International studio — 39.1909/1910(1910)
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Nr. 153 (November 1909)
DOI Artikel:Mechlin, L.: Contemporary american ladscape painting
DOI Artikel:Wood, T. Martin: A picture collector's experiment
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0068
[Index]
j
Briscoe, Miss F..........323 Coppier, Charles........ . 323
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Brown, J............250 Cottet, Charles.......... 323
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Carlsen, Emil. One Illus.......7, 8 Davis, Charles H.......... r2
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Illus............. xi Dufner, Edward. One Illus.....33^,333
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Conder, Charles. One Illus.....17,18,27 Durand............ 4
k
Eaton, Charles Warren. One Illus. . 14,333, 334
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Fraser, Edward Sackwell....... I™
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Gregory, Edward J., R.A. By A. Lys Baldry.
l
Hassam, Childe. One Illus....... 3. 6 Jacque, Charles. One Illus...... 1«
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Hellmer, Professor......... 158 Jouas> Charles.......... 323
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Hind, C. Lewis. Charles Ricketts. Nine Illus. 259 Kenzan, Ogata. Three Illus...... 133
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Mr. and Mrs. Charles P. Taft Collection. Kobori, Yenshu ...... 126
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Holrovd, Sir Charles. Three Illus. 216,218,220,212 __Illus. - •........... xcn
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Hubener, Ulrich......... 320 Lamb, Charles R......... vm
n
Nixon, James..........213 Redfield, Edward W......... 12
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Ould, E. A., F.R.I.B.A. Two Illus. ... 140 Ricketts, Charles. One Illus...... 18, 24
o
Shannon, Charles. One Illus. . . . 20, 186,224 Symons, Gardner. One Illus...... ci
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Sheche'rd F H S 229 Taft, Mr. and Mrs. Charles P., Collection. By
p
Volkmar, Charles......... xcvii Williamson, W. S. Three Illus...... 168
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Ward, C. D........... 153 Young, Charles Morris. One Illus..... 8,12
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Gregory, Edward J., R.A. "Marooned." A Colored Reproduction of the Oil Painting.....xxviii
q
Ricketts, Charles. "The Holy Women and the Angel of the Resurrection." A Colored Reproduction
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Art of Building a Home. By Edward Carpenter................. xxv
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Cloister and the Hearth. By Charles Reade.................. xxvi
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Decorative Study of a Cock. By Edward J. Detmold................ 255
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Fables of Msop. Illustrated by Edward J. Detmold................ 336
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Giovanni Boccaccio. By Edward Hutton................... 250
r
King Charles I at His Trial. By Edward Bower................ 255
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Little Books on Art. By Edward Dillon................... xxiv
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New History of Painting in Italy. By J. A. Crowe and G. B. Cavalcaselle. Edited by Edward Hutton . 170
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Translated by Edward Fitzgerald. Edited with Introduction and Notes by Reynold Alleyne
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Simplification of Life. By Edward Carpenter.................. xxv
Nr. 153 (November 1909)
4
Copyright, lyoy, l>y Charles BcrlbDOT'l Suns
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By CHARLES W. FURLONG
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CHARLES SCRIBNER'S SONS, 153 Fifth Avenue, NEW YORK
5
CHARLES DICKENS AND HIS FRIENDS
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Mr. Teignmouth Shore takes us at once into the very midst of Charles Dickens' large and distinguished circle
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a name famous in the Victorian era which we do not find associated here with that of Charles Dickens.
Nr. 153 (November 1909) / Dutch pictures in the Hudson-Fulton exhibition at the Metropolitan Museum Of Art
Nr. 153 (November 1909) / Contemporary american ladscape painting
Nr. 153 (November 1909) / A picture collector's experiment
Nr. 153 (November 1909) / Studio-talk
Nr. 153 (November 1909) / The Cockcroft cottage at East Hampton, Long Island
Nr. 153 (November 1909) / Japanese lacquer
Nr. 153 (November 1909) / The fall art books
Nr. 153 (November 1909)
Nr. 154 (December 1909) / Contents
Nr. 154 (December 1909)
9
Text by DR. GEORGE F. KUNZ and DR. CHARLES HUGH
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y CHARLES H. CAFFIN
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By CHARLES H. CAFFIN, author of
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Charles Dickens and His Friends
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PerSonaij( ?nn30uth Shore takes us at once into the very midst of Charles Dickens's large and distinguished circle of friends. The
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which we do not find associated here with that of Charles Dickens.
Nr. 154 (December 1909) / The art of Edward John Gregory
87
Edward J. Gregory, R.A.
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to prophesy that as years go on the art of Edward activities of our times. Men of very dissimilar
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achievement, and in his "Piccadilly" by edward j. Gregory, r.a.
Nr. 154 (December 1909) / Reviews and notices
Nr. 155 (January 1910) / Leon Dabo, landscape painter
Nr. 155 (January 1910) / The landscape paintings of James Aumonier
Nr. 155 (January 1910) / Etched book-plates
Nr. 155 (January 1910) / Studio-talk
Nr. 155 (January 1910) / Art School notes
Nr. 155 (January 1910) / Reviews and notices
Nr. 155 (January 1910) / Some pictures from the collection of Mr. and Mrs. Charles P. Taft
Nr. 155 (January 1910)
Nr. 156 (February 1910) / Charles Ricketts
259
Charles Ricketts
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In an article on Mr. Charles Shannon in this not hazard the question—If the Bacchus and
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and various " Mr. Charles Ricketts, to cull a phrase hours ? "I wake up at night " is his brief explana-
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"twin origin" of Charles Ricketts.
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a man as Charles Ricketts, who
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not think that for Charles Ricketts
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to him the name of Titian, he is ''the betrayal" by charles ricketts
262
Charles Ricketts
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his Calvary, the centurion's blue « heuodorus expelled from the temple." by charles ricketts
Nr. 156 (February 1910) / Julius Olsson, painter of seascapes
Nr. 156 (February 1910) / Country cottages and their gardens
Nr. 156 (February 1910) / Studio-talk
Nr. 156 (February 1910) / Art school notes
Nr. 156 (February 1910) / Reviews and notices
Nr. 156 (February 1910) / National Society of Craftsmen exhibition
Nr. 156 (February 1910) / National Academy of Design exhibition
A Picture Collector s Experiment
Redlield has habitually used die short stroke with logue but an introduction ; to indicate in a measure
crisp, broken colour, until the past season, when, the breadth of the field, and to suggest the trend
for the nonce, he adopted the tonalists' style, of endeavour. It is not claimed that American
concealing his craft in a broad finished surface. landscape painters have yet reached their apogee,
He and Mr. Schofield and Mr. Young are pre- that they exclusively have discovered and mani-
eminently painters of winter scenes—of snow, and fested great truths, but rather that they have
sunshine and frosty crystalline air, for the tran- looked out upon the world with seeing eyes and
scription of which, up to the present, no formulas have keenly felt its loveliness —that they have had
have existed. new thoughts, emotions, and aspirations, to which,
And besides these there are the painters who can- with the freshness of youth, sincerity, and joy,
not be even thus broadly classified, such as R. M. they have given expression. L. M.
Shurtleff, the veracious interpreter of midsummer
wood interiors; Charles Warren Eaton and Ben A PICTURE COLLECTOR'S
Foster, painters of nocturnes, poetic, virile and /\ EXPERIMENT. BY T. MARTIN
true; George Melville Dewey, Charles A. Coffin, /..—A \yQOD
Arthur Parton, strong men all; Albert doll, who * *■
has found picturesque motives in the desert of It is to be feared that it is only too true that
Arizona, and, better than any other, has rendered much of the "collecting" done nowadays is purely
significant its spacious breadth ; and Arthur Hoeber, speculative, and betrays a mercenariness in its
both writer and painter, who sees in nature a poetic ulterior motive that defeats the only spirit in
loveliness and transcribes it with acute artistic, which a collector can come into right relations
feeling, framing for the onlooker gentle lyrics with, and nurse the genius in the art of his
neither too insistent nor yet too refined. own time. The term " collection " makes one think
It would be easy to enlarge this list, but the of a famous collector, not long since deceased, who
intention is not to furnish the reader with a cata- it is said was wont to mount to a big room and
" an old mill
14
by c 1". daubiqny
Redlield has habitually used die short stroke with logue but an introduction ; to indicate in a measure
crisp, broken colour, until the past season, when, the breadth of the field, and to suggest the trend
for the nonce, he adopted the tonalists' style, of endeavour. It is not claimed that American
concealing his craft in a broad finished surface. landscape painters have yet reached their apogee,
He and Mr. Schofield and Mr. Young are pre- that they exclusively have discovered and mani-
eminently painters of winter scenes—of snow, and fested great truths, but rather that they have
sunshine and frosty crystalline air, for the tran- looked out upon the world with seeing eyes and
scription of which, up to the present, no formulas have keenly felt its loveliness —that they have had
have existed. new thoughts, emotions, and aspirations, to which,
And besides these there are the painters who can- with the freshness of youth, sincerity, and joy,
not be even thus broadly classified, such as R. M. they have given expression. L. M.
Shurtleff, the veracious interpreter of midsummer
wood interiors; Charles Warren Eaton and Ben A PICTURE COLLECTOR'S
Foster, painters of nocturnes, poetic, virile and /\ EXPERIMENT. BY T. MARTIN
true; George Melville Dewey, Charles A. Coffin, /..—A \yQOD
Arthur Parton, strong men all; Albert doll, who * *■
has found picturesque motives in the desert of It is to be feared that it is only too true that
Arizona, and, better than any other, has rendered much of the "collecting" done nowadays is purely
significant its spacious breadth ; and Arthur Hoeber, speculative, and betrays a mercenariness in its
both writer and painter, who sees in nature a poetic ulterior motive that defeats the only spirit in
loveliness and transcribes it with acute artistic, which a collector can come into right relations
feeling, framing for the onlooker gentle lyrics with, and nurse the genius in the art of his
neither too insistent nor yet too refined. own time. The term " collection " makes one think
It would be easy to enlarge this list, but the of a famous collector, not long since deceased, who
intention is not to furnish the reader with a cata- it is said was wont to mount to a big room and
" an old mill
14
by c 1". daubiqny