International studio (59.1916)

National Society of Craftsmen


DESIGNED BY PAUL ZIMMERMANN

ing out unnumbered shoals of imitations of the
handwork of the past, this can never sweep away
the craft-worker and the work of his hands.
The work of to-day, into which is being poured
the worker’s love and reverent perception of
beauty, must increase in value as the treasures

of past ages do, for that which makes their
value is exactly the same stuff; the quality of
thought and sincerity of intention in the work.
The encouragement of modern crafts demands,
of course, appreciation of honest workmanship,
and a certain amount of training, and the best


DESIGNED BY PAUL ZIMMERMANN

CIII