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International studio — 39.1909/​1910(1910)

DOI Heft:
Nr. 156 (February 1910)
DOI Artikel:
Studio-talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.19868#0521

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Studio- Talk

P

SUMMER EVENING BY EDWARD DUFN'ER

galleries. This artist, who is above all a colourist, cases quite equal to the use of oil pigment on

seeks always for decorative effect. His large panel, canvas, as, for instance, in the works of Mr. Alex-

Des Coquelicots, is consummately composed and ander Robinson, who exhibited a group of eight

■of very sumptuous colouring. F. K. excellently painted studies of Holland and Italy,

masterful in every touch, glowing with warm, sub-

HILADELPHIA.—A high standard in the dued colour and low in tone. The picturesque

quality of the work shown in the Seventh boats of the Zuyder Zee furnished motifs for some of

Annual Exhibition of the Philadelphia the most successful of them.

Water-colour Club, held in the galleries --

■of the Pennsylvania Academy of the Fine Arts, gave Very interesting in a different way were the works

the visitor interested in that form of pictorial art a in water-colours of Mr. Alfred East, so well known

.most agreeable impression. Not that all the pic- to the readers of The Studio. An exhibition of

tures there to be seen were water-colours in the his works in oil has recently been held at the

sense generally accepted as such a few years back, Academy, but he had not before shown aquarelles

for many of them were really paintings in gouache at Philadelphia. Admirable in drawing, careful

or distemper on tinted papers, brown or grey, and painstaking in detail, these drawings delighted

assisted sometimes by the use of pastel chalk or the connoisseur of English landscape painting,

crayon, in fact any medium except oil - colour His views of A Suffolk Village and Knaresbro'

found suitable for the purpose of arriving at the Casile deserve special mention as characteristic

desired result. The effects obtained were in many examples of his craft. Mr. D. Y. Cameron was

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