International studio (36.1908/1909(1909))

subjects of note are the
harmonious of
Mr. Melton Fisher with
the hnish of execution
which beiongs to this
painter, Mr. Geraid
Moira's ZX77-<2, the smaiier
of Mr. Lee Hankey's
and a picture
calied fF<2//<f<7/-/7/^' IL77//7
which represents Miss
Constance Haiford's art
better than ever.

RICHMOND BRIDGE

f-S<?<r///p <y'^j

BY H. M. LIVENS

equal to the decorative rhythm of his iine, and in
and aiso in the smaii painting Zc//
Aj7/-/'//<v, this addition to his art is very noticeabie.
Two works with masteriy quaiities and unusuai
charm are Mr. Oiiver Haii's G/Y<!/'^<2/// Ch/Ti/TM/i
and (hw///<///, but Mr. Hughes-Stanton is
perhaps the most powerfui iandscape exhibitor,
whiist Mr. Grosvenor Thomas's A^/y^/^ Z<///<A<r<2^f
is a notabie iittie panei. Mr. A. D. Peppercorn
sends a fine exampie of
his art in Z*<w/, and a
very interesting work is
Mr. Sydney Lee's ^4/^/7z<?
2T77-7-<?73/. Mr. A. Wither's
C%<2<% Z77, Mr. Terrick
Wiliiams' dZc/-^/' Ga/-/ c/
C<777<r<27*7?M!2/, the W/'<-/4///<7//<f
Z//'<^^ of Mr. H. M.
Livens, and a iandscape
by Mr. G. Houston are
some of the best features.
A deiightfui and charac
teristic exampie of Mr.
Hornel's wholly individual
art is to be seen in his
Y^c-/'///<r^/'/ig /'// C<7y/<?7/,
one of the fruits of his so-
journ in that island. In
our next issue we hope
to give our readers a
coloured reproduction of
this work. Other figure "ANALPiNETORRENT

Among the younger
men who are devoting
their powers primarily to
landscape, there is pro-
bably no more interesting
painter than Mr. Fred
Stratton, none with whom
the credit of English
landscape art promises to stand more securely,
none with whom it makes more surely for
beauty. That he has felt the inhuences of the
Barbizon masters is apparent, but he has wisely
let them teach him how to go to nature, and
learn direct from her the way to express himself.
Essentially romantic in vision and feeling, Mr.
Stratton's attitude towards nature is one of intense
affection and devotion, and she is graciously


BY SYDNEY LEE
139