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International studio — 49.1913

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https://doi.org/10.11588/diglit.43452#0465

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THE INTERNATIONAL STUDIO

March, 1913

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Orders taken on special
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POTS VASES
FOUNTAINS • PEDESTALS
BENCHES - BALUSTRADES
EXPERTS
Send 25 Cents for Booklet
Francis Howard
5 West 28th St., NewYork City
See Sweet’s Catalogue for 1912,
pages 1598 and 1596

OIL JAR, $35



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THE CRAFTSMAN, Room 458, 41 West 34th Street, New York City


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CORRESPONDENCE SCHOOL

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ROBERT FRANK—The Artists’ Shop
21 East 48th Street, New York


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ENGROSSERS AND
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BOOK PLATES
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French Artists of Our Day. (Phil-
adelphia: J. B. Lippincott Company.)
$i.oo.
This small quarto series has commenced
with Manet and Puvis de Chavannes.
The next monograph will be upon Cour-
bet. In the instances both of Manet
and of Puvis de Chavannes we see a life-
long struggle of individual ideal and effort
battling to oppose the barriers of a hide-
bound academy and dull-witted public.
When their canvases were accepted a mere
Succes d’estime greeted their appearance.
The times were out of joint and they only
shared the lot of other revolutionary
minds. Coming at a time when classicism
had fallen into disrepute, Puvis de Chavan-
nes, in the words of Andre Michel, restored
the imagination of the French to the
straight broad road. In his constant refu-
sals at the Salon, he was in good company;
Delacroix, Millet, Corot, Dupre, to name
but a few, had the like experience. Cour-
bet’s vulgar peasants paved the way for
the contumely which was heaped upon
Manet who, the Parisians felt, was laugh-
ing at them, and perhaps he was. His
Dejeuner and Olympia were certainly
audacious precursors of impressionism.
The volumes under notice are richly il-
lustrated, each containing four dozen
full-page plates chronologically arranged
and with accompanying text appreciating
each canvas and aiding the reader in
following the artist step by step in the
development of his career. The position
held in the world of art to-day by these
men is a splendid tribute to their per-
severance and to the few critics who were
bold enough to champion them through
thick and thin. An introduction by
Louis Hourticq, with notes by Jean Laran
and Georges LeBas give valuable interest
to the Manet volume,while Andre Michel
introduces Puvis de Chavannes.
“Town Planning in Practice.” An
Introduction to the Art of Designing Cities
and Suburbs. By Raymond Unwin. 300
illustrations. (London: T. Fisher Unwin.)
The author considers in detail the vari-
ous practical problems of town planning,
and lays down certain principles as a guide
in determining what treatment in individ-
ual cases is likely to lead to a beautiful re-
sult and what to the reverse. The town
plans submitted plainly show that, in spite
of their great variety, they fall into two
classes—the formal and the informal—and
these the writer discusses at some length.
Mr. Unwin lays down, as an emphatic rule,
that the designer’s first duty must be to
study his town, his site, the people and
their requirements. In this undertaking
the practical and artistic are interdepen-
dent. Before any plan for a new town or
scheme of town development can with pru-
dence be commenced a survey must be
made of all existing conditions, and this
survey cannot well be too wide or too com-
plete. The selecting of suitable positions
for central squares or places, round which
may be grouped in dignified order such
public buildings as may be required for
municipal, devotional, educational or rec-
reational purposes, receives considerable
attention. Plans, maps, diagrams, photo-
graphs of houses and sketches of streets are
sprinkled plentifully through the book,
which will be found a very useful and in-
teresting volume.
 
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