International studio (27.1905/1906(1906))

Studio-Talk

Grethe, R. Haug, T, T. Heine, A. Hölze],
L. von Hofmann, Count Kalckreuth, A. Kampf,
M. Klinger, K. Kollwitz, G. Kuehl, W. Leistikow,
M. Liebermann, G. Lührig, S. Schneider, G.
Schönleber, F. Skarbina, T. Stadler, W. Steinhausen,
R. Sterl, H. Thoma, F. von Uhde, H. von Volk-
mann, and some others. The Studios of these
men, scattered throughout Germany, were visited
personally by the arrangers of the exhibition, for
this is the only way fresh and good material can be
obtained. To increase the historical interest of the


STUDY BY ROBERT HAUG
(By permission of Herr E. Arnold)


STUDY BY FRANZ SKARBINA
( By permission of Herr E. Arnold)
stripped of all sensations or irrelevant issues is
upon the increase.

Within its given scope the exhibition offers a
wonderful variety. The figure painters, the land-
scapists, animal painters, painters of architecture
and Street scenes, of poetical and fancy subjects,
of “ poor folk ” and religious pictures, and of por-
traits are all represented. It is alone worth while
visiting the show in Order to compare the treatment

show a number of drawings by deceased
artists, A. Feuerbach, W. Leibi, Hans von
Marees, L. Richter, M. von Schwind and
Sion L. Wenban have been included.

Exhibitions of this kind, restricted to a
certain dass of work or a single technique,
are becoming populär, and we may rejoice
at the fact. For to enjoy them requires
a good deal keener understanding and a
warmer love of art than is exacted by the
large general exhibitions where the diver-
sity of the work presented to view excites
the interest of visitors even if they are not
at all susceptible to real art values. The
success, then, of such shows proves that
the public seriously intent upon art