Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

Form: a quarterly of the arts — 1.1916/​1917

DOI issue:
Nr. 2
DOI article:
Verlagsinformation
DOI article:
Contents
DOI Page / Citation link: 
https://doi.org/10.11588/diglit.29342#0064

DWork-Logo
Overview
loading ...
Facsimile
0.5
1 cm
facsimile
Scroll
OCR fulltext
NNUAL Subscriptions to FORM are invited at the following rates: United
Kingdom, British Colonies, ^1-4-0, post free; U.S.A. and other countries,
^2-0-0 post free; Edition-de-Luxe (50 copiesonly),all countries, ^3-3-0,
post free. Purchasers of the Edition-de-Luxe will receive with each issue an
additional large etching on hand-made paper. Subscriptions, as also all in-
quiries respecting advertisements, should be addressed to the Business Man-
ager. MSS. and Drawings may be submitted to the Editor at the same
address; no rejected contribution will be returned unless accompanied by a
stamped addressed envelope. All trade orders are dealt with by John Lane, The Bodley Head, Vigo
Street, London, W. 1.

THE Conductors of FORM beg to announce that they propose to publish from time to time
finely printed editions of modern literature. The first two of these volumes have already been
completed. The first is an edition of eight poems by W. B. Yeats. The second volume con-
tains Twelve Poems by J. C. Squire, printed on hand-made paper, with decorations by Austin O. Spare,
at 4/- each. Twenty copies bound in vellum, numbered, and autographed by the author and artist,
are available at one guinea each. There will also be published shortly an edition-de-luxe of The Little
Flowers of St. Francis, with numerous auto-woodcuts by Frank Brangwyn, A.R.A. The price will be
10/6 and there will be a limited number of copies bound in vellum and autographed by the artist. All
prices are net, and subscriptions are invited at 190 Ebury Street, S.W. 1. (All communications to be
addressed to the Editor.)

Separate issues of most of the prints in FORM may be obtained, printed on special paper and auto-
graphed by the artists. Prices on application.

CONTENTS

iUterarp Contributtons*

Page

FORM AND SUBSTANCE. By Charles Marriott 6

THREE POEMS. By Francis Burrows 12

THREE POEMS. By Gilbert Cannan 13-14, 26
THREE POEMS. By A. L. Huxley 15-16

BIBLYSIUM. Poem by Harold Massingham 16

IRIS. Poem by Count Plunkett 17

THREE POEMS. By John Freeman 17

POINT AND MORDANT. Poem by Frederick
Carter 18

WHAT THOUGHTS ARE MINE. Poem by
W. H. Davies 18

CONFESSION. Poem by W. H. Davies 18

VALUE AND EXTENT. Poem by T. Sturge
Moore 19

TRIVIA. By L. Pearsall Smith 21

THREE POEMS. By J. C. Squire 23, 26

SWEET DAY, SO CALM, SO FAIR, SO
BRIGHT. Poem by Harold Massingham 26

THE SINGLE EYE. By Ivor Brown 27

FORM AND IDEA. By Francis Marsden 35

LONELY LONGING. (Music.) By A. J.

Rowan Hamilton 31

LEVANA & OUR LADIES OF SORROW.
(Music.) By Van Dieren 32-34

Contributtons bp 2Draugt)tsmen and
Calttgrapftersh

STANLEY ANDERSON: Initials pp, 27, 28
FRANK BRANGWYN, A.R.A.: Three Woodcuts pp.
23, 24-25, 30

HERBERT COLE: Decoration p. 27
ERNEST COLLINGS: Drawing 35
FREDERICK CARTER: Drawing 2; Designs pp.

15, 16, 18; Quackery: Drawing, p. 29; Designs pp.
36, 37; Initial p. 35

ARCHY M. FLETCHER: Calligraphy on Cover;
Calligraphy pp. 3, 4, 35

GUY PIERRE FAUCONNET: Drawings pp. 5, 6,
21; Lithograph p. 20; Initial p. 21
W. GRIGGS & SONS: Lithograph p. 1
ROALD KRISTIAN: Two Woodcuts on Cover;
Woodcut p. 22

T. STURGE MOORE: Woodcut p. 40

PHILIP NEWTON: Initials pp. 3, 6, 7, 9, 12, 13, 15,

16, 17, 18, 26; Designs pp. 8, 13

W. M. R. QUICK: Initials cut on Wood pp. 3, 12, 13,
15, 16, 17, 18, 26; Design cut on Wood p. 13
AUSTIN O. SPARE: Lithograph p. 11, Allegory pp.
38-39

LEONARD SYRETT: Calligraphy pp. 31-34
EDWARD TIJTGAT: “Le petit Chaperon rouge”
Woodcut p. 10

A. WARD: Woodcut Initial p. 23
 
Annotationen