DOI Heft:
Nr. 153 (November 1909)
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.19868#0034
i4 THE INTERNATIONAL STUDIO November, 190Q
ENGLAND AND THE CONTINENT
Bvishey School
of Painting
BUSHEY, HERTS. ENGLAND
PRINCIPAL
LUCY KEMP-WELCH, R.B.A.
Unique opportunities for the study of Figure and Animal painting
THREE ANNUAL SCHOLARSHIPS PROSPECTUS ON APPLICATION
SPAIN!
TENTH SEASON 1910
MR. ALEXANDER ROBINSON'S
SKETCHING TOUR, in
Leaving New York Feb. 1st for 4 months
PARTY LIMITED TO FIFTEEN MEMBERS.—Instruction 'in all mediums—Art study with
travel—Study in the Prado, and of modern paintings. Early application is necessary.
I he Boston Bureau, 1 he Alexander Robinson's l ours, 22 Aldworlh St., Boston
HENRj SCHOOL OF ART
Classes in Drawing, Painting and Composition under the instruction of R_obert Henri
PORTRAIT CLASSES FOR MEN AND WOMEN. DAY AND EVENING LIFE CLASSICS EOR
WOMEN. DAY AND EVENING LIFE CLASSES FOR MEN. COMPOSITION CLASS
SEASON OF 1909-1910 COMMENCES SEPTEMBER 6
\er
Particulars Atidrfss
F.rT,r,„sana-o,Htr jienr; School of Art, 1947 Broadway, New York
NEW YORK CITY—Continued
ART SCHOOL
Awarded International Silver Medal at St. Louis. 1904
Term: OCTOBER 1-JUNE I
For {Beginners and Jldoanced Students
DESIGN, MODELING, WOOD-CARVING
CAST and LIFE DRAWING
WATER COLOR
ART EMBROIDERY
EVENING CLASS in COSTUME DRAWING
Young Women's Christian Association
7 EAST FIFTEENTH STREET, NEW YORK
Office Houri: 9 A.M. to 5 P.M. and 7 to 9 P.M.
Pratt Institute Art School
BROOKLYN, NEW YORK
Classes in Applied Design, Stained Glass, Interior Decora-
tion, Textile and Furniture Design, Jewelry, Silversmithing,
Life, Portrait, Illustration, Composition, Modeling, Oil and
Water Color Painting. Two and three-year courses in
Architecture. Two-year courses in Normal Art and Man-
ual Training.
30 Studios; 35 Instructors; 23d Year
WALTER SCOTT PERRY. Director
School of Artistic Hand Weaving
Mrs. ANNA ERNBERG
Class instruction and private lessons. Original de-
signs lurnished. Orders solicited.
NEW STUDIO: 188 STATE STREET
BROOKLYN, N. Y.
DOROTHEA WARREN
DESIGN, DECORATION OF PORCELAIN,
WATER COLOR, LEATHER CRAFT CLASSES
36 West Twenty-fifth Street - New York City
Mrs. S. EVANNAH PRICE
. Instruction in Design. China, Oil and Water CoUr
Orden promptly executed. Designs for sale.
China fired.
STUDIO: 33 WEST 24Ui ST., NEW YORK
THE LONDON SCHOOL OF ART
Stratford Road, Kensington, W., London, England
DRAWING, PAINTING. COMPOSITION.
ILLUSTRATION, ANATOMY
Teaching Staff:
William Nicholson George W Lambert
Niels M. Lund C. P. Townsley Uellina W. A. Parkes
For further particulars apply to
C. P. TOWNSLEY. Director
NEW YORK CITY—Continued
ADELPHI COLLEGE
Lafayette Ave., Clifton and St. James Place, Brooklyn, N. Y.
ART DEPARTMENT
Six of the best equipped class-rooms in
Greater New YorK. Antique, Still Life, Por-
trait and Figure Classes. Work in all
Mediums. Individual Instruction.
Terms: $25.00 for 20 weeks—all day—
commencing at any time In the season.
