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Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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International studio — 23.1904

DOI Heft:
No. 89 (July, 1904)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.26962#0086

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Stursa deserves mention here for his marble por- was arranged by Josef Urban, and displayed much
trait of the painter A. K. Gips, and A. C. Lowen- originality.
thal in his portrait plaques showed remarkable -
energy and breadth of manipulation. The gallery The Secession Spring Exhibition was very inte-
resting. Josef Engelhart,
not only as a painter but
also as a sculptor, gave
excellent proofs of his
double gifts. The Red
Hat (Der Rothe Hut) was
his finest effort. An ex-
ceedingly noble plaster was
Franz Metzner’s Erde,
which the artist himself cut
in savoniere stone. In the
centre of the large hall
was Hugo Lederer’s
beautiful fountain, destined
to be placed before
the University of Breslau.
Edmund Hellmer’s marble
portrait of a child was
a fine piece of sculpture,
full of life and tempera-
ment. Of the picture
artists Gustav Klinst only
sent one work, Water
Snakes, a good piece of
decorative painting.
Another striking picture
was Idima's Apple, by
“breakfast” by carl moll Maximilian Lentz.
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