International studio (60.1916/1917)

In the Galleries

IN THE GALLERIES
Many important shows have helped to
mitigate war’s alarms and the inclemency of
the weather. The famous Zuloaga exhibi-
tion, with less elbow room but with a better
background than at Brooklyn, has attracted con-
siderable crowds to the Duveen Galleries. Lewis
& Simmons have exhibited five Van Dycks from
the collection of the Earl of Denbigh, at whose

and Childe Hassam’s at Montross Galleries. The
fact that an exhibition of Jonas Lie’s works is to
follow Childe Hassam makes it appear that Air.
Montross is backsliding from the numerous “ists”
that have held him enthralled so long. The
Hassam water-colours are a veritable delight and
for technique, charm of colour, and vision sur-
pass anything we have seen in New York. For
fearless and swiftly dashed-in records in strong
colour Dougherty’s water-colours take a high

Prize Winner al the National Art Club Exhibition, 1917
OCTOBER BY BEN FOSTER


home at Newnham Paddox, Leicestershire, they
have adorned the banqueting hall since Van
Dyck painted them. Reproduced here are the
much-flattered Queen and the cousin of Charles
I who attended his monarch to the scaffold.
There have been several water-colour exhi-
bitions, Paul Dougherty’s at Macbeth Galleries

place though not in the same category with
Winslow Homer, Sargent, or Hassam.
At Ardsley Studios, no Columbia Heights,
Brooklyn, Hamilton Easter Field exhibited
throughout January twenty-six lithographs by
Odilon Redon, and twelve paintings by Bryson
Burroughs. Odilon Redon died last summer at

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