DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.66024#0317
LIST OF WORKS
191
Hartrey, Dr.,
Beedings,
Pulborough,
Sussex.
Harvey, Sir Robert,
Bart.,
Langley Park,
Slough.
Heinz, Mr. H. G.,
Pittsburg, Pa.
Heneage, Mrs.,
Coker Court,
Somerset.
Harcourt,
The Viscount,
Nuneham.
Hoare, Lady,
S tourhead,
Zeals (S.Oi),
Wilts.
Holden, Brig.-Gen.
Sir H. C. L., K.C.B.,
Gifford House,
2 St. John's Park,
Blackheath.
Picture, representing a subject from Tasso’s Jeru-
salem.
Orlando under the spell of Armida. It was en-
graved by Bartolozzi.
Two life-size oval portraits of Mr. and Mrs.
Harvey, also a copy made by Angelica after the
picture of herself painted by Sir Joshua Reynolds.
All these are mentioned in her Italian List, also
several classical pictures.
A group of five figures, approaching a man, who
appears to be coming out of a kind of tent.
The five figures include one of a very old man
with a white beard, two women, and two others
who appear to be attendants, who hold staves in
their hands. The scene is doubtless a classical
one.
Three pictures representing classical subjects.
Portrait of the Countess Harcourt.
Royal Academy 1797.
Engraved by Bartolozzi.
Two portraits, both representing the wife of Sir
Richard Colt Hoare, who was a friend of the
artist. In one case she is seated against a pillar,
dressed in a red costume. On the pillar is the
bust of a woman. This is perhaps the painting
that was at the Royal Academy in 1773 (166).
In the other portrait Lady Hoare is in white, with
her hands lifted in supplication, and she is the
central figure of a group surrounding a classic
altar, upon which stands the statue of a man.
The picture is entitled “ A Sacrifice to Vorti-
gern.”
Royal Academy, 1774.
Portrait of Mrs. Mosely, painted about 1770.
50 x 40. She is represented standing, facing
the spectator, leaning her left arm on a pedestal,
and she is dressed in a loose white gown, pale
crimson and gold embroidered cloak, and the
latter she is holding with her right hand to her
191
Hartrey, Dr.,
Beedings,
Pulborough,
Sussex.
Harvey, Sir Robert,
Bart.,
Langley Park,
Slough.
Heinz, Mr. H. G.,
Pittsburg, Pa.
Heneage, Mrs.,
Coker Court,
Somerset.
Harcourt,
The Viscount,
Nuneham.
Hoare, Lady,
S tourhead,
Zeals (S.Oi),
Wilts.
Holden, Brig.-Gen.
Sir H. C. L., K.C.B.,
Gifford House,
2 St. John's Park,
Blackheath.
Picture, representing a subject from Tasso’s Jeru-
salem.
Orlando under the spell of Armida. It was en-
graved by Bartolozzi.
Two life-size oval portraits of Mr. and Mrs.
Harvey, also a copy made by Angelica after the
picture of herself painted by Sir Joshua Reynolds.
All these are mentioned in her Italian List, also
several classical pictures.
A group of five figures, approaching a man, who
appears to be coming out of a kind of tent.
The five figures include one of a very old man
with a white beard, two women, and two others
who appear to be attendants, who hold staves in
their hands. The scene is doubtless a classical
one.
Three pictures representing classical subjects.
Portrait of the Countess Harcourt.
Royal Academy 1797.
Engraved by Bartolozzi.
Two portraits, both representing the wife of Sir
Richard Colt Hoare, who was a friend of the
artist. In one case she is seated against a pillar,
dressed in a red costume. On the pillar is the
bust of a woman. This is perhaps the painting
that was at the Royal Academy in 1773 (166).
In the other portrait Lady Hoare is in white, with
her hands lifted in supplication, and she is the
central figure of a group surrounding a classic
altar, upon which stands the statue of a man.
The picture is entitled “ A Sacrifice to Vorti-
gern.”
Royal Academy, 1774.
Portrait of Mrs. Mosely, painted about 1770.
50 x 40. She is represented standing, facing
the spectator, leaning her left arm on a pedestal,
and she is dressed in a loose white gown, pale
crimson and gold embroidered cloak, and the
latter she is holding with her right hand to her