Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Marcinkowski, Wojciech [Editor]; Zaucha, Tomasz [Editor]; Museum Narodowe w Krakowie [Editor]
Plaster casts of the works of art: history of collections, conservation, exhibition practice ; materials from the conference in the National Museum in Krakow, May 25, 2010 — Krakau, 2010

DOI Page / Citation link:
https://doi.org/10.11588/diglit.21832#0110
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Anna Kłosowska, Michał Obarzanowski • Plaster casts in the collection.

Before the application of latex, the surface of the plaster cast was carefully and pre-
cisely dusted and vacuumed using soft brushes and Progress-Micro vacuum nozzles.
Next, two coats of latex were applied one by one, after the first layer had dried (fig. 11).
The vulcanized film was removed after approximately 6 to 12 hours, although it can
be removed up to 3 days later, depending on environmental conditions (fig. 12).
If needed, the latex application was repeated until the desired effect was obtained.
This method showed to be time-consuming and quite expensive, so in some cases
modified polyvinyl acetate was used where applicable. For example, on the reverse
of objects or where the plaster structure was well preserved and durable. Unlike pjg n Architectural
in the case of latex, the drying process of polyvinyl acetate is extremely related decoration (fragment),
to humidity and temperature, so it had to be strictly controlled and removed from l9 cent,
the surface in a certain moment, before the film had fully dried. Otherwise the no'MNK ^^S4'

plaster surface could be damaged. Under these circumstances, modified polyvinyl . fP ,.,, .

r 0 ' r ' ' Mundid latex paste.

acetate does not disturb the original surface and in most cases one coat was generally photo by Michał
enough to obtain the expected effect ( fig. 13). This speeded up the cleaning process Obarzanowski
of the whole collection.

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