Prof. J. B. WHITTAKER. Director
ISOBEL CLARK PERCY
Design, Landscape Composition
Charcoal and Water Color
Phone, 5271 Mornlngllde. 519 W. 121st Street, New York
L. VANCE.PHILLIPS
Classes in ^^^m^^\ Vance-Phillips
Portrait and//^\ Mineral
Figure Paint-1 I 1] Colors
ing on Porce- \ Vf-oj- I Ml Special prices
lain and I vorj Mr/ '" teachers
Studio; 13 Central Park West_New York
_PENNSYLVANIA_
School of Industrial Art
Or THE PENNSYLVANIA MUSEUM
BROAD AND PINE STS., PHILADELPHIA
Thorough work under trained
specialists in all branches
of Fine and Industrial Art
Special provision for classes in Illustration, Archi-
tecture, Decorative Painting and Sculpture, Pottery,
Metal Work, Industrial Design, Textile Design and
Manufacture.
L. W. MILLER. Principal
From "The English House" John Lane Company
lower garden hall near mali*as
an example of cheshire timber work
T
iJMBER NOGGING—ITS AD-
VANTAGES AND DISADVAN-
TAGES. BY E. A. OULD
Given a suitable client, one who is
worthy of the privilege of living in a timber
house, who will appreciate its advantages
and put up with its drawbacks, timber nog-
ging is eminently a suitable style for a
house of moderate dimensions. No mat-
ter how dry the oak may be it will shrink
and Iwist to some extent when first ex-
posed to the weather and sunshine. After
about two years the oak work will require
overhauling and the lead lights and case-
ments refitting. After this it will give
little trouble if it has been properly con-
structed at first. No style will harmonize
so quickly and so completely with its sur-
roundings and so soon pass through the
crude and brand-new period, and none
continues to live on such terms of good
fellowship with other materials, whether
rosy brickwork, gray lichen-covered ma-
sonry or pearly flag slates, which last it
loves most of all.
. m
Tine cowhoy PAINTER
m. russell, of great falls, mont.
c
M. RUSSKLL, THE COWBOY
ARTIST
The accompanying characteristic pho-
tograph of ('. M. Russell, the painter, was
taken recently by Mr. M. O. Hammond,
of Toronto. Mr. Russell, who is known
to his friends as the "cowboy artist," is
seen painting in cam]) in Montana, where
he spent several weeks in May and June
making sketches.
ENGLAND AND THE CONTINENT
Bvishey School
of Painting
BUSHEY, HERTS. ENGLAND
PRINCIPAL
LUCY KEMP-WELCH, R.B.A.
Unique opportunities for the study of Figure and Animal painting
THREE ANNUAL SCHOLARSHIPS PROSPECTUS ON APPLICATION
SPAIN!
TENTH SEASON 1910
MR. ALEXANDER ROBINSON'S
SKETCHING TOUR, in
Leaving New York Feb. 1st for 4 months
PARTY LIMITED TO FIFTEEN MEMBERS.—Instruction 'in all mediums—Art study with
travel—Study in the Prado, and of modern paintings. Early application is necessary.
I he Boston Bureau, 1 he Alexander Robinson's l ours, 22 Aldworlh St., Boston
HENRj SCHOOL OF ART
Classes in Drawing, Painting and Composition under the instruction of R_obert Henri
PORTRAIT CLASSES FOR MEN AND WOMEN. DAY AND EVENING LIFE CLASSICS EOR
WOMEN. DAY AND EVENING LIFE CLASSES FOR MEN. COMPOSITION CLASS
SEASON OF 1909-1910 COMMENCES SEPTEMBER 6
\er
Particulars Atidrfss
F.rT,r,„sana-o,Htr jienr; School of Art, 1947 Broadway, New York
NEW YORK CITY—Continued
ART SCHOOL
Awarded International Silver Medal at St. Louis. 1904
Term: OCTOBER 1-JUNE I
For {Beginners and Jldoanced Students
DESIGN, MODELING, WOOD-CARVING
CAST and LIFE DRAWING
WATER COLOR
ART EMBROIDERY
EVENING CLASS in COSTUME DRAWING
Young Women's Christian Association
7 EAST FIFTEENTH STREET, NEW YORK
Office Houri: 9 A.M. to 5 P.M. and 7 to 9 P.M.
