Hill, George Francis: A corpus of Italian medals of the Renaissance before Cellini: in 2 volumes (Volume 1): Text (London: British Museum, 1930)

CORRIGENDA

Page 117, no. 444. Stockholm has a good struck speci-
men, | 35 mm.
Page 125. Add after no. 475, the medal of Lucina
Savorgnan, p. 313, no. 1333, Pl. 201.
Page 147, no. 582. Copenhagen has a specimen, 58 mm.
Page 152, no. 598. Stockholm has a specimen, silver (?)
gilt, 51 mm.
Page 168. Caradosso. A portrait, identified as Cara-
dosso and the work of Raphael, dated 1516, was in the
Worsley and Yarborough Collections (illustr. Christie’s
Sale, 12 July 1929, lot 74). See Waagen, Art Treasures
in Great Britain, Suppl. p. 68.
Page 221, no. 855. Mr. Van de Put refers to Corio
(Historia di Milano, 1503, pars vii, quoted by Thuasne
in his edition of Burckard, iii, pp. 617-18): ‘ sopra la Torre
de langelo era il uixillo papale, a laltra piu bassa due

bandere con le chiaue’. The * vixillopainted by Anto-
naccio Achilli, bore the pope’s arms upon a field strewn
with golden crowns (E. Rodocanachi, Le Chateau Saint-
Ange, p. 94). The banner on the right tower on the
medal seems to have devices (crowns?) upon its field to
the right of the arms.
Page 244, note 1. Mr. Clarence Kennedy has kindly
re-examined the sepulchral slab of Niccold di Luca Spinelli
in S. Felicita, and gives the full reading thus:'+ . S. Nicho-
laus deluce . ijspinellii. aurifex . ess|uorum. dessendenti|um
A. D . M . CCCC. XXII.’ which is an attempt at 'S(epul-
crum) Nicholai de Luca (or Lucae) Spinellii aurificis et
suorum descendentium MCCCCXXH’.
Page 258, no. 975. The inscription is perhaps intended
for De(us) honorem et salutem (dat).

[315]