Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Mau, August
Pompeii: its life and art — New York, London: The MacMillan Company, 1899

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.61617#0433

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POMPEII

goose. The chain attached to the right hand of the figure on
the other is fastened to a hooked needle for pulling out the
wick.
The object of which we give a representation in Fig. 190,
often erroneously classed as a lamp, is a nursing bottle, bibcron.


Fig. 189.—Three hanging lamps.
The one at the left and the middle one are presented in two views.

The material is clay, and the figure of a gladiator is stamped on
it, symbolizing the hope that the infant will develop strength
and vigor. On some bottles of this kind the figure of a thriving
child is seen, on others a mother suckling a child.
Three kinds of supports for lamps may be distinguished ac-
cording to their siz£ : lamp standards, which
t stood on the floor and ranged in height from
2^ to 5 feet; lamp holders, not far from 20
inches high, which were placed on tables ; and
small lamp stands, also used on the table.
The general term candelabrum was originally
applied to candle holders containing several
Fig. 190. — A nursing ~
bottle. candles (candelae). Such candle holders have
been found in Etruscan graves, but the can-
delabra met with at Pompeii were all designed to carry lamps.
The lamp standards, of bronze, are often of graceful propor-
tions and ornamented in good taste. The feet are modelled to
represent the claws (Fig. I9i)or hoofs of animals. The slender
 
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