Pratt Institute Art School
BROOKLYN, NEW YORK
Classes in Applied Design, Stained Glass, Interior Decora-
tion, Textile and Furniture Design, Jewelry, Silversmithing,
Life, Portrait, Illustration, Composition, Modeling, Oil and
Water Color Painting. Two and three-year courses in
Architecture. Two-year courses in Normal Art and Man-
ual Training.
30 Studios; 35 Instructors; 23d Year
WALTER SCOTT PERRY. Director
School of Artistic Hand Weaving
Mrs. ANNA ERNBERG
Class instruction and private lessons. Original de-
signs lurnished. Orders solicited.
NEW STUDIO: 188 STATE STREET
BROOKLYN, N. Y.
DOROTHEA WARREN
DESIGN, DECORATION OF PORCELAIN,
WATER COLOR, LEATHER CRAFT CLASSES
36 West Twenty-fifth Street - New York City
Mrs. S. EVANNAH PRICE
. Instruction in Design. China, Oil and Water CoUr
Orden promptly executed. Designs for sale.
China fired.
STUDIO: 33 WEST 24Ui ST., NEW YORK
THE LONDON SCHOOL OF ART
Stratford Road, Kensington, W., London, England
DRAWING, PAINTING. COMPOSITION.
ILLUSTRATION, ANATOMY
Teaching Staff:
William Nicholson George W Lambert
Niels M. Lund C. P. Townsley Uellina W. A. Parkes
For further particulars apply to
C. P. TOWNSLEY. Director
NEW YORK CITY—Continued
ADELPHI COLLEGE
Lafayette Ave., Clifton and St. James Place, Brooklyn, N. Y.
ART DEPARTMENT
Six of the best equipped class-rooms in
Greater New YorK. Antique, Still Life, Por-
trait and Figure Classes. Work in all
Mediums. Individual Instruction.
Terms: $25.00 for 20 weeks—all day—
commencing at any time In the season.
Prof. J. B. WHITTAKER. Director
ISOBEL CLARK PERCY
Design, Landscape Composition
Charcoal and Water Color
Phone, 5271 Mornlngllde. 519 W. 121st Street, New York
L. VANCE.PHILLIPS
Classes in ^^^m^^\ Vance-Phillips
Portrait and//^\ Mineral
Figure Paint-1 I 1] Colors
ing on Porce- \ Vf-oj- I Ml Special prices
lain and I vorj Mr/ '" teachers
Studio; 13 Central Park West_New York
_PENNSYLVANIA_
School of Industrial Art
Or THE PENNSYLVANIA MUSEUM
BROAD AND PINE STS., PHILADELPHIA
Thorough work under trained
specialists in all branches
of Fine and Industrial Art
Special provision for classes in Illustration, Archi-
tecture, Decorative Painting and Sculpture, Pottery,
Metal Work, Industrial Design, Textile Design and
Manufacture.
L. W. MILLER. Principal
From "The English House" John Lane Company
lower garden hall near mali*as
an example of cheshire timber work
T
iJMBER NOGGING—ITS AD-
VANTAGES AND DISADVAN-
TAGES. BY E. A. OULD
Given a suitable client, one who is
worthy of the privilege of living in a timber
house, who will appreciate its advantages
and put up with its drawbacks, timber nog-
ging is eminently a suitable style for a
house of moderate dimensions. No mat-
ter how dry the oak may be it will shrink
and Iwist to some extent when first ex-
posed to the weather and sunshine. After
about two years the oak work will require
overhauling and the lead lights and case-
ments refitting. After this it will give
little trouble if it has been properly con-
structed at first. No style will harmonize
so quickly and so completely with its sur-
roundings and so soon pass through the
crude and brand-new period, and none
continues to live on such terms of good
fellowship with other materials, whether
rosy brickwork, gray lichen-covered ma-
sonry or pearly flag slates, which last it
loves most of all.
. m
Tine cowhoy PAINTER
m. russell, of great falls, mont.
c
M. RUSSKLL, THE COWBOY
ARTIST
The accompanying characteristic pho-
tograph of ('. M. Russell, the painter, was
taken recently by Mr. M. O. Hammond,
of Toronto. Mr. Russell, who is known
to his friends as the "cowboy artist," is
seen painting in cam]) in Montana, where
he spent several weeks in May and June
making sketches.