International studio — 39.1909/1910(1910)
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DOI Heft:
Nr. 156 (February 1910)
DOI Artikel:Art school notes
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19868#0524
[Index]
j
Briscoe, Miss F..........323 Coppier, Charles........ . 323
…
Brown, J............250 Cottet, Charles.......... 323
…
Carlsen, Emil. One Illus.......7, 8 Davis, Charles H.......... r2
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Illus............. xi Dufner, Edward. One Illus.....33^,333
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Conder, Charles. One Illus.....17,18,27 Durand............ 4
k
Eaton, Charles Warren. One Illus. . 14,333, 334
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Fraser, Edward Sackwell....... I™
…
Gregory, Edward J., R.A. By A. Lys Baldry.
l
Hassam, Childe. One Illus....... 3. 6 Jacque, Charles. One Illus...... 1«
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Hellmer, Professor......... 158 Jouas> Charles.......... 323
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Hind, C. Lewis. Charles Ricketts. Nine Illus. 259 Kenzan, Ogata. Three Illus...... 133
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Mr. and Mrs. Charles P. Taft Collection. Kobori, Yenshu ...... 126
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Holrovd, Sir Charles. Three Illus. 216,218,220,212 __Illus. - •........... xcn
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Hubener, Ulrich......... 320 Lamb, Charles R......... vm
n
Nixon, James..........213 Redfield, Edward W......... 12
…
Ould, E. A., F.R.I.B.A. Two Illus. ... 140 Ricketts, Charles. One Illus...... 18, 24
o
Shannon, Charles. One Illus. . . . 20, 186,224 Symons, Gardner. One Illus...... ci
…
Sheche'rd F H S 229 Taft, Mr. and Mrs. Charles P., Collection. By
p
Volkmar, Charles......... xcvii Williamson, W. S. Three Illus...... 168
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Ward, C. D........... 153 Young, Charles Morris. One Illus..... 8,12
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Gregory, Edward J., R.A. "Marooned." A Colored Reproduction of the Oil Painting.....xxviii
q
Ricketts, Charles. "The Holy Women and the Angel of the Resurrection." A Colored Reproduction
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Art of Building a Home. By Edward Carpenter................. xxv
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Cloister and the Hearth. By Charles Reade.................. xxvi
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Decorative Study of a Cock. By Edward J. Detmold................ 255
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Fables of Msop. Illustrated by Edward J. Detmold................ 336
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Giovanni Boccaccio. By Edward Hutton................... 250
r
King Charles I at His Trial. By Edward Bower................ 255
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Little Books on Art. By Edward Dillon................... xxiv
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New History of Painting in Italy. By J. A. Crowe and G. B. Cavalcaselle. Edited by Edward Hutton . 170
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Translated by Edward Fitzgerald. Edited with Introduction and Notes by Reynold Alleyne
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Simplification of Life. By Edward Carpenter.................. xxv
Nr. 153 (November 1909)
4
Copyright, lyoy, l>y Charles BcrlbDOT'l Suns
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By CHARLES W. FURLONG
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CHARLES SCRIBNER'S SONS, 153 Fifth Avenue, NEW YORK
5
CHARLES DICKENS AND HIS FRIENDS
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Mr. Teignmouth Shore takes us at once into the very midst of Charles Dickens' large and distinguished circle
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a name famous in the Victorian era which we do not find associated here with that of Charles Dickens.
Nr. 153 (November 1909) / Dutch pictures in the Hudson-Fulton exhibition at the Metropolitan Museum Of Art
Nr. 153 (November 1909) / Contemporary american ladscape painting
Nr. 153 (November 1909) / A picture collector's experiment
Nr. 153 (November 1909) / Studio-talk
Nr. 153 (November 1909) / The Cockcroft cottage at East Hampton, Long Island
Nr. 153 (November 1909) / Japanese lacquer
Nr. 153 (November 1909) / The fall art books
Nr. 153 (November 1909)
Nr. 154 (December 1909) / Contents
Nr. 154 (December 1909)
9
Text by DR. GEORGE F. KUNZ and DR. CHARLES HUGH
…
y CHARLES H. CAFFIN
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By CHARLES H. CAFFIN, author of
11
Charles Dickens and His Friends
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PerSonaij( ?nn30uth Shore takes us at once into the very midst of Charles Dickens's large and distinguished circle of friends. The
…
which we do not find associated here with that of Charles Dickens.
Nr. 154 (December 1909) / The art of Edward John Gregory
87
Edward J. Gregory, R.A.
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to prophesy that as years go on the art of Edward activities of our times. Men of very dissimilar
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achievement, and in his "Piccadilly" by edward j. Gregory, r.a.
