DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.21832#0036
Milena Melfi • Old meets New.
Endnotes
1 From the name of the donor who granted a be-
quest for its construction.
1 Oxford city guide (1846) and Fisher's account
in his Handbook Guide for the University Galler-
ies (1865).
3 It occupied the traditional building in Broad
Street built by the University in 1683 in order
to accommodate the collections donated
by Elias Ashmole in 1677.
4 Proposal put before the Hebdomadal Council
in 1878, in response to a parliamentary commis-
sion of 1877, p. 206.
Selected bibliography
H.W. Acland, J. Ruskin, 'line Oxford Museum,
London 1893.
B. Ashmole, N. Yalouris, Olympia: the Sculptures
of theTtemple of 7,eus, London 1967.
M. Beard, Casts and Cast-offs: the Origins of the
Museum of Classical Archaeology, "Proceedings
of the Cambridge Philological Society", 39,1993,
1-2-9-
J.D. Beazley Catalogue of the Casts in the Ash-
molean Museum [typescript], 1941.
M. Bieber, Ancient Copies, Contribution to the
History of Greek and Roman Art, New York 1977.
J. Black, The British and the Grand Tour, London
198S.
J. Boardman, One Hundred Years of Classical Ar-
chaeology in Oxford, in: D. Kurtz (ed.), Beazley
and Oxford, Oxford 1985, 43 - 55.
J. Boardman, The Diffusion of Classical Art in An-
tiquity, London 1994.
S.R Cockerell (ed.), Travels in Southern Europe and
the Tevant 1810 -1817. The Journal of CR. Cockerell,
R.A., London 1903.
A. Bordeleau, Charles Robert Cockerell's architec-
ture and the language of ornaments, "The Journal
of Architecture", 14.4, 2009, 465 - 491.
F. Cooper, Apollo Bassitas, Princeton 1997.
H. Ellis, Vie Elgin and Phigaleian marbles of the
Classical age in the British Museum, London 1846.
J. Fisher, A Handbook Guide for the University
Galleries, Oxford 1865.
A. Furtwängler, Aigina. Das Heiligtum derAphaia,
Munich 1906.
P. Gardner, Classical Archaeology at Oxford,
Oxford 1889.
P. Gardner, Guide to the Casts of Greek and Roman
Sculpture in the Ashmolean Museum, Oxford 1914.
F. Haskell, N. Penny Taste and the Antique, Lon-
don 1981.
F. Haskell, TluMost Beautijul Statues. The Taste
for Antique Sculpture 1500-1900, Oxford 1981.
DEL. Haynes, The Arundel Marbles, Oxford 1985.
I. Jenkins, Acquisition und Supply of Casts of the
Parthenon Sculptures by the British Museum,
183s -1939, "Annual of the British School at Athens",
85,1990, 89 -114.
D.C. Kurtz, Canova, Chantrey and Cockerell:
the Ashmolean Museum Early Collections of Casts
from the Antique, in: K. Eustace (ed.) Canova,
Oxford 1997, 43 - 46.
A. Michaelis, Ancient Marbles in Great Britain,
Cambridge 1882.
A. Michaelis, A Century of Archaeological Discov-
eries, London 1908.
G. E. Mylonas, The Bronze Statue from Artemis-
ion, American Journal of Archaeology", 48,1944,
143 -160.
N. Penny, Chantrey, Westmacott and Casts after
the Antique, "Journal of History of Collections",
3,1991, 255 - 64.
A. Potts, Chantrey as the National Sculptor
of Early 19th-Century England, "Oxford Art Jour-
nal" 4,1981,17 - 27.
A. Schnapp, The Discovery of the Past, London
1996.
35
Endnotes
1 From the name of the donor who granted a be-
quest for its construction.
1 Oxford city guide (1846) and Fisher's account
in his Handbook Guide for the University Galler-
ies (1865).
3 It occupied the traditional building in Broad
Street built by the University in 1683 in order
to accommodate the collections donated
by Elias Ashmole in 1677.
4 Proposal put before the Hebdomadal Council
in 1878, in response to a parliamentary commis-
sion of 1877, p. 206.
Selected bibliography
H.W. Acland, J. Ruskin, 'line Oxford Museum,
London 1893.
B. Ashmole, N. Yalouris, Olympia: the Sculptures
of theTtemple of 7,eus, London 1967.
M. Beard, Casts and Cast-offs: the Origins of the
Museum of Classical Archaeology, "Proceedings
of the Cambridge Philological Society", 39,1993,
1-2-9-
J.D. Beazley Catalogue of the Casts in the Ash-
molean Museum [typescript], 1941.
M. Bieber, Ancient Copies, Contribution to the
History of Greek and Roman Art, New York 1977.
J. Black, The British and the Grand Tour, London
198S.
J. Boardman, One Hundred Years of Classical Ar-
chaeology in Oxford, in: D. Kurtz (ed.), Beazley
and Oxford, Oxford 1985, 43 - 55.
J. Boardman, The Diffusion of Classical Art in An-
tiquity, London 1994.
S.R Cockerell (ed.), Travels in Southern Europe and
the Tevant 1810 -1817. The Journal of CR. Cockerell,
R.A., London 1903.
A. Bordeleau, Charles Robert Cockerell's architec-
ture and the language of ornaments, "The Journal
of Architecture", 14.4, 2009, 465 - 491.
F. Cooper, Apollo Bassitas, Princeton 1997.
H. Ellis, Vie Elgin and Phigaleian marbles of the
Classical age in the British Museum, London 1846.
J. Fisher, A Handbook Guide for the University
Galleries, Oxford 1865.
A. Furtwängler, Aigina. Das Heiligtum derAphaia,
Munich 1906.
P. Gardner, Classical Archaeology at Oxford,
Oxford 1889.
P. Gardner, Guide to the Casts of Greek and Roman
Sculpture in the Ashmolean Museum, Oxford 1914.
F. Haskell, N. Penny Taste and the Antique, Lon-
don 1981.
F. Haskell, TluMost Beautijul Statues. The Taste
for Antique Sculpture 1500-1900, Oxford 1981.
DEL. Haynes, The Arundel Marbles, Oxford 1985.
I. Jenkins, Acquisition und Supply of Casts of the
Parthenon Sculptures by the British Museum,
183s -1939, "Annual of the British School at Athens",
85,1990, 89 -114.
D.C. Kurtz, Canova, Chantrey and Cockerell:
the Ashmolean Museum Early Collections of Casts
from the Antique, in: K. Eustace (ed.) Canova,
Oxford 1997, 43 - 46.
A. Michaelis, Ancient Marbles in Great Britain,
Cambridge 1882.
A. Michaelis, A Century of Archaeological Discov-
eries, London 1908.
G. E. Mylonas, The Bronze Statue from Artemis-
ion, American Journal of Archaeology", 48,1944,
143 -160.
N. Penny, Chantrey, Westmacott and Casts after
the Antique, "Journal of History of Collections",
3,1991, 255 - 64.
A. Potts, Chantrey as the National Sculptor
of Early 19th-Century England, "Oxford Art Jour-
nal" 4,1981,17 - 27.
A. Schnapp, The Discovery of the Past, London
1996.
35