DOI Heft:
No. 129 (November, 1907)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.28253#0090
Studio-Talk
medallists. Starck is very
fine in his modelling, deep
in expression, and gives
his best in classical types.
Bosselt profits by French
technique yet is essentially
German in character. His
sharp-lined portraits,
figures, and ornaments
betray the decorative
artist.
PLAN OF KING HAAKON’S FOREST RESIDENCE
instincts have been strongly roused by Parisian
example, though, after all assimilations, the racial
nature has quickly asserted itself.
Constantin Starck, a pupil ot Reinhold Begas,
and Rudolf Bosselt, pupil of Josef Kowarzyk,
belong to the younger generation of German
The recent exhibition
of Ferdinand von Ray ski’s
works at Schulte’s gallery
will do much to establish
the reputation of the Saxon
master, who died forgotten
in Dresden in 1890. The
Berlin Centenary Exhibi-
kr. biong, architect tion has already strongly
revived his memory. If
we omit some less significant works there
remains enough to convince us of the racy tem-
perament of a painter of real distinction. The
German cavaliers and ladies of the middle of last
century have hardly found a more convincing
interpreter. A passionate huntsman, he was
also a close student of nature and a particular
king haakon’s forest residence (See page yj) kr. biong, architect
74
medallists. Starck is very
fine in his modelling, deep
in expression, and gives
his best in classical types.
Bosselt profits by French
technique yet is essentially
German in character. His
sharp-lined portraits,
figures, and ornaments
betray the decorative
artist.
PLAN OF KING HAAKON’S FOREST RESIDENCE
instincts have been strongly roused by Parisian
example, though, after all assimilations, the racial
nature has quickly asserted itself.
Constantin Starck, a pupil ot Reinhold Begas,
and Rudolf Bosselt, pupil of Josef Kowarzyk,
belong to the younger generation of German
The recent exhibition
of Ferdinand von Ray ski’s
works at Schulte’s gallery
will do much to establish
the reputation of the Saxon
master, who died forgotten
in Dresden in 1890. The
Berlin Centenary Exhibi-
kr. biong, architect tion has already strongly
revived his memory. If
we omit some less significant works there
remains enough to convince us of the racy tem-
perament of a painter of real distinction. The
German cavaliers and ladies of the middle of last
century have hardly found a more convincing
interpreter. A passionate huntsman, he was
also a close student of nature and a particular
king haakon’s forest residence (See page yj) kr. biong, architect
74