XENOPHANTOS
A potter of the late Free Style and a contemporary of Meidias.
Only one vase with his signature is preserved.
i*. Petrograd (St. 1790). Lekythos. FromKertsch: h. 0.38.
Gilding is extensively used and the figures are in relief.
Cat. (St.) ii, p. 310; (W.) p. 114.
Stephani, CR. 1864, p. 75; 1866, pl. iv = Reinach, i,
p. 23.
Ant. d. Bosph. Cimmer. pls. 45 and 46.
AZ. 1856, pls. 86-87.
Nicole, Corpus 117.
Ray. and Coll. pp. 263-266, figs. 100-101.
Klein, p. 202.
Roscher, iii, p. 328.
Buschor, p. 219.
Neck: Three Nikai on bigae: Centaur and Greek: giant,
Athena, and Herakles. ΞΕΝΟΦΑΝΤΟ3 ΕΓΌΙΗ^ΕΝ
ΑΘΗΝβΑΙΟ^.
Main: Persian king hunting. ABPOKOMA^ ATPAMI^
^ΕΙίΑΜΗ^ Δ-ΡΕΙΟί KVPOS EVPVAVO^ KAVTIO·
Other Attributions
Meidias 22 bis, 24.
[474 ]
A potter of the late Free Style and a contemporary of Meidias.
Only one vase with his signature is preserved.
i*. Petrograd (St. 1790). Lekythos. FromKertsch: h. 0.38.
Gilding is extensively used and the figures are in relief.
Cat. (St.) ii, p. 310; (W.) p. 114.
Stephani, CR. 1864, p. 75; 1866, pl. iv = Reinach, i,
p. 23.
Ant. d. Bosph. Cimmer. pls. 45 and 46.
AZ. 1856, pls. 86-87.
Nicole, Corpus 117.
Ray. and Coll. pp. 263-266, figs. 100-101.
Klein, p. 202.
Roscher, iii, p. 328.
Buschor, p. 219.
Neck: Three Nikai on bigae: Centaur and Greek: giant,
Athena, and Herakles. ΞΕΝΟΦΑΝΤΟ3 ΕΓΌΙΗ^ΕΝ
ΑΘΗΝβΑΙΟ^.
Main: Persian king hunting. ABPOKOMA^ ATPAMI^
^ΕΙίΑΜΗ^ Δ-ΡΕΙΟί KVPOS EVPVAVO^ KAVTIO·
Other Attributions
Meidias 22 bis, 24.
[474 ]