Zitierlink:
https://digi.ub.uni-heidelberg.de/diglit/duerer_society1911a/0034
26
INDEX TO PLATES
7. The '' Weierhaus," near Nuremberg. Water-colour. British Museum.
8. A Castle on a Rock. Water-colour. The Louvre.
9. Study of a Greyhound. Brush drawing. Windsor Castle.
10. Sketch of the All Saints' Altar-piece; with the frame. 1508. Pen and ink
drawing, washed with colour. Chantilly.
II. Portrait Sketch of Matthaus Landauer. Charcoal. Staclel Institute, Frankfurt.
13. The Virgin with the Monkey. Engraving. B. 42.
15. St. Eustace. Engraving. B. 57.
16. The Engraved Passion. (The first eight subjects.) B. 3-10.
I The Man of Sorrows. 1509.
2 Christ on the Mount of Olives. I§08.
3 The Betrayal of Christ. 1508.
4 Christ before Caiaphas. 1512.
5 Christ before Pilate. 1512.
6 The Scourging of Christ. 1512.
7 Christ crowned with thorns. 1512.
8 Christ shown to the people. 1512.
17. The Virgin with the Hares. Woodcut. B. 102.
18. St. John the Baptist and St. Onuphrius. Woodcut. B. 112.
19. St. Antony and St. Paul. Woodcut. B. 107.
20. St. Jerome in his Cell. 1511. Woodcut. B. 114.
21. The Adoration of the Magi. 1511. Woodcut. A. 3.
3. LORENZO di CREDI. The Virgin adoring the new-born Child. Uffizi
Gallery, Florence.
12. TITIAN. The Conversion of St. Eustace. Pen and bistre drawing. British
Museum.
14. GIULIO CAMPAGNOLA. The Rape of Ganymede. Engraving. B. 5.
22. HANS BURGKMA1R. The Virgin and Child. Woodcut by Jost de
Negker. B. II.
23. The Master of the Trostspiegel [Hans Weiditz]. The Emperor Maximilian I.
hearing Mass. 1519. Woodcut. B. (Dilrer) a„. 31.
The Third Portfolio, 1900
A. DURER
I. Portrait of A. Durer. 1493. Felix Collection, Leipzig.
2. The Adoration of the Magi. Florence.
3. Study for a Virgin and Child, Pen and ink. Mr. G. Mayer.
4. Another Study of the same composition. Pen and ink. Mr. G. Mayer.
5. The Holy Family. Pen and ink. University Library, Erlangen,
6. Durer's Arms. Charcoal. British Museum,
7. Sketch of the Frontispiece of Roswitha's Comedies, Nuremberg, 1501. Char-
coal. M. Leon Bonnat, Paris.
INDEX TO PLATES
7. The '' Weierhaus," near Nuremberg. Water-colour. British Museum.
8. A Castle on a Rock. Water-colour. The Louvre.
9. Study of a Greyhound. Brush drawing. Windsor Castle.
10. Sketch of the All Saints' Altar-piece; with the frame. 1508. Pen and ink
drawing, washed with colour. Chantilly.
II. Portrait Sketch of Matthaus Landauer. Charcoal. Staclel Institute, Frankfurt.
13. The Virgin with the Monkey. Engraving. B. 42.
15. St. Eustace. Engraving. B. 57.
16. The Engraved Passion. (The first eight subjects.) B. 3-10.
I The Man of Sorrows. 1509.
2 Christ on the Mount of Olives. I§08.
3 The Betrayal of Christ. 1508.
4 Christ before Caiaphas. 1512.
5 Christ before Pilate. 1512.
6 The Scourging of Christ. 1512.
7 Christ crowned with thorns. 1512.
8 Christ shown to the people. 1512.
17. The Virgin with the Hares. Woodcut. B. 102.
18. St. John the Baptist and St. Onuphrius. Woodcut. B. 112.
19. St. Antony and St. Paul. Woodcut. B. 107.
20. St. Jerome in his Cell. 1511. Woodcut. B. 114.
21. The Adoration of the Magi. 1511. Woodcut. A. 3.
3. LORENZO di CREDI. The Virgin adoring the new-born Child. Uffizi
Gallery, Florence.
12. TITIAN. The Conversion of St. Eustace. Pen and bistre drawing. British
Museum.
14. GIULIO CAMPAGNOLA. The Rape of Ganymede. Engraving. B. 5.
22. HANS BURGKMA1R. The Virgin and Child. Woodcut by Jost de
Negker. B. II.
23. The Master of the Trostspiegel [Hans Weiditz]. The Emperor Maximilian I.
hearing Mass. 1519. Woodcut. B. (Dilrer) a„. 31.
The Third Portfolio, 1900
A. DURER
I. Portrait of A. Durer. 1493. Felix Collection, Leipzig.
2. The Adoration of the Magi. Florence.
3. Study for a Virgin and Child, Pen and ink. Mr. G. Mayer.
4. Another Study of the same composition. Pen and ink. Mr. G. Mayer.
5. The Holy Family. Pen and ink. University Library, Erlangen,
6. Durer's Arms. Charcoal. British Museum,
7. Sketch of the Frontispiece of Roswitha's Comedies, Nuremberg, 1501. Char-
coal. M. Leon Bonnat, Paris.