NOTES AND REFERENCES.
723
Suppl.
In the
Murray
Plutarch, Fab. Maxim. 22. Brunn, Gesch. d.
Griech. Kiinst. i. 362. Stephani, Der Aus-
ruhende Herakles, S. 134, St. Petersburg, 1S54.
Nicetas Choniat., De Siguis Con. 5 (p. S60, ed.
Bonn).
P. 513. I0I») Lippert, Dad. 2S5-2S7, ii. 231.
334-336-
,020J Paus., ii. 9. 7.
I0-') Anthol. Gr. ii. 255. 4 (Jacobs).
l°zi) Martial, ix. 44. Statius, Silv. iv. 6.
Journal of Hell. Studies, Mr. A. S.
publishes a small marble statuette found at
Koyunjik on the Tigris, by a sculptor Diogenes.
If this seated Heracles has any thing to do with
the celebrated grand Epitrapezios, it certainly
must have lost all the grandeur of the original.
About Heracles by Lysippos, vid. further Mi-
chaelis, Bull. d. lust, i860, p. 122. Bursian,
Fleckeisen's Jahrbiich. lxxxvii. S. 101.
,0") Strabo, x. p. 459. Bursian, N. Rheiu. Mu-
seum, xvi. S. 438.
"**) Anthol. Gr. iv. 16. 35 (Jacobs).
P. 514. ,025) Ann. d. Inst. xii. 1840, p. 94. yEsop
head, Mon. d. Inst. iii. Taf. 14; and Jahn, Arc/i-
acologische Beitrdge, S. 434.
1D-6) Diog. Laert. ii. 43. Tatian, C. Graec. 52, p.
"3-
10-7) Plin., A'. U. xxxiv. 63. Brunn, Gesch. d.
Griech. Kuust. i. S. 363. Stark, " Zwei Alexan-
derkopfe der Sammlung Erbach und des Brit.
Mus.," Festschrift dem Kais. Deutschen Archaeo-
logischen lust, zu Rom, zur JO jtihr. Stiftungs-
fcicr, 21 April, 1S79.
""J Plutarch, De Alex. M. Virtut. out Fort. ii. 2.
The translation is Goldwin Smith's.
P. 515. IO-9) plin., .V. //. xxxiv. 64. Arrian, Anal), i.
16.4.
P. 516. ">») Con/. Note 1013, K. Lange, p. 54.
,0JI) Plin., AT. II. xxxiv. 64. Brunn, Gesch. d.
Griech. Kiinst. i. S. 274.
I032) Pans., vi. 1.4; and Arch. Zeit. 1879, " *ns> aus
Ohm.," Xo. 2SS. Paus., vi. 5. 1; 17. 3; 2. 1.
,0") Plin., .V. //. xxxiv. 62.
,0M) Ann. d. Inst. 1S50, p. 223. Monumenti, v. Tav.
13. Kekule, Die Grufpe des Meuelaos, S. 34.
P. 518. ,0») Strabo, xiii. p. 590. Plin., A7. H. xxxiv.
64. Anthol. Gr. ii. 50. 14 (Jacobs).
,036) Loeschcke, Arch. Zeit. 1S7S, S. 10.
""7) Brunn, Gesch. d. Griech. Kiinst. i. S. 403.
Plin., Ar. II. xxxv. 153.
,03S) Perkins, Du Moulagc en Pldtre chez les An-
ciens, and American Art Reviero, vol. i. p. 213.
18S0, supports the usually received theory about
the use of plaster. Story, International Review,
Nov.-Dec. 1S79, takes the opposite view.
I03«) Mr. A. S. Murray, Academy, 1879, Dec. 30,
writes : " This head of half life size was cast in
three pieces, with clearly cut joints, which have
been afterwards fitted together by a band of
liquid plaster underneath. One of the joints is
concealed by means of a wreath around the
head, which has been afterwards modelled by
the hand. Similarly the arms have been cast
in two separate moulds, the one giving the
upper, the other the under side of the arm.
The joints are very carefully concealed. The
hair is painted black, the lips and eyelids red,
while the pupils are indicated, thus giving the
whole a very realistic appearance. From the
excellent modelling of the head and arms, they
appear to belong to the third century B.C., and
would represent the skill of the period in cast-
ing in plaster." That plaster casts were used
in ancient Rome as they are at present, for
purposes of cheap decoration, is also a well-
known fact: Friedliinder, Sittcngeschