International studio — 39.1909/1910(1910)
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Nr. 156 (February 1910)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0521
[Index]
j
Briscoe, Miss F..........323 Coppier, Charles........ . 323
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Brown, J............250 Cottet, Charles.......... 323
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Carlsen, Emil. One Illus.......7, 8 Davis, Charles H.......... r2
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Illus............. xi Dufner, Edward. One Illus.....33^,333
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Conder, Charles. One Illus.....17,18,27 Durand............ 4
k
Eaton, Charles Warren. One Illus. . 14,333, 334
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Fraser, Edward Sackwell....... I™
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Gregory, Edward J., R.A. By A. Lys Baldry.
l
Hassam, Childe. One Illus....... 3. 6 Jacque, Charles. One Illus...... 1«
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Hellmer, Professor......... 158 Jouas> Charles.......... 323
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Hind, C. Lewis. Charles Ricketts. Nine Illus. 259 Kenzan, Ogata. Three Illus...... 133
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Mr. and Mrs. Charles P. Taft Collection. Kobori, Yenshu ...... 126
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Holrovd, Sir Charles. Three Illus. 216,218,220,212 __Illus. - •........... xcn
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Hubener, Ulrich......... 320 Lamb, Charles R......... vm
n
Nixon, James..........213 Redfield, Edward W......... 12
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Ould, E. A., F.R.I.B.A. Two Illus. ... 140 Ricketts, Charles. One Illus...... 18, 24
o
Shannon, Charles. One Illus. . . . 20, 186,224 Symons, Gardner. One Illus...... ci
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Sheche'rd F H S 229 Taft, Mr. and Mrs. Charles P., Collection. By
p
Volkmar, Charles......... xcvii Williamson, W. S. Three Illus...... 168
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Ward, C. D........... 153 Young, Charles Morris. One Illus..... 8,12
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Gregory, Edward J., R.A. "Marooned." A Colored Reproduction of the Oil Painting.....xxviii
q
Ricketts, Charles. "The Holy Women and the Angel of the Resurrection." A Colored Reproduction
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Art of Building a Home. By Edward Carpenter................. xxv
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Cloister and the Hearth. By Charles Reade.................. xxvi
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Decorative Study of a Cock. By Edward J. Detmold................ 255
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Fables of Msop. Illustrated by Edward J. Detmold................ 336
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Giovanni Boccaccio. By Edward Hutton................... 250
r
King Charles I at His Trial. By Edward Bower................ 255
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Little Books on Art. By Edward Dillon................... xxiv
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New History of Painting in Italy. By J. A. Crowe and G. B. Cavalcaselle. Edited by Edward Hutton . 170
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Translated by Edward Fitzgerald. Edited with Introduction and Notes by Reynold Alleyne
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Simplification of Life. By Edward Carpenter.................. xxv
Nr. 153 (November 1909)
4
Copyright, lyoy, l>y Charles BcrlbDOT'l Suns
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By CHARLES W. FURLONG
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CHARLES SCRIBNER'S SONS, 153 Fifth Avenue, NEW YORK
5
CHARLES DICKENS AND HIS FRIENDS
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Mr. Teignmouth Shore takes us at once into the very midst of Charles Dickens' large and distinguished circle
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a name famous in the Victorian era which we do not find associated here with that of Charles Dickens.
Nr. 153 (November 1909) / Dutch pictures in the Hudson-Fulton exhibition at the Metropolitan Museum Of Art
Nr. 153 (November 1909) / Contemporary american ladscape painting
Nr. 153 (November 1909) / A picture collector's experiment
Nr. 153 (November 1909) / Studio-talk
Nr. 153 (November 1909) / The Cockcroft cottage at East Hampton, Long Island
Nr. 153 (November 1909) / Japanese lacquer
Nr. 153 (November 1909) / The fall art books
Nr. 153 (November 1909)
Nr. 154 (December 1909) / Contents
Nr. 154 (December 1909)
9
Text by DR. GEORGE F. KUNZ and DR. CHARLES HUGH
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y CHARLES H. CAFFIN
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By CHARLES H. CAFFIN, author of
11
Charles Dickens and His Friends
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PerSonaij( ?nn30uth Shore takes us at once into the very midst of Charles Dickens's large and distinguished circle of friends. The
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which we do not find associated here with that of Charles Dickens.
Nr. 154 (December 1909) / The art of Edward John Gregory
87
Edward J. Gregory, R.A.
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to prophesy that as years go on the art of Edward activities of our times. Men of very dissimilar
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achievement, and in his "Piccadilly" by edward j. Gregory, r.a.
