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Evans, Arthur J.
The Palace of Minos: a comparative account of the successive stages of the early Cretan civilization as illustred by the discoveries at Knossos (Band 1): The Neolithic and Early and Middle Minoan Ages — London, 1921

DOI Page / Citation link:
https://doi.org/10.11588/diglit.807#0650

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THE PALACE OF MINOS, ETC.

Influence
of Natu-
ralistic
Wall-
painting
on Va.ses.

The Lily
Jars.

already illustrated among the latest works of M. M. II by the close analogy
that the flowers on
the polychrome bowl,
Fig. 197 above,1 pre-
sent to those of the
Saffron Gatherer.

Another poly-
chrome jug of the
same date shows a
lily spray,2 which may
also have been ex-
cerpted from some
parallel composition
on the Palace walls.
The monochrome
successors of such
floral subjects that
now appear make up
for the deficiency of
colouring by greater
picturesqueness of
treatment, and in this
way present a nearer
relation to their proto-
types in the greater
Art.

The fondness of
the M. M. Ill vase
painters for groups
of lilies recalls the
beautiful fragment
of painted stucco
from the South-East
House belonging ap-
parently to the early

part of the present ¥ig. 444. Lily Group from Fresco ; Hagia Triada
Period. The white (from a Sketch).

Madonna lilies on a purplish ground seen on the jars of the little
3 See above, p. 264. 2 See above, p. 264, Fig. 196.
 
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