DOI Page / Citation link:
https://doi.org/10.11588/diglit.48955#0052
46
FIGURES.
Ch. XX.
And the merry bells ring round ,
And the jocund rebecks sound.
Milton, AligfOi
4. Ah attribute os a subjecl bestowed. upon one
of its parts or members.
Zoning- arms.
It was the nightingale , and not the lark ,
That pierc’d the searful hollow of thine ear.
Romeo and Juliet , ail 3. sc. 5.
-——-Qh , lay by
Those mod ung'entle looks , and angry weapons ;
Unless you mean my griess and killing fears
Should llretch me out at your relentlefs feet.
fair Penitent, act 3.
-— And ready now
To stoop with wearied wing , and willing seet ,
On the bare outsrde of this world.
Paradise Lof, b. 3.
5. A quality of the agent given to the instru-
ment with which it operates.
Why peep your coward swords hals out their shells 1
6. An attribute of the agent given to the sub-
jest upon which it operates.
High-climbing hill.
Mil ton.
FIGURES.
Ch. XX.
And the merry bells ring round ,
And the jocund rebecks sound.
Milton, AligfOi
4. Ah attribute os a subjecl bestowed. upon one
of its parts or members.
Zoning- arms.
It was the nightingale , and not the lark ,
That pierc’d the searful hollow of thine ear.
Romeo and Juliet , ail 3. sc. 5.
-——-Qh , lay by
Those mod ung'entle looks , and angry weapons ;
Unless you mean my griess and killing fears
Should llretch me out at your relentlefs feet.
fair Penitent, act 3.
-— And ready now
To stoop with wearied wing , and willing seet ,
On the bare outsrde of this world.
Paradise Lof, b. 3.
5. A quality of the agent given to the instru-
ment with which it operates.
Why peep your coward swords hals out their shells 1
6. An attribute of the agent given to the sub-
jest upon which it operates.
High-climbing hill.
Mil ton.