Nr. 154 (December 1909) / Reviews and notices
Nr. 155 (January 1910) / Leon Dabo, landscape painter
Nr. 155 (January 1910) / The landscape paintings of James Aumonier
Nr. 155 (January 1910) / Etched book-plates
Nr. 155 (January 1910) / Studio-talk
Nr. 155 (January 1910) / Art School notes
Nr. 155 (January 1910) / Reviews and notices
Nr. 155 (January 1910) / Some pictures from the collection of Mr. and Mrs. Charles P. Taft
Nr. 155 (January 1910)
Nr. 156 (February 1910) / Charles Ricketts
259
Charles Ricketts
…
In an article on Mr. Charles Shannon in this not hazard the question—If the Bacchus and
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and various " Mr. Charles Ricketts, to cull a phrase hours ? "I wake up at night " is his brief explana-
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"twin origin" of Charles Ricketts.
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a man as Charles Ricketts, who
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not think that for Charles Ricketts
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to him the name of Titian, he is ''the betrayal" by charles ricketts
262
Charles Ricketts
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his Calvary, the centurion's blue « heuodorus expelled from the temple." by charles ricketts
Nr. 156 (February 1910) / Julius Olsson, painter of seascapes
Nr. 156 (February 1910) / Country cottages and their gardens
Nr. 156 (February 1910) / Studio-talk
Nr. 156 (February 1910) / Art school notes
Nr. 156 (February 1910) / Reviews and notices
Nr. 156 (February 1910) / National Society of Craftsmen exhibition
Nr. 156 (February 1910) / National Academy of Design exhibition
Art School Notes
education, and he was supposed to
have acquired a reasonable proficiency
in drawing, painting, or modelling from
the life before entering. Now, however,
all—or nearly all—is to be changed
again. The Lower School is to be
restored this year, with drawing from
the antique as a prominent feature of
the curriculum; and the students,
admitted at a lower standard, will
have to show satisfactory elementary
work before admission to the Upper
School. The exhibition of prize works
at the Royal Academy will be referred
to in these notes next month.
Sir Hubert von Herkomer, who has
suffered lately from ill-health, has re-
signed the Professorship of Painting
at the Royal Academy. Sir Hubert
was originally elected to the Professor-
ship in 1899, and with the delivery of
his addresses in January, 1900, com-
menced the revival of public interest
in the Academy lectures that has been
maintained to the present time. He
resigned in March, 1900, but resumed
office three years ago, on the expira-
tion of Mr. Clausen's term. Sir
Hubert's successor is Sir William
Richmond, who held the professorship
"LAKE COMO" BY CHARLES WARREN EATON from 1895 tO 1899.
{See Philadelphia Studio-Talk)
ART SCHOOL NOTES.
LONDON.—Sir Edward Poynter,
at the prize-giving of the
Royal Academy schools last
' month, devoted most of his
address to the subject of the scheme
of re-organisation, which was fore-
shadowed in these notes in the autumn.
It has been no secret for some time
that the Academicians were disap-
pointed with the results of the revised
rules that came into force in ^03,
and Sir Edward's announcement of
the forthcoming return to the earlier
methods of teaching caused little sur-
prise. The rules of 1903 were com-
piled with the idea of making the
Royal Academy schools a place in
which the student who had been well
grounded elsewhere could complete his
334
education, and he was supposed to
have acquired a reasonable proficiency
in drawing, painting, or modelling from
the life before entering. Now, however,
all—or nearly all—is to be changed
again. The Lower School is to be
restored this year, with drawing from
the antique as a prominent feature of
the curriculum; and the students,
admitted at a lower standard, will
have to show satisfactory elementary
work before admission to the Upper
School. The exhibition of prize works
at the Royal Academy will be referred
to in these notes next month.
Sir Hubert von Herkomer, who has
suffered lately from ill-health, has re-
signed the Professorship of Painting
at the Royal Academy. Sir Hubert
was originally elected to the Professor-
ship in 1899, and with the delivery of
his addresses in January, 1900, com-
menced the revival of public interest
in the Academy lectures that has been
maintained to the present time. He
resigned in March, 1900, but resumed
office three years ago, on the expira-
tion of Mr. Clausen's term. Sir
Hubert's successor is Sir William
Richmond, who held the professorship
"LAKE COMO" BY CHARLES WARREN EATON from 1895 tO 1899.
{See Philadelphia Studio-Talk)
ART SCHOOL NOTES.
LONDON.—Sir Edward Poynter,
at the prize-giving of the
Royal Academy schools last
' month, devoted most of his
address to the subject of the scheme
of re-organisation, which was fore-
shadowed in these notes in the autumn.
It has been no secret for some time
that the Academicians were disap-
pointed with the results of the revised
rules that came into force in ^03,
and Sir Edward's announcement of
the forthcoming return to the earlier
methods of teaching caused little sur-
prise. The rules of 1903 were com-
piled with the idea of making the
Royal Academy schools a place in
which the student who had been well
grounded elsewhere could complete his
334