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Gardner, Percy
The principles of Greek art — London, 1924

DOI Page / Citation link:
https://doi.org/10.11588/diglit.9177#0129
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VII

FRONTALITY IN GREEK ART

109

in fact it represents, but also the conventions of the artist, as
determined by his period, his school, his range of ideas. We
must look at it not only in relation to nature, but also in rela-
tion to the human spirit, and the laws according to which in
various countries that spirit works in the world of art.
 
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