Fairbanks, Arthur: Greek art: the basis of later European art (New York: Longmans, Green & Co., 1933)

THE SPIRIT OF GREEK ART

protruding cheek-bones, with little relation be-
tween them. In earlier male figures, the em-

phasis on detail is even more marked, as in the

knees and feet E~
while torso and E" m
with no prope E~
gether. But til E-^
to grasp the w E-7

And with pj = m
comes progress -
early sculptoi E
methods for s E~
women, all dt E"
rather than 11 =—
middle of the E-
could convey 1 E-^
archaic smile ( E.
chest (UFA, j EA?
lows the line o -


□
o
o
O



<D
□
CO

■