Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Evans, Arthur J.
Scripta minoa: the written documents of minoan Crete with special reference to the archives of Knossos (Band 1): The hieroglyphic and primitive linear classes — Oxford, 1909

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.806#0065

DWork-Logo
Überblick
Faksimile
0.5
1 cm
facsimile
Vollansicht
OCR-Volltext
LINEAR SCRIPT OF CLASS B

5i

As has already been observed, the great bulk of the tablets presenting the linear
script of Class B belong to the latest Palace Period of Knossos (Late Minoan II).
The art of this period, as illustrated by its most important works, brings it into close
relation with the middle of the Eighteenth Dynasty in Egypt. The wall-painting of
the Cup-bearer, for instance, exhibits to us for the first time in his Cretan home
a representative of the enterprising Aegean race, known to the Egyptians as the
Keftiu or ' Kefts', so frequently depicted on tombs of that period as bringing offerings
to the Viziers of Thothmes III and Amenhotep II.1 More than this, the characteristic

Bulk of
tablets
of latest
Palace
period
{L. M. II).
Chrono-
logical data
supplied by
Egyptian
evidence.

Fig. 27. Graffiti on stucco facing of wall, Room of t!ie Cists, Knossos.

outline of the copper ingots borne on their shoulders by some of these Keft chieftains The Kefts
reappear on a series of inscribed tablets from the Knossian Palace,2 while a hoard *~d 'heir
of nineteen of the ingots themselves was actually found in a repository of the Royal similar '
Minoan Villa excavated by the Italian Mission at Hagia Triada.s Amongst other ingots. Ox-
precious gifts borne by the Keftiu on the Egyptian monuments are gold ox-heads,* vasesSon
representing a certain fixed weight, and cups of the same precious metal, of the tablets,
characteristic Minoan form best known through the Vapheio Vases.* It was,
therefore, especially interesting to find on a linear tablet of Class B, of which the

1 Detailed comparison between the vases seen in the
hands of the Keftiu and 'Mycenaean' types were first
worked out by Steindorff in Arch. Aneeiger, 1891, pp. 11
seqq. For the ' Cup-bearer' and the companion figures
of the 'Corridor of the Procession', see A.J. E.,'The
Palace of Knossos in its Egyptian Relations,' pp. 5, 6
{Egypt, Expl. F. Arch. Report, 1900-1).

* See my 'Minoan Weights and Mediums of Currency'
in Corolla Numismatics, 1906, pp. 355 seqq., and(Knossos,'
Report, 1900, p. 51.

3 Op. cit., p. 358, and Paribeni,' Lavori eseguiti d. Miss.
Archeo!. ital. nel palazzo di Hagia Triada dal 23 febb. al
15 luglio 1903' {Rend. d. Ace. d. Lincei, CI. di Sc. nior., Ser.
5a, vol. xii, pp. 317 seqq.).

* Virey, Tombeau de Rekhmara.

0 Steindorff, op. cit., p. 14, reproduces two such vases
from the wall-paintings of Theban tombs, first published
by Wilkinson and Prisse d'Avennes; cf. too H. R, Hall,
Oldest Civilisation of Greece, pp. 53-5, and W. Max Mllller.
 
Annotationen