INTERNATIONAL STUDIO SUPPLEMENTS
The remarkable success which has attended the issue of "ENGLisH WATER-CoLOUR," and
numerous requests that a volume should be devoted exclusively to the varied phases of the Art of
To-day, have induced the Editor to pubiish a New Work entitled —
REPRESENTATIVE ART
OF OUR TIME
This work contains original Etchings, Drypoints, Lithographs, Xylographs, and Reproductions of
Pastels, Water-Colours, and other forms of Art Work, representing all that is best in the Modern
Graphic Arts. Many of the illustrations have been prepared especially for this pubiicadon. It is
being issued in eight monthly parts.
Although the dimensions of the publication are uniform with those of " ENGLisH WATER-CoLOUR,"
it was decided, in many cases, materially to increase the actual size of the reproductions, for it was
felt that the more completely satisfactory results obtained thereby would fully justify the necessarily
iarge additiona! expenditure.
Subscribers to the complete work will be presented with a specially designed Portfolio to hold the
Eight Parts.
Among the artists whose work appears in the publication, arrangements have been made with
Messrs. ALBERT GooDWIN, SlR ERNEST WATERLOO, A.R.A., P.R.W.S., SlR GEORGE REID,
P.R.S.A., FRANK BRANGWYN, W. McTAGGART, R.S.A., GEORGE HENRY, A.R.S.A., ALFRED
EAST, A.R.A., E. A. HoRNEL, D. Y. CAMERON, GASTON LA ToUCHE, AuGUSTE LEPERE, EDGAR
CHAHINE, H. RlVIERE, JoSEF IsRAELS, G. DuPUIS, L. LEVY-DHURMER, E. AMAN-jEAN, R. DupONT,
HENRI CASSIERS, W. O. J. NlEUWENKAMP, VERNON HoWE BAILEY, NlCO JuNGMANN, FRITZ THAULOW,
FRED BuRRIDGE, ARNESBY BROWN, pRANCIS E. JAMES, and H. H. LA THANGUE, A.R.A.
Each part contains a specialiy written article by an expert dealing with one of the graphic mediums
represented in the publication. The subjects considered include Lithography, Etching and Dry-
point, Pastel, Pen and Pencil work, Monotyping, Water-Colour, Wood-Engraving and Oil-Painting.
W. R. — Rfrf ySr
ISSUED IN EIGHT MONTHLY PARTS - SUBSCRIPTION, %8.oo ^
THE FOLLOWING PARTS NOW READY: —
PART I. THE MODERN ASPECT OF WOOD ENGRAVING
PART II. THE MODERN ASPECT OF ARTISTIC LITHOGRAPHY
PART III. TFIE FUTURE DEVELOPMENT OF OIL-PAINTING
PART IV. THE DEVELOPMENT AND PRACTICE OF ENGLISH WATER-COLOUR
THE REMAINING FOUR PARTS WILL FOLLOW MONTHLY
JOHN LANE TFIF^EN^E NEW YORK
AD. XIV.
The remarkable success which has attended the issue of "ENGLisH WATER-CoLOUR," and
numerous requests that a volume should be devoted exclusively to the varied phases of the Art of
To-day, have induced the Editor to pubiish a New Work entitled —
REPRESENTATIVE ART
OF OUR TIME
This work contains original Etchings, Drypoints, Lithographs, Xylographs, and Reproductions of
Pastels, Water-Colours, and other forms of Art Work, representing all that is best in the Modern
Graphic Arts. Many of the illustrations have been prepared especially for this pubiicadon. It is
being issued in eight monthly parts.
Although the dimensions of the publication are uniform with those of " ENGLisH WATER-CoLOUR,"
it was decided, in many cases, materially to increase the actual size of the reproductions, for it was
felt that the more completely satisfactory results obtained thereby would fully justify the necessarily
iarge additiona! expenditure.
Subscribers to the complete work will be presented with a specially designed Portfolio to hold the
Eight Parts.
Among the artists whose work appears in the publication, arrangements have been made with
Messrs. ALBERT GooDWIN, SlR ERNEST WATERLOO, A.R.A., P.R.W.S., SlR GEORGE REID,
P.R.S.A., FRANK BRANGWYN, W. McTAGGART, R.S.A., GEORGE HENRY, A.R.S.A., ALFRED
EAST, A.R.A., E. A. HoRNEL, D. Y. CAMERON, GASTON LA ToUCHE, AuGUSTE LEPERE, EDGAR
CHAHINE, H. RlVIERE, JoSEF IsRAELS, G. DuPUIS, L. LEVY-DHURMER, E. AMAN-jEAN, R. DupONT,
HENRI CASSIERS, W. O. J. NlEUWENKAMP, VERNON HoWE BAILEY, NlCO JuNGMANN, FRITZ THAULOW,
FRED BuRRIDGE, ARNESBY BROWN, pRANCIS E. JAMES, and H. H. LA THANGUE, A.R.A.
Each part contains a specialiy written article by an expert dealing with one of the graphic mediums
represented in the publication. The subjects considered include Lithography, Etching and Dry-
point, Pastel, Pen and Pencil work, Monotyping, Water-Colour, Wood-Engraving and Oil-Painting.
W. R. — Rfrf ySr
ISSUED IN EIGHT MONTHLY PARTS - SUBSCRIPTION, %8.oo ^
THE FOLLOWING PARTS NOW READY: —
PART I. THE MODERN ASPECT OF WOOD ENGRAVING
PART II. THE MODERN ASPECT OF ARTISTIC LITHOGRAPHY
PART III. TFIE FUTURE DEVELOPMENT OF OIL-PAINTING
PART IV. THE DEVELOPMENT AND PRACTICE OF ENGLISH WATER-COLOUR
THE REMAINING FOUR PARTS WILL FOLLOW MONTHLY
JOHN LANE TFIF^EN^E NEW YORK
AD. XIV.