Dodgson, Campbell; British Museum / Department of Prints and Drawings: Guide to the woodcuts, drawings, and engravings of Albrecht Dürer: in the Department of Prints and Drawings$dexhibited in commemoration of the fourth centenary of the artist's death on April 6th, 1528 (London: British Museum, 1928)

38

Exhibition of Durer’s Work.

325. Hans Baldung, called Gbien. (1476 7-1545). Beabded Head or an
Old Man.
Pen and ink, heightened with white and pink, on brown prepared paper.
Above in centre the date 1518 (original) and a Durer monogram added by
a later hand. 261 x 190. Collection: Sloane (5218-26).
Repr. in K. T. Parker, “ Alsatian Drawings of the XV and XVI century,”
1928, pl. 36.
The attribution to Baldung of this drawing, which until recently was placed
among the doubtful works of Durer, is not altogether certain. It is
possibly by an imitator. It most nearly resembles an unpublished draw-
ing in the Koenigs Collection, Haarlem, which is signed and dated 1519.
One of Baldung’s earliest drawings, at Basel (Terey 13), has similar height-
ening in white and pink.
326. Hans Baldung, called Gbien (1476 ’-1545). Standing Figures oi
the B. V. M. and St. Laurence with Putti. Design eob a Glass Panel.
Pen and ink, washed in grey with indications of the leadings in red chalk.
378 X 315. Collection: Sloane (5214, I, 271).
Baldung’s monogram by a later hand in r. lower corner. Inscribed:
Cost Hi b \alzen\ above in centre.
Terey 195. Date about 1520. There is a similar design for a glass panel,
in the Frankfort Print-room, with standing figures of the B.V.M. and St-
Barbara (Repr. in K. T. Parker, “ Alsatian Drawings of the XV and XVI
century,” 1928, pl. 38).

327. Hans Baldung, called Gbien (1476 ’-1545). Study of a Unicorn
and of Flying Dbapeby.
Brush and Indian ink, heightened with Chinese white, on blue-grey pre-
pared paper. Dated 1544 below to r. Collection : Savigny.
Presented by Mr. G. Nebehay. 1926-6-21-2.
Repr. in K. T. Parker, “ Alsatian Drawings of the XV and XVI century,”
1928, pl. 50. This is a study, carried out in the year before Baldung’s
death, for one of the rare book-plates with the artist’s own coat-of-arms,
of which there is a unique impression in the Basle Print-room. The family
of Baldung adopted as its arms the unicorn appearing in the coat of
Schwabiseh-Gmund, whence it hailed.
328. Hans Spbinginklee. (Worked about 1512-1522). The Repose of the
Holy Family.
Pen and ink, heightened with Chinese white, on olive-green prepared paper.
Signed with the monogram on the tree-trunk and dated 1514 to 1. in centre
(above the tower). 224 x 162. 1876-12-9-618.
Repr. in Durer Society, VII (1904), XII, with note by Campbell Dodgson.
For a general account of Springinklee as a draughtsman, cf. Old Master
Drawings, I, p. 12 : II, p. 62.
329. Georg Pencz (1500 ’-1550). Head and Shoulders of a Young Man
FACING TO L.
Black and red chalk, worked over with the pen and lightly washed.
245 X 175. Signed with monogram above in centre. 1884-7-26-26.
Repr. in K. T. Parker, “ Drawings of the Early German Schools,” 1926, pl. 30.
330. Erhard Schon (d. 1542). The Rape of Prosebpinb.
Pen and ink, heightened with Chinese white, on brown prepared paper.
204x290. 1861-8-10-11. There are illegible traces of a date (154- ?) below
in centre. Repr. with note by Campbell Dodgson in Old Master Drawings,
II [1927-8] (7), p. 45, pl. 50.