Nr. 154 (December 1909) / Reviews and notices
Nr. 155 (January 1910) / Leon Dabo, landscape painter
Nr. 155 (January 1910) / The landscape paintings of James Aumonier
Nr. 155 (January 1910) / Etched book-plates
Nr. 155 (January 1910) / Studio-talk
Nr. 155 (January 1910) / Art School notes
Nr. 155 (January 1910) / Reviews and notices
Nr. 155 (January 1910) / Some pictures from the collection of Mr. and Mrs. Charles P. Taft
Nr. 155 (January 1910)
Nr. 156 (February 1910) / Charles Ricketts
259
Charles Ricketts
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In an article on Mr. Charles Shannon in this not hazard the question—If the Bacchus and
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and various " Mr. Charles Ricketts, to cull a phrase hours ? "I wake up at night " is his brief explana-
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"twin origin" of Charles Ricketts.
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a man as Charles Ricketts, who
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not think that for Charles Ricketts
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to him the name of Titian, he is ''the betrayal" by charles ricketts
262
Charles Ricketts
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his Calvary, the centurion's blue « heuodorus expelled from the temple." by charles ricketts
Nr. 156 (February 1910) / Julius Olsson, painter of seascapes
Nr. 156 (February 1910) / Country cottages and their gardens
Nr. 156 (February 1910) / Studio-talk
Nr. 156 (February 1910) / Art school notes
Nr. 156 (February 1910) / Reviews and notices
Nr. 156 (February 1910) / National Society of Craftsmen exhibition
Nr. 156 (February 1910) / National Academy of Design exhibition
Studio- Talk
P
SUMMER EVENING BY EDWARD DUFN'ER
galleries. This artist, who is above all a colourist, cases quite equal to the use of oil pigment on
seeks always for decorative effect. His large panel, canvas, as, for instance, in the works of Mr. Alex-
Des Coquelicots, is consummately composed and ander Robinson, who exhibited a group of eight
■of very sumptuous colouring. F. K. excellently painted studies of Holland and Italy,
masterful in every touch, glowing with warm, sub-
HILADELPHIA.—A high standard in the dued colour and low in tone. The picturesque
quality of the work shown in the Seventh boats of the Zuyder Zee furnished motifs for some of
Annual Exhibition of the Philadelphia the most successful of them.
Water-colour Club, held in the galleries --
■of the Pennsylvania Academy of the Fine Arts, gave Very interesting in a different way were the works
the visitor interested in that form of pictorial art a in water-colours of Mr. Alfred East, so well known
.most agreeable impression. Not that all the pic- to the readers of The Studio. An exhibition of
tures there to be seen were water-colours in the his works in oil has recently been held at the
sense generally accepted as such a few years back, Academy, but he had not before shown aquarelles
for many of them were really paintings in gouache at Philadelphia. Admirable in drawing, careful
or distemper on tinted papers, brown or grey, and painstaking in detail, these drawings delighted
assisted sometimes by the use of pastel chalk or the connoisseur of English landscape painting,
crayon, in fact any medium except oil - colour His views of A Suffolk Village and Knaresbro'
found suitable for the purpose of arriving at the Casile deserve special mention as characteristic
desired result. The effects obtained were in many examples of his craft. Mr. D. Y. Cameron was
331
P
SUMMER EVENING BY EDWARD DUFN'ER
galleries. This artist, who is above all a colourist, cases quite equal to the use of oil pigment on
seeks always for decorative effect. His large panel, canvas, as, for instance, in the works of Mr. Alex-
Des Coquelicots, is consummately composed and ander Robinson, who exhibited a group of eight
■of very sumptuous colouring. F. K. excellently painted studies of Holland and Italy,
masterful in every touch, glowing with warm, sub-
HILADELPHIA.—A high standard in the dued colour and low in tone. The picturesque
quality of the work shown in the Seventh boats of the Zuyder Zee furnished motifs for some of
Annual Exhibition of the Philadelphia the most successful of them.
Water-colour Club, held in the galleries --
■of the Pennsylvania Academy of the Fine Arts, gave Very interesting in a different way were the works
the visitor interested in that form of pictorial art a in water-colours of Mr. Alfred East, so well known
.most agreeable impression. Not that all the pic- to the readers of The Studio. An exhibition of
tures there to be seen were water-colours in the his works in oil has recently been held at the
sense generally accepted as such a few years back, Academy, but he had not before shown aquarelles
for many of them were really paintings in gouache at Philadelphia. Admirable in drawing, careful
or distemper on tinted papers, brown or grey, and painstaking in detail, these drawings delighted
assisted sometimes by the use of pastel chalk or the connoisseur of English landscape painting,
crayon, in fact any medium except oil - colour His views of A Suffolk Village and Knaresbro'
found suitable for the purpose of arriving at the Casile deserve special mention as characteristic
desired result. The effects obtained were in many examples of his craft. Mr. D. Y. Cameron was
331