DOI Page / Citation link:
https://doi.org/10.11588/diglit.25500#0429
COMPARATIVE ARCHITECTURE.
Note.—In the Admiralty and War Office competition, only
one Gothic design was selected for the second com-
petition. This practically publishes the death of the
Gothic style for public buildings. The foundation -of
the South Kensington Museum carried further the
influence of the 1851 Exhibition, by its illustration of
ancient decorative art, and by the atelier which was
there maintained for some years.
CLASSIC SCHOOL PRACTICALLY
RESERVED FOR SECULAR
WORK.
R. Norman Shaw (later
buildings): Alliance Assurance
Office, Pall Mall ; houses at
Queen’s Gate, London ; house
near Salisbury, in the Wren
style; New Scotland Yard
(Anglo-Classic).
T. G. Jackson: Work at
Oxford. The examination
schools, and addit.ons to col-
leges in revived Elizabethan.
Ernest George and Peto.
Influence of Flemish Renais-
sance : works at Collingham
Gardens and Cadogan Square,
London ; houses at Streatham
Common; Buchan Hill, Sus-
sex, etc.
E. R. RobsonandJ. J. Steven-
son. Work for London School
Board : London vernacular
style in red dressings and
yellow stock bricks.
Revival of terra-cotta as
a building material.
Charles Barry: Dulwich
College.
Alfred Waterhouse: The
Natural History Museum.
R. W. Edis: Constitutional
Club, London.
GOTHIC SCHOOL PRACTICALLY
RESERVED FOR CHURCH
WORK.
Paley and Austin : churches
in Lancashire.
Douglas and Fordham:
churches and half timber-work
domestic in Chester, etc.
J. D. Sedding (1837-1892):
Holy Trinity Church, Chelsea,
marks the raising of the arts
and crafts into their proper
importance ; the church of the
Holy Redeemer, Clerkenwell
(a new version of the Wren
style); St. Clement, Bourne-
mouth, and domestic work
adjacent.
The latest works of va-
rious tendencies.
T. E. Collcutt: Imperial In-
stitute.
E. W. Mountford: Sheffield
Town Hall; Battersea Town
Hall; Battersea Polytechnic.
J. M. Brydon: Chelsea
Note.—In the Admiralty and War Office competition, only
one Gothic design was selected for the second com-
petition. This practically publishes the death of the
Gothic style for public buildings. The foundation -of
the South Kensington Museum carried further the
influence of the 1851 Exhibition, by its illustration of
ancient decorative art, and by the atelier which was
there maintained for some years.
CLASSIC SCHOOL PRACTICALLY
RESERVED FOR SECULAR
WORK.
R. Norman Shaw (later
buildings): Alliance Assurance
Office, Pall Mall ; houses at
Queen’s Gate, London ; house
near Salisbury, in the Wren
style; New Scotland Yard
(Anglo-Classic).
T. G. Jackson: Work at
Oxford. The examination
schools, and addit.ons to col-
leges in revived Elizabethan.
Ernest George and Peto.
Influence of Flemish Renais-
sance : works at Collingham
Gardens and Cadogan Square,
London ; houses at Streatham
Common; Buchan Hill, Sus-
sex, etc.
E. R. RobsonandJ. J. Steven-
son. Work for London School
Board : London vernacular
style in red dressings and
yellow stock bricks.
Revival of terra-cotta as
a building material.
Charles Barry: Dulwich
College.
Alfred Waterhouse: The
Natural History Museum.
R. W. Edis: Constitutional
Club, London.
GOTHIC SCHOOL PRACTICALLY
RESERVED FOR CHURCH
WORK.
Paley and Austin : churches
in Lancashire.
Douglas and Fordham:
churches and half timber-work
domestic in Chester, etc.
J. D. Sedding (1837-1892):
Holy Trinity Church, Chelsea,
marks the raising of the arts
and crafts into their proper
importance ; the church of the
Holy Redeemer, Clerkenwell
(a new version of the Wren
style); St. Clement, Bourne-
mouth, and domestic work
adjacent.
The latest works of va-
rious tendencies.
T. E. Collcutt: Imperial In-
stitute.
E. W. Mountford: Sheffield
Town Hall; Battersea Town
Hall; Battersea Polytechnic.
J. M. Brydon: Chelsea