Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
Metadaten

International studio — 60.1916/​1917

DOI Heft:
Nr. 238 (December, 1916)
DOI Artikel:
Studio-Talk
DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.43463#0157

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Studio-Talk

treatment of subjects and originality in composition
and colour effect. His Noon Nap, a monochrome
drawing shown at this exhibition, revealed his
dexterity with the brush, but his best work was
Hankaiko, depicting a Chinese Emperor sleeping
and the smoke of incense curling up, revealing an
apparition of a beautiful woman. Toriya-Banzan’s
Sunset showed some originality of treatment.
Machida-Kyokuko’s Garden, in which the Emperor
Genso of China and Yokihi were depicted as
playing upon the same flute, showed excellent
qualities. Kawasaki-Ranko’s picture showing a
group of women out in the field in spring may be
counted as the best in her recent work. Yasuma-
Sado’s May at Arima was notable for its depth of

feeling. Spring Verdure by Kanai-Issho, Peak in-
Summer by Ito-Ryugai, Spring Rain by Chikui-
Kohan, After the Rain by Kato-Shikakudo, Sunset-
on Snow by Mori-Koryo, were much admired.
Among other exhibitors of meritorious work
mention should be made of Mizukami-Taisei,
Ishiyama-Tahaku, Tonai-Kodo, Nara-Rokusen
and Yamamori-Bokuso. Though under the guid-
ance of a single teacher, the exhibits showed a
variety of styles and breadth of treatment, suggest-
ing the calibre and resourcefulness of Kogyo,
who is generally recognised as one of the three
representative artists of present-day Japan, the
other two being Takenouchi-Seiho of Kyoto and.
Yokoyama-Taikan of Tokyo.



LANDSCAPE : A PAIR OF SIX-PANELLED SCREENS BY TERAZAKI-KOGYO

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