DOI Heft:
Nr. 163 (September, 1910)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19867#0304
Studio-Talk
of four miniatures by Mabel Lee Hankey; Miss derived from Rubens and the Italian masters, had
Pickek, by Rosalie Emslie; A Portrait, by Myra two important pictures. The local portraitists
Luxmore. A really delightful work of art was Mr. were very prominent. R. E. Morrison, who has
Hal Hurst's Miss Mischief; some of his work was the gift for seeing the inward characteristics of
too large, but Yvonne was one of the most charming his sitters, was represented by several works of
things in the room. Miss E. G. Wolfe's The Heir, distinction. G. Hall Neale betrayed no diminu-
Miss Alice James' Yolande, Miss Eleanor Palmer's tion of his skill as a cultivated and experienced
Nancy, the enamel, When the World was Young, by technician, his Right Hon. Joseph Ball being
Mrs. Ernestine Mills, and the. Portrait in Enamels, exceptionally strong and virile. Other good por-
by Alexander Fisher; also the coloured wax, traiture was contributed by F. T. Copnall, Mrs.
No. 190, by Miss Nelia Casella, and the relief Por- Maud Hall Neale, J. V. Parsons, J. Hamilton
trait of a Child, by Rose M. Dakin, were among Hay and Gilbert Rogers; also a good picture, Her
the most interesting things in the Gallery. Dearest, by Miss C. G. Copeman, R.C.A., and two
clever dog portraits by W. Wardlaw Laing.
L
IVERPOOL.—The Liverpool Academy, --
after many vicissitudes, commemorated Landscape had a few gifted interpreters, promi-
its centenary this year by an exhibition nent among whom were Herbert Royle, A. E.
in the Walker Art Gallery, where it Brock bank, J. T. Watts, R.C.A., A. C. Meyer,
appeared with a renewed
vitality. In its. well pro-
duced catalogue Mr. E.
Rimbault Dibdin has
related the stormy history
of its early connection
with the pre-Raphaelite
movement, besides othet
interesting facts, in a sue
cinct form. Though many
of the pictures had
figured at comparatively
recent exhibitions, they
were re-assembled, with
later productions, to illus-
trate more fully the
work of living members
of the Academy; and
being happily grouped
upon the walls, the
general arrangement re-
flected credit upon the
hangers.
The President, J. Y.
Dawbarn, M.A., had
several fine pictures of
Dutch architecture
charged with human asso
ciation, the sombre
atmosphere giving telling
effect to his groups of
figures, all admirably
composed. R. G. Hinch-
liffe, who works under
influence of traditions "the woman whom thou gavest to be with me." bv charles j. allen
227
of four miniatures by Mabel Lee Hankey; Miss derived from Rubens and the Italian masters, had
Pickek, by Rosalie Emslie; A Portrait, by Myra two important pictures. The local portraitists
Luxmore. A really delightful work of art was Mr. were very prominent. R. E. Morrison, who has
Hal Hurst's Miss Mischief; some of his work was the gift for seeing the inward characteristics of
too large, but Yvonne was one of the most charming his sitters, was represented by several works of
things in the room. Miss E. G. Wolfe's The Heir, distinction. G. Hall Neale betrayed no diminu-
Miss Alice James' Yolande, Miss Eleanor Palmer's tion of his skill as a cultivated and experienced
Nancy, the enamel, When the World was Young, by technician, his Right Hon. Joseph Ball being
Mrs. Ernestine Mills, and the. Portrait in Enamels, exceptionally strong and virile. Other good por-
by Alexander Fisher; also the coloured wax, traiture was contributed by F. T. Copnall, Mrs.
No. 190, by Miss Nelia Casella, and the relief Por- Maud Hall Neale, J. V. Parsons, J. Hamilton
trait of a Child, by Rose M. Dakin, were among Hay and Gilbert Rogers; also a good picture, Her
the most interesting things in the Gallery. Dearest, by Miss C. G. Copeman, R.C.A., and two
clever dog portraits by W. Wardlaw Laing.
L
IVERPOOL.—The Liverpool Academy, --
after many vicissitudes, commemorated Landscape had a few gifted interpreters, promi-
its centenary this year by an exhibition nent among whom were Herbert Royle, A. E.
in the Walker Art Gallery, where it Brock bank, J. T. Watts, R.C.A., A. C. Meyer,
appeared with a renewed
vitality. In its. well pro-
duced catalogue Mr. E.
Rimbault Dibdin has
related the stormy history
of its early connection
with the pre-Raphaelite
movement, besides othet
interesting facts, in a sue
cinct form. Though many
of the pictures had
figured at comparatively
recent exhibitions, they
were re-assembled, with
later productions, to illus-
trate more fully the
work of living members
of the Academy; and
being happily grouped
upon the walls, the
general arrangement re-
flected credit upon the
hangers.
The President, J. Y.
Dawbarn, M.A., had
several fine pictures of
Dutch architecture
charged with human asso
ciation, the sombre
atmosphere giving telling
effect to his groups of
figures, all admirably
composed. R. G. Hinch-
liffe, who works under
influence of traditions "the woman whom thou gavest to be with me." bv charles j. allen
227