Hulin de Loo, Georges: Early Flemish paintings in the Renders Collection at Bruges: exhibited at the Belgian Exhibition, Burlington House, January 1927 (London, 1927)

or by different representations, even to the mosaics of Sta. Maria
di Transtevere (about 1198 - 1216) showing the Mother sitting
on a throne, suckling her Child, and placed between the Wise
56 From thence the subject spreads to the Siennese and Floreiv
tine styles of painting, we have, in particular, a Virgin suckling
the Child by Donato (f 1347) in the Berlin Museum, and by
Ambrogio Lorenzetti (in works dated from 1331 to 1334) in
the Siena Seminary; the gesture of the Child in the 14th. Italian
century already shows the variations we noted above in Campin,
in Rogier and in the tondos. We have just seen in the case
of the Crucifixion bearing the arms of the Duke of Berry how
frequently, at that time already, the Flemish painters borrowed
from the works of the Peninsula. *-r-—t-*——-r-1—-—^

SUMMARY BIBLIOGRAPHY :

55 Millet {Gabriel) : Recherches sur l’iconographic de I’Bvangile. Paris,
56 Priedlander {Max /.): Die Altniederldndische Malerei, t. II, Berlin,