DOI Heft:
Nr. 201 (November, 1913)
DOI Artikel:Studio-Talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.43454#0113
Studio-Talk
the Salon de Bruxelles, Belgian connoisseurs and
amateurs dart made the acquaintance of the
great English artist-decorator Henry Wilson. The
chapel or temple which he has constructed here and
the wonderful pieces of work shown in a special
glass show-case have served to confirm his new
admirers and friends in their appreciation of his
talents. Enamels and jewellery by Messrs. Fisher,
Stabler, Cooper, Nelson Dawson and Mr. and Mrs.
Gaskin are to be found in cases near by. Walter
Crane and R. Anning Bell, those fertile artists who
have brought so much of art into daily life, are
represented here by paintings, sculpture and reliefs
in painted gesso, cartoons for stained glass, designs
for book illustrations and for ex-libris.
The sculptors, Sir George Frampton, Sir W.
Goscombe John, Derwent Wood, Alfred Drury,
and Gilbert Bayes contribute various works all of
which are agreeably disposed in the exhibition.
There are also drawings, cartoons and paintings by
Sir Edward Burne-Jones, Sir L. Alma-Tadema,
Prof. Gerald Moira, F. Cadogan Cowper, Henry A.
Payne, and Karl Parsons; embroideries by Miss
Una A. Taylor, Miss Ann Macbeth and Miss May
Morris; ceramics by William de Morgan, the
Pilkington Company, Bernard Moore, Alfred H.
Powell, F. D. Ewbank, W. Howson Taylor of
Ruskin Pottery fame, and the Martin Brothers,
some wonderful glassware by Powell and Sons,
leatherwork by Harrison, wall-papers by Jeffrey and
Co., leadwork by G. P. Bankart, fans by Conder
and Sheringham, sumptuous stuffs by Morris, and
furniture by Morris, Gimson and Heal.
Lastly, the important section of books comprises
manuscripts by Graily Hewitt, A. Vigers, Miss
Harper and Miss Frost; illustrations by Walter
Crane, Anning Bell, Edmund J. Sullivan, Charles
Robinson, Edmund Dulac; bookbindings by
Cobden Sanderson, D. Cockerell, Miss Prideaux,
Miss Adams, and exhibits by the Kelmscott Press,
the Eragny Press of M. Pissarro, and the Riccardi
Press. In conclusion let me add that to aid the
public in the study of the exhibits the section has
two admirable commissioners, Mr. A. A. Longden
THE “STORK” CHAMBER OF THE N1SHI HONGWANJI, A BUDDHIST TEMPLE AT KYOTO
(See Kyoto Studio- Talk, next page)
the Salon de Bruxelles, Belgian connoisseurs and
amateurs dart made the acquaintance of the
great English artist-decorator Henry Wilson. The
chapel or temple which he has constructed here and
the wonderful pieces of work shown in a special
glass show-case have served to confirm his new
admirers and friends in their appreciation of his
talents. Enamels and jewellery by Messrs. Fisher,
Stabler, Cooper, Nelson Dawson and Mr. and Mrs.
Gaskin are to be found in cases near by. Walter
Crane and R. Anning Bell, those fertile artists who
have brought so much of art into daily life, are
represented here by paintings, sculpture and reliefs
in painted gesso, cartoons for stained glass, designs
for book illustrations and for ex-libris.
The sculptors, Sir George Frampton, Sir W.
Goscombe John, Derwent Wood, Alfred Drury,
and Gilbert Bayes contribute various works all of
which are agreeably disposed in the exhibition.
There are also drawings, cartoons and paintings by
Sir Edward Burne-Jones, Sir L. Alma-Tadema,
Prof. Gerald Moira, F. Cadogan Cowper, Henry A.
Payne, and Karl Parsons; embroideries by Miss
Una A. Taylor, Miss Ann Macbeth and Miss May
Morris; ceramics by William de Morgan, the
Pilkington Company, Bernard Moore, Alfred H.
Powell, F. D. Ewbank, W. Howson Taylor of
Ruskin Pottery fame, and the Martin Brothers,
some wonderful glassware by Powell and Sons,
leatherwork by Harrison, wall-papers by Jeffrey and
Co., leadwork by G. P. Bankart, fans by Conder
and Sheringham, sumptuous stuffs by Morris, and
furniture by Morris, Gimson and Heal.
Lastly, the important section of books comprises
manuscripts by Graily Hewitt, A. Vigers, Miss
Harper and Miss Frost; illustrations by Walter
Crane, Anning Bell, Edmund J. Sullivan, Charles
Robinson, Edmund Dulac; bookbindings by
Cobden Sanderson, D. Cockerell, Miss Prideaux,
Miss Adams, and exhibits by the Kelmscott Press,
the Eragny Press of M. Pissarro, and the Riccardi
Press. In conclusion let me add that to aid the
public in the study of the exhibits the section has
two admirable commissioners, Mr. A. A. Longden
THE “STORK” CHAMBER OF THE N1SHI HONGWANJI, A BUDDHIST TEMPLE AT KYOTO
(See Kyoto Studio- Talk, next page)