International studio (49.1913)

In the Galleries

Courtesy of the Macbeth Galleries


dash and vigor, a stronger
feeling and treatment, and,
above all, a greater power
of palette. Besides marines
there is a cycle of mountain
pictures done last summer
in the Swiss Oberland, and
of these the two entitled
Evening Cahn and Evening
Glow are particularly charm-
ing, making a pleasant con-
trast with bursts of spray,
rocks and the welter of wave
so powerfully depicted in
the adjoining canvases.
The Women’s Cosmopoli-
tan Club has had an exhi-
bition of paintings by W. E.
Schuhmacher, an independ-
ant of Paris who paints still-

R0CK CHANNELS
charming sketches is the number of annotations
regarding his sitters made at the foot. He num-
bered among them some very distinguished per-
sons, for instance, the Duchess of Devonshire,
Mrs. Siddons, Miss Farren (Countess of Derby),
Southey, the poet, and Lord Nelson.
In passing through the Prang Gallery it is diffi-
cult to prevent oneself from humming “Come
back to Erin” and “ Wearin’ of the Green.”
There is a real Irish exhibition on and the walls

by paul dougherty life, landscape and domestic
scenes in pointilliste fashion,
with more attention to color than to outline. It
is a pity that the club has not better facilities
for displaying works of art.
Anna Coleman Ladd has had some nice statuary
on view at the Gorham Galleries, some of her
small bronzes being especially charming: Baby
Discovering the World is a delightful study of
infancy. Dancing Girl, St. Francis, Aspiration,
The Beast of Prey show fine expression and
modeling.

are covered with Shaug-
rauns, colleens, spalpeens,
peat and pigs. The artist
is Power O’Malley, and we
shall notice his interesting
work and give some repro-
ductions of it in our next
issue.
Visitors to the Macbeth
Galleries have had the op-
portunity of judging the
work of an awakened artist;
not that Mr. Paul Dough-
erty has been slumbering at
all, but a new light and a
new aspect of nature have
caused a decided awakening
in him, with the result that
we are confronted with fif-
teen canvases which show a
marked advance upon pre-
vious work. There is more

Courtesy of the Macbeth Galleries
THE “OBERLAND” BY PAUL DOUGHERTY


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