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54: LITERATURE OF BENGAL. (

(

poqtry there is intense feeling and deep pathos ; Bidya-
pati combines these qualifications with a quick fancy, a
varied imagery, an exuberance of grace and ornament.
The faults'of the two poets are also characteristic. Chan-
didas is cloying, and sometimes monotonous, Bidyapati
too artistic, too abstract, in his images and ideas. At
the same time both display the profoundest knpwledge of
the workings of a lover's heart, both sympathise deeply
with, and pourtray feelingly and minutely its various
phases, the^. first troubled impressions of love, its resist-
less force as the tide increases, the bitter pangs of sepa-
ration and the bitterer woes of jealousy, the fond work*
ings of hope, the ghastly effects of despair.

We ifegJJ try to illustrate our remarks with a few
extracts. There is no English version of either Bidya-
pati or Chandidas, \md we have therefore for our English
headers ventured ^.o renderrinto English verse the extracts
made from the poets. We need scarcely remark that our
version will very often fail to convey the deep feeling
which characterizes the poems.



We make an extract,—quite at random from Bidya-
pati,* which we thus venture to render into English." It

*5Tta ^ft*r *rf*t, ^t«r ^tf%, ^rt^ 1,

vsrt*f C*F8,' ^rt*r ^rt^ ^fir, *rfs" ?fw ^R3f ii
^ citfj\, ^nfStal, #t^=r ^<tfa i

^ *W> lt% <i?^, ^ ^t?^ ^fa II
jf«pf *tt"^»> fsprtw, 1^ ¥^ ^ ^tfs i
 
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