DOI Heft:
Nr. 164 (October, 1910)
DOI Artikel:The National Competition of Schools of Art, 1910, at South Kensington
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19867#0400
The National Competition of Schools of Art, igio
mask of Julius Caesar, modelled
from the antique by William
Davis, of Birmingham (Margaret
Street).
In the pottery section some inter-
esting specimens were contributed
by George Goo da 11, of Salford
School of Art; among them was a
curiously attractive lustre vase with
a design on a green ground of
rearing horses and conventional
foliage, and another vase of dull
blue of the same shape was almost
as good. The ruby lustre bowl by
John Adams of Stoke-on-Trent
(Hanley) School of Art, was a
striking piece of rich, pure colour;
and other good pieces of pottery
were a glazed vase by Doris Mary illuminated manuscript by mary shaw (Manchester)
Cotterill, of Stoke-on-Trent (Burs-
lem) and a plaque by Ethel Wall of Oldham (p. 297). usual. The best of the designs for stained glass
Glass articles for table use were almost entirely were by Edward Ridley, of Birmingham (Margaret
unrepresented in the National Art Competition, and Street), who showed with his designs the extremely
the group of stained glass seemed smaller than careful and well-drawn preliminary studies that he
two designs for colour prints by lucy e. pierce (hackney institute
3OI
mask of Julius Caesar, modelled
from the antique by William
Davis, of Birmingham (Margaret
Street).
In the pottery section some inter-
esting specimens were contributed
by George Goo da 11, of Salford
School of Art; among them was a
curiously attractive lustre vase with
a design on a green ground of
rearing horses and conventional
foliage, and another vase of dull
blue of the same shape was almost
as good. The ruby lustre bowl by
John Adams of Stoke-on-Trent
(Hanley) School of Art, was a
striking piece of rich, pure colour;
and other good pieces of pottery
were a glazed vase by Doris Mary illuminated manuscript by mary shaw (Manchester)
Cotterill, of Stoke-on-Trent (Burs-
lem) and a plaque by Ethel Wall of Oldham (p. 297). usual. The best of the designs for stained glass
Glass articles for table use were almost entirely were by Edward Ridley, of Birmingham (Margaret
unrepresented in the National Art Competition, and Street), who showed with his designs the extremely
the group of stained glass seemed smaller than careful and well-drawn preliminary studies that he
two designs for colour prints by lucy e. pierce (hackney institute
3OI