International studio (23.1904)

Studio-Talk


“CYMRIC” SILVER CDP DESIGNED BY MISS COGGIN
ENAMEL PANEL DESIGNED BY CECIL ALDIN

the vehemence of colour which was
the habit of the school, and they
give evidence of careful study of
nature throughout. The coast
studies, Mounts Bay, Tintagel, and
Forgotten, have much truth of effect;
and the small low-toned landscape,
The Falling Snow, is pleasantly
treated and has a decided charm
of atmospheric effect.

We give on the following page a
reproduction of a piece of the Coro-
nation Robe which was executed
for the Queen by Mr. F. Vigers. It
is worked in gold and silver threads.
PARIS.—Rodin’s great Pen-
seur exhibited in the
galleries of the Societe
Nationale des Beaux-Arts
this year monopolised attention to
such an extent that the master’s
second exhibit—a marble bust of a
woman—was somewhat overlooked.
Yet it is one of his most delicate,
most delicious, works, wherein he
manifests all his grace, all his subtle
comprehension of female beauty.

In addition to his more powerful

Mr. Arthur Hughes, who re-
cently had at Mr. Dunthorne’s
Gallery an exhibition of small land-
scapes and figure subjects, has
special claims upon the attention
of present day art-lovers, because
he is one of the survivors of a move-
ment which had a great effect
upon the development of the
English School. A contemporary
of the men who founded the Pre-
raphaelite movement, he adopted
the principles which they advo-
cated, and to these principles he
has adhered ever since. The
pictures exhibited had much
of the Pre - raphaelite precision
of statement, something too of


“CYMRIC” SILVER CASKET

DESIGNED BY OLIVER BAKER

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