Jameson, Anna: Memoirs of the early Italian painters, and of the progress of painting in Italy: from Cimabue to Bassano; in 2 volumes (vol. 1) (London: Charles Knight & Co., 1845)

132 EARLY ITALIAN PAINTERS.
after his death inherited the modest little dwelling
which he had purchased for himself on the Carraia
di San Francesco.
Benozzo’s principal works, being in fresco, remain
attached to the walls on which they were painted.
Those only of the Campo Santo are engraved. A
picture in distemper of St. Thomas Aquinas is in
the Louvre (No. 1033), and is the same mentioned
by Vasari as having been painted for the Cathedral
of Pisa.