Hoppin, Joseph Clark: A handbook of Attic red-figured vases, signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Band 1) (Cambridge: Harvard Univ. Press, 1919)

EUTHYMIDES

Hoppin, Euthymides; Euthymides and his Fellows.1
Robert in Pauly-Wissowa, s.v. Euthymides.
Sauer in Thiemes Lexikon, s.v. Euthymides.
Furtwangler, F.R. i, pp. 63-71, 173—179; ii, pp. 75-81,
109-m; idem, BPW. 1894, p. 113.
Klein, pp. 193-198.
Perrot and Chipiez, x, pp. 455-459.
Beazley, VA. p. 32-33; JHS. 1917, pp. 233-237.
Pottier, Gaz. d. Beaux Arts, 1917, pp. 433-446.
Nicole, Corpus 80.
Euthymides ranks next after Euphronios as the great painter
of the Euphronian cycle, but evidently counted himself as his
superior, judging from the celebrated inscription ώ$ ουδέποτε
FvppbvLos on 2*. He is the only artist of the time with the
exception of Kleophrades and Hieron who adds the patronymic
to his signature.
Only four vases exist today with his signature, the fifth (5*)
formerly in the Museo Bocchi at Adria having now disappeared.
Three out of the five signatures use the aorist and the other two
the imperfect case of the verb, thus placing the beginning of
his activity in the Epiktetan cycle. There is good reason to
believe that he was the partner of Phintias and the master of
the Kleophrades Painter.
The following names are used by him: Megakles, 1*; Smiky-
thos, 1*.
1 References to Hoppin alone are to Euthymides and his Fellows.

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