261 INDEX.
Prostyle, explanation of the term as applied to a temple, i. 72 v
Protogenes, the painter of the Propylseum of the temple of Mi-
nerva, i. 135, note § *
Prytanes, i. 83
Prytatieum, or town hall of the Sigeans, inscription relating; to
the, ii. 133
Psephismata, ii. 143
Pseudo-dipteral, the term, how applied to a Grecian temple, i, 72
Pteromata, the walks round the exterior of a temple, ibid.
Purification, when thought necessary by the Greeks, i. 85
Pythium, i. 49 ; ii. 125
Q.
Quadriga, bas-relief of a, In the Elgin collection, u, 126
Quatremere de Quincy, M., his inference, from Stuart's disco-
veries, as to the subjects represented in the pediments of the
Parthenon, i. 132
___-----------------------------his explanation of the subjects,
h 240, 241
Regilla, theatre of, i. 29
Ehamnus, aspect of the temple of, i. 73
■------------account of the temples to Themis and Nemesis at, ii.
172
Rharian plain, i. 19
Rhegium, inscription relating to a treaty between the inhabitants
of, and the Athenians, ii. 139
Rhcecus and Theodoras, the first artists who cast statues in brass,
i. 108* 109
---------one of the works of Rhcecus, remaining in the temple
of the Ephesian Diana in Pausanias's time, i. 110
■ head of Diomede among the Knight bronzes ascribed to
him, ibid.
Rosetta inscription, ii. 143
S.
Sacrifices in the Grecian temples, i, 77
-----------human, once not uncommon in Greece, i. 78
----------— ceremonial of, in the temples, i. 80, 81
■---------— feast made at the end of the, i. 83
-----------the intention at, considered iu preference to the value
of the victim, i, 84
Prostyle, explanation of the term as applied to a temple, i. 72 v
Protogenes, the painter of the Propylseum of the temple of Mi-
nerva, i. 135, note § *
Prytanes, i. 83
Prytatieum, or town hall of the Sigeans, inscription relating; to
the, ii. 133
Psephismata, ii. 143
Pseudo-dipteral, the term, how applied to a Grecian temple, i, 72
Pteromata, the walks round the exterior of a temple, ibid.
Purification, when thought necessary by the Greeks, i. 85
Pythium, i. 49 ; ii. 125
Q.
Quadriga, bas-relief of a, In the Elgin collection, u, 126
Quatremere de Quincy, M., his inference, from Stuart's disco-
veries, as to the subjects represented in the pediments of the
Parthenon, i. 132
___-----------------------------his explanation of the subjects,
h 240, 241
Regilla, theatre of, i. 29
Ehamnus, aspect of the temple of, i. 73
■------------account of the temples to Themis and Nemesis at, ii.
172
Rharian plain, i. 19
Rhegium, inscription relating to a treaty between the inhabitants
of, and the Athenians, ii. 139
Rhcecus and Theodoras, the first artists who cast statues in brass,
i. 108* 109
---------one of the works of Rhcecus, remaining in the temple
of the Ephesian Diana in Pausanias's time, i. 110
■ head of Diomede among the Knight bronzes ascribed to
him, ibid.
Rosetta inscription, ii. 143
S.
Sacrifices in the Grecian temples, i, 77
-----------human, once not uncommon in Greece, i. 78
----------— ceremonial of, in the temples, i. 80, 81
■---------— feast made at the end of the, i. 83
-----------the intention at, considered iu preference to the value
of the victim, i, 84