CONTENTS.
PREFACE................................................P<W xiii.
INTRODUCTION ............................................ 1
ANCIENT ART.
I.—USE OF ART........................................ 27
II.—CAUSES OF SUCCESS................................ 31
III. —THE BEAUTIFUL.................................... 01
IV. —THE IDEAL.......................................... 71
V.—INDIVIDUALITY.................................... 91
VI.—COLOSSAL SCULPTURE.............................. 95
VII.—CHRYSELEPHANTINE SCULPTURE, AND ICONIC-
POLYCHROMY.................................... 104
Vm.—PERSPECTIVE, AND OPTICAL ILLUSION.......... I**4
MODERN ART.
I.—DECLINE OF ART.................................. 179
II.—INDIVIDUALITY.................................... 189
III. —COSTUME............................................ 210
IV. —DECORUM............................................ 224
V._COLOSSAL SCULPTURE ............................ 231
VI.—PERSPECTIVE ...................................... 239
VII.—BAS-RELIEF AND PEDIMENTAL SCULPTURE .... 249
VIII.—THE IDEAL.......................................... 261
IX.—CONCLUSION...............................,........ 269
b
PREFACE................................................P<W xiii.
INTRODUCTION ............................................ 1
ANCIENT ART.
I.—USE OF ART........................................ 27
II.—CAUSES OF SUCCESS................................ 31
III. —THE BEAUTIFUL.................................... 01
IV. —THE IDEAL.......................................... 71
V.—INDIVIDUALITY.................................... 91
VI.—COLOSSAL SCULPTURE.............................. 95
VII.—CHRYSELEPHANTINE SCULPTURE, AND ICONIC-
POLYCHROMY.................................... 104
Vm.—PERSPECTIVE, AND OPTICAL ILLUSION.......... I**4
MODERN ART.
I.—DECLINE OF ART.................................. 179
II.—INDIVIDUALITY.................................... 189
III. —COSTUME............................................ 210
IV. —DECORUM............................................ 224
V._COLOSSAL SCULPTURE ............................ 231
VI.—PERSPECTIVE ...................................... 239
VII.—BAS-RELIEF AND PEDIMENTAL SCULPTURE .... 249
VIII.—THE IDEAL.......................................... 261
IX.—CONCLUSION...............................,........ 269
b