pek ” ; 1. 18, add “ In May 1903
I found in the Print Cabinet of the Bohemian National Museum at
Prague loose leaves from a Boliemian book, not yet identified, containing
late impressions of eight of Springinklee’s first Hortulus set, with this
St. Wenceslaus and three other patrons of Bohemia, SS. Sigismund,
Ludmilla and Vitus, also by Schon, The text printed on the back of the
leaves contains prayers addressed to each saint.”
P. 436, eud of note on no. 33, add “ A copy of this border, by the
monogrammist G. S., 1549, is described by Nagler, Mon. iii, no. 350.
The copy, whicli measures 287 x 187 mrn., was first usecl in the folio
Bohemian Bible of 1549, which I have seen in the university library at
Prague. Nagler mentions a Bible of 1570 which also contains it.”
P. 438, 1. 7, after ££at all,” add “This, however, is a mistake. The
cards in question are from the Flotner pack, Courboin, no. 1570, in which
the deuce of leaves reproduced on pl. iv. bis is wrongly included.”
P. 463, note on no. 111, for “ I liave seen no other impression,” read
“ There is another impression in the Dresden Cabinet.”
P. 465, note on no. 115. A fourth member of tbis series of female
saints, St. Ursula [299 X 217], is at Berlin, where a second impression of
the St. Antony is also preserved.
LONDON: PKINTF.D BY WILLIAM CLOWES AND SONS, LIMITED,
DUKE STREET, STAMFORD STREET, S.E., AND GREAT WINDMII.L STREET, W.
5. Aug( 1971
Mai 1963
11* 63 568
JuVi 'S''1
EarJy German and Flemish Woodcuts.
P. 268, no. la, add “ This copy was used again in Maresclial’s 1525
Vulgate entitled ‘ Biblia Magna.’ ”
P. 317, to the literature on the arcli may now be added “ C. Giehlow.
‘ Urkundenexegese zur Ehrenpforte Maximilians I.’ (Sonderabdruck aus
Beitrage zur Kunstgeschichte, Franz Wickhoff gewidmet), Wien, 1903.”
Dr. Giehlow works out Kolderer’s share in the design, and makes it
probable that the painting of the arch sent by Maximilian to his daugliter
(■see p. 319) was the old design by Kolderer and not the new one by
Diirer, whose innovations at first incurred the censure of the Emperor.
Dr. Giehlow’s essay contains a reproduction of tlie original figure of
££ Rudolf der streitpar,” by Dlirer ('see p. 321).
P. 334, end of remarks on no. 140, for ££is said to exist ” read “exists.”
I saw this impression (framed) in 1903.
P. 336, seventh line from end. The full Latin text of the letter is
published, with facsimiles of Diirer’s sketches for the arms of Staiber and
Stabius, in Mitth. d. Ges. f. vervielf. Kunst, Vienna, 1903, no. 3.
P. 350, no. 5, add “ The Crucifixion of this series is in the Dresden
Cabinet. Mary Magdalen embraces the cross. To 1. Mary swoons,
upheld by Johu ; to r. are tlie centurion, mounted, and a man witli high
feathers on his hat, holding a sword in his 1. hand. [248 X 172].”
P. 363, remarks on 35, 1. 8, after “Cabinet” add ££One of these
impressions was includecl in Amsler ancl Ruthardt’s sale, Berlin, 4 May,
1903, Catalogue 68, no. 774.”
P. 382, nineteenth line from bottom, for “ seventeen,” “ thirteen,”
read “ nineteen,” ££ fifteen.”
P. 410, no. 79b. The copy was usecl in the Vulgates printed by
J. Mareschal, Lyons, 1523, 1525, 1526 and 1527. This impression is
from the 1527 edition. Themark seen here, with the initials I. M. added,
forms Mareschal’s device (Silvestre 136).
P. 426, remarks on 25, 1. 7, for “ woodcuts ” read “ woodcut.”
P. 435, 11. 5, 8, for “Pekka” read “ Pek ” ; 1. 18, add “ In May 1903
I found in the Print Cabinet of the Bohemian National Museum at
Prague loose leaves from a Boliemian book, not yet identified, containing
late impressions of eight of Springinklee’s first Hortulus set, with this
St. Wenceslaus and three other patrons of Bohemia, SS. Sigismund,
Ludmilla and Vitus, also by Schon, The text printed on the back of the
leaves contains prayers addressed to each saint.”
P. 436, eud of note on no. 33, add “ A copy of this border, by the
monogrammist G. S., 1549, is described by Nagler, Mon. iii, no. 350.
The copy, whicli measures 287 x 187 mrn., was first usecl in the folio
Bohemian Bible of 1549, which I have seen in the university library at
Prague. Nagler mentions a Bible of 1570 which also contains it.”
P. 438, 1. 7, after ££at all,” add “This, however, is a mistake. The
cards in question are from the Flotner pack, Courboin, no. 1570, in which
the deuce of leaves reproduced on pl. iv. bis is wrongly included.”
P. 463, note on no. 111, for “ I liave seen no other impression,” read
“ There is another impression in the Dresden Cabinet.”
P. 465, note on no. 115. A fourth member of tbis series of female
saints, St. Ursula [299 X 217], is at Berlin, where a second impression of
the St. Antony is also preserved.
LONDON: PKINTF.D BY WILLIAM CLOWES AND SONS, LIMITED,
DUKE STREET, STAMFORD STREET, S.E., AND GREAT WINDMII.L STREET, W.