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35

Antony, St. (anonymous woodcut) X. 17, 20
Antony, Temptation of St. (drawing, Vienna)
VIII. 12
Antony and Paul, SS. (drawing, Blasius
Collection, Brunswick), II. 8
Antony and Paul, SS. (woodcut, B. 107),
II. 16
Antwerp, Durer's visit to, III. 6, IX. 18
Apelles and the Cobbler, story of, in Pliny,
IV. 16
Apelles, Calumny of (drawing, Vienna), III.
8 ; drawing by Mantegna, London, III. 8
Apocalypse, Frontispiece of (woodcut, B.
60), V. 15
Apocalypse woodcuts mentioned, I. 11, II.
16, III. II, 12, V.15, VII. II, VIII. 19,
IX. 12, 24.
Apollo (drawing, London), X. 9: group of
drawings connected with, VIII. 17
Apollo and Diana (engraving, B. 68), IV. 13
Apollonia, St. (drawing, Munich Library),
VIII. 13
Arch, Triumphal (woodcut, B. 138), IV. 11,
17, IX. 19, X. 22
Arion on a dolphin (drawing, Vienna), men-
tioned, IX. 15
Arms, see Coat-of-Arms
Aschbach, Joseph, quoted on Roswitha and
Celtes, III. 10
Assumption of the Virgin (woodcut, B. 94),
VII. 15
Athanasius, St., cloak of, in the legend of SS.
Antony and Paul, II. 17
Augusta Pretoria, III. 12, V. 7
Aumale, Duc d', donor of the Chantilly
Collection to the Institute of France, II.
10
Austria, Patron Saints of (woodcut), X. 15
Augsburg, Durer's portraits drawn at, IX. 18
Augsburg, see Collections, Public
Ayrer, see Collections, Private
Baldung, Hans, works in Durer's workshop,
V,5 ; copies paintings of Adam and Eve,
V.5; "Virgin with the Iris," attributed
to by some critics, V. 5; nude studies
(Malcolm Collection) attributed to by
some critics, VIII. 12; drawings by, in
Besanfon Prayer-book, VIII. 13; early
woodcuts by in Beschlossen Gart (1505),
IX. 23; drawing of Virgin and Child
(Malcolm Collection), formerly attributed
to, X. II

Bale, C. S., see Collections, Private
Baptism of Christ (engraving by Schongauer,
B. 8), IV.6
Barbara, St., poem by Durer addressed to,
IV. 16; patroness of Maximilian I., VII.
16; patroness of artillery, VII. 17;
represented in Tucher triptych, IX.
3^4
Barbari, Jacopo de', his engraving of Apollo
and Diana, X. 9; his representation of
satyrs, IX. 15
Barnard, John, see Collections, Private
Barros, J. de, Portuguese historian, IV. 11
Bartholomew, St., invention of the rosary
ascribed to, I. 18; in composition of the
Last Supper, IV. 17, VI. 5; engraving
(B. 47) mentioned, VIII. 18, IX. 20
Bartolommeo, Fra, picture by exchanged for
a Durer, III. 4
Basan, Francois, former owner of blocks by
Durer, IX. 24
Basel, Durer at, III. 3, IV. 3, VII. 7 ; Georg
Schongauer at, IV. 3.
Basel, see Collections, Public
Bath, Men's (woodcut, B. 128), VII. 14
Bath, Women's (drawing, Bremen), VII.
14, IX. 11; (woodcut), VII. 14 Index,
p. 66
Bayersdorfer, Adolf, his opinion on portrait
of Durer's father, IV. 7, VIII. 4; on the
Prayer-book of Maximilian, VIII. 13
Bayliss, J., see Collections, Private
Beck, Egerton, suggests interpretation of
drawing at Rennes, IX. 13
Beck, Leonhard, woodcut by, in Theuer-
dank, mentioned, X. 15
Beham, Barthel, drawing at Dresden, for-
merly attributed to, X. 13
Beham, Hans Sebald, drawing of St. Law-
rence by, VI. 7; drawing of St. Sebald
by, VI. 8, Index, p. 65 ; woodcuts by (St.
Erasmus, St. Wolfgang, vine pattern with
satyrs), VI. 12-14; woodcut of the Virgin
mentioned, VII. 10; drawing of the Vir-
gin at Wurzburg, VII. 10
Beheim, Lorenz, Canon of Bamberg, X. 14
Beireis, see Collections, Private
Beja, D. Fernandes de, rhinoceros presented
to, IV.II
" Belisarius" (drawing, Berlin), III. 1 1
Bellini, Gentile, feminine costume in paint-
ings of, IX. 7; group copied by Durer
from a picture by, IX, 20
 
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