DOI Page / Citation link:
https://doi.org/10.11588/diglit.66024#0325
LIST OF WORKS 195
Litchfield Gallery.
3 Bruton Street.
There were at one time in the possession of this
Gallery four oval panels, each 25I x 19, repre-
senting Venus, Juno, Diana and Aurora.
Four circular panels, each 13 inches in diameter,
representing the Arts and Sciences.
Four oval panels, 12 x 8, representing Cupids as
the seasons.
One oval panel 26 x 16, depicting Aurora, and
one large circular panel, 2 ft. 9 in. diameter,
painted en grisaille, and illustrating Music and
Sculpture.
All these panels were removed from a ceiling in
the Adam style at Ashburton House, when that
building was destroyed, and they were declared
to have been the work of Angelica, or at least to
have been designed by her.
Lewis and Simmons,
Messrs.,
Bond Street, London.
In 1908 this firm possessed a small bureau orna-
mented with a painting attributed to Angelica.
In 1915 they had in their New York Galleries
the oval painting of Angelica painted in Ireland,
when she was the guest of the family of Latouche
of Greystone Castle, Dublin County. It was
presented by her to the Latouche family, from
whom Lewis & Simmons bought it.
London,
The British Museum.
1. Study for a Picture. A young man, scantily
clothed, sitting on the ground, and looking up,
with hand outstretched.
Signed and dated Angelica Kauffmann, R.A., 1771.
Black chalk on brownish paper, heightened with
white. 11 x 19 in.
Bequeathed by R. Payne Knight, Esq., 1824.
2. The Judgment of Paris. Paris, sitting 1., egged
on by Cupid at his elbow, offers the apple to
Venus, whom the three Graces are unrobing.
At her feet are two doves billing; at the r.,
frisking sheep. Pen-and-ink and sepia wash,
heightened with white; 3 x 13I in.
Purchased May 1846.
3. The Death of Adonis. Adonis lying back sup-
ported 1. by a nymph, while Venus, r., bends
over him and tries to staunch his wound.
Chalks on brownish paper; 14 x 11} in.
Litchfield Gallery.
3 Bruton Street.
There were at one time in the possession of this
Gallery four oval panels, each 25I x 19, repre-
senting Venus, Juno, Diana and Aurora.
Four circular panels, each 13 inches in diameter,
representing the Arts and Sciences.
Four oval panels, 12 x 8, representing Cupids as
the seasons.
One oval panel 26 x 16, depicting Aurora, and
one large circular panel, 2 ft. 9 in. diameter,
painted en grisaille, and illustrating Music and
Sculpture.
All these panels were removed from a ceiling in
the Adam style at Ashburton House, when that
building was destroyed, and they were declared
to have been the work of Angelica, or at least to
have been designed by her.
Lewis and Simmons,
Messrs.,
Bond Street, London.
In 1908 this firm possessed a small bureau orna-
mented with a painting attributed to Angelica.
In 1915 they had in their New York Galleries
the oval painting of Angelica painted in Ireland,
when she was the guest of the family of Latouche
of Greystone Castle, Dublin County. It was
presented by her to the Latouche family, from
whom Lewis & Simmons bought it.
London,
The British Museum.
1. Study for a Picture. A young man, scantily
clothed, sitting on the ground, and looking up,
with hand outstretched.
Signed and dated Angelica Kauffmann, R.A., 1771.
Black chalk on brownish paper, heightened with
white. 11 x 19 in.
Bequeathed by R. Payne Knight, Esq., 1824.
2. The Judgment of Paris. Paris, sitting 1., egged
on by Cupid at his elbow, offers the apple to
Venus, whom the three Graces are unrobing.
At her feet are two doves billing; at the r.,
frisking sheep. Pen-and-ink and sepia wash,
heightened with white; 3 x 13I in.
Purchased May 1846.
3. The Death of Adonis. Adonis lying back sup-
ported 1. by a nymph, while Venus, r., bends
over him and tries to staunch his wound.
Chalks on brownish paper; 14 x 11} in.