International studio (27.1905/1906(1906))

Studio-Talk


PORCELAIN

DESIGNED BY PROFESSOR SC.HMUZ-BAUDISS


be called their patina effect, of which, it seems to
me, that most skilful and conscientious founder
alone has the secret.
BERLIN.—We reproduce here some exam-
ples of porcelain work by Prof. Schmuz-
Baudiss. Like the Copenhagenworkers,
Theo. Schmuz-Baudiss confines himself
in the decoration of his porcelain to sub-glaze paint-

ing. But this is the only tie which binds him to the
Danish School of Porcelain, his work being quite
dissimilar in all other respects—material, colour,
and tec.hnique. The porcelain vessels invented by
Dr. Heinecke, director of the Royal Porcelain.
Manufactory in Berlin, of which Schmuz-Baudiss
has made use, have a warm ivory tint, in contrast
with the somewhat cold white of the Copenhagen
porcelain wäre, and the colours have richer shades.
Schrnuz - Baudiss’s vessels-
in this material are in the-
highest degree transparent.
Whereas blue predominates
in the palette of the Co-
penhagen porcelain paints,
Schmuz-Baudiss employs a
combination of soft greens
and greys and reds, which,.
as in the case of the Danish
porcelains, are distributed
in a finely powdered state
over the vessel by means
of the aerograph.

DESIGNED BY PROFESSOR SCHMUZ- PAUDISS

Schmuz-Baudiss has now
employed this technique in
a manner of his own. He
cuts the ornamentation on

PORCELAIN