44
Exhibition of Durer’s Work.
409.
B. 25. C.D. 71.
The date is preceded by the letter S (signifying “ Salus ” = Anno salutis).
The subject of this engraving is the Christian Knight (as conceived by
Erasmus in his “Enchiridion Militis Christiani”) passing resolutely
through the terrors of life and undismayed by the prospect of death.
The Verniclb held by Two Angels. 1513.
389.
Christ led before Pilate. 1512.
B. 7.
C.D. 56.
390.
The Scourging of Christ. 1512.
B. 8.
C.D. 57.
391.
Christ Crowned with Thorns. 1512.
B. 9.
C.D. 58.
392.
Christ Shown to the Peoble. 1512.
B. 10.
C.D. 59.
393.
Pilate Washing his Hands. 1512.
B. 11.
C.D. 60.
394.
Christ Bearing the Cross. 1512.
B. 12.
C.D. 61.
395.
Christ on the Cross. 1511.
B. 13.
C.D. 53.
396.
The Lamentation for Christ. 1507.
B. 14.
C.D. 45.
397.
The Entombment. 1512.
B. 15.
C.D. 62.
398.
Christ Descending into Hell. 1512.
B. 16.
C.D. 63.
399.
The Resurrection of Christ. 1512.
B. 17.
C.D. 64.
400.
SS. Peter and John Healing a Cribble. 1513.
B. 18.
C.D. 68.
401.
The Virgin with a Peab. 1511.
B. 41.
C.D. 54.
402.
The Man of Sorrows, standing, with Arms tied at
Dry-point. Second state. ■
the Wrists. 1512.
B. 21. C.D. 65.
There is a unique impression of an earlier state at Vienna, without any
lines on the the sky above the date.
403.
St. Jerome seated near a Pollard Willow. 1512
Dry-point. First state, before the monogram.
. B. 59.
C.D. 66.
404.
St. Jerome seated near a Pollard "Willow. 1512.
Dry-point. Second state. Monogram added on rock
B.59.
to left.
C.D. 66.
405.
The Holy Family. 1512.
Dry-point. Early impression.
B. 43.
C.D. 67.
406.
The Holy Family. 1512.
Dry-point. Later impression.
B. 43.
C.D. 67.
407.
The Virgin seated by a Tree. 1513.
B. 35.
C.D. 69.
408.
The Knight, Death, and the Devil. 1513.
B. 98.
C.D. 70.
410. Two Studies fob the Child Genius (representing literary inspiration)
in the engraving “ Melancholia.” 1514. L. 249.
Pen and ink. Signed. 275 X 172. Collection : Sloane (5218-39).
Exhibition of Durer’s Work.
409.
B. 25. C.D. 71.
The date is preceded by the letter S (signifying “ Salus ” = Anno salutis).
The subject of this engraving is the Christian Knight (as conceived by
Erasmus in his “Enchiridion Militis Christiani”) passing resolutely
through the terrors of life and undismayed by the prospect of death.
The Verniclb held by Two Angels. 1513.
389.
Christ led before Pilate. 1512.
B. 7.
C.D. 56.
390.
The Scourging of Christ. 1512.
B. 8.
C.D. 57.
391.
Christ Crowned with Thorns. 1512.
B. 9.
C.D. 58.
392.
Christ Shown to the Peoble. 1512.
B. 10.
C.D. 59.
393.
Pilate Washing his Hands. 1512.
B. 11.
C.D. 60.
394.
Christ Bearing the Cross. 1512.
B. 12.
C.D. 61.
395.
Christ on the Cross. 1511.
B. 13.
C.D. 53.
396.
The Lamentation for Christ. 1507.
B. 14.
C.D. 45.
397.
The Entombment. 1512.
B. 15.
C.D. 62.
398.
Christ Descending into Hell. 1512.
B. 16.
C.D. 63.
399.
The Resurrection of Christ. 1512.
B. 17.
C.D. 64.
400.
SS. Peter and John Healing a Cribble. 1513.
B. 18.
C.D. 68.
401.
The Virgin with a Peab. 1511.
B. 41.
C.D. 54.
402.
The Man of Sorrows, standing, with Arms tied at
Dry-point. Second state. ■
the Wrists. 1512.
B. 21. C.D. 65.
There is a unique impression of an earlier state at Vienna, without any
lines on the the sky above the date.
403.
St. Jerome seated near a Pollard Willow. 1512
Dry-point. First state, before the monogram.
. B. 59.
C.D. 66.
404.
St. Jerome seated near a Pollard "Willow. 1512.
Dry-point. Second state. Monogram added on rock
B.59.
to left.
C.D. 66.
405.
The Holy Family. 1512.
Dry-point. Early impression.
B. 43.
C.D. 67.
406.
The Holy Family. 1512.
Dry-point. Later impression.
B. 43.
C.D. 67.
407.
The Virgin seated by a Tree. 1513.
B. 35.
C.D. 69.
408.
The Knight, Death, and the Devil. 1513.
B. 98.
C.D. 70.
410. Two Studies fob the Child Genius (representing literary inspiration)
in the engraving “ Melancholia.” 1514. L. 249.
Pen and ink. Signed. 275 X 172. Collection : Sloane (5218-39).