Hulin de Loo, Georges: Early Flemish paintings in the Renders Collection at Bruges: exhibited at the Belgian Exhibition, Burlington House, January 1927 (London, 1927)

Metadaten

Hulin de Loo, Georges
Early Flemish paintings in the Renders Collection at Bruges: exhibited at the Belgian Exhibition, Burlington House, January 1927 — London, 1927

DOI Page / Citation link:

https://doi.org/10.11588/diglit.42081#0140

Intro Page
Further literature on theory and history of Art

Use/Order

Content
Full text search

Schmutztitel
Titelblatt
9-28 Introduction
29-36 The master of «Saint Veronica»: so-called Meister Wilhelm. Figure of the «Christ de Pitie» between the virgin and Saint Catharine
37-44 Franco-Flemish Master working for the Duke of Berry about 1400. Crucifixion
45-52 Benedictine «Christ de Pitié» about 1420-1440
53-58 Rogier Van der Weyden. The virgin suckling her child
59-66 Rogier Van der Weyden. Virgin and child. Wing of the diptych of Jehan Gros
67-76 Memling. Saint Mary-Magdalen. Wing of a triptych
77-82 Memling. The virgin with the child and an angel, in a room
83-86 A successor of Petrus Christus who worked during the last quarter of the 15th. century. Christ giving his blessing and the virgin at prayer
87-92 The master of the Baroncelli portraits. The annunciation, in a room
93-98 Beginning of the 16th. century. St. Francis of Assisi, standing in a landscape
99-104 Jean Provost. The virgin and child, in a landscape
105-110 An Antwerp mannerist about 1520. Studio of the master of Groote's adoration. Pieta
111-116 Joachim Patenier or his studio. Saint Jerome, in a landscape
117-124 Jan Gossart called Mabuse. The instruments of the passion carried by small angels. An original?
125-128 School of Bruges. First thirty years of the 16th. century. The virgin, holding the child, standing, on her knees
129-132 School of Quinten Metsys, about 1540. Portrait of a man with black hat
133-134 Index
Maßstab/Farbkeil

Annotationen

Cite this page

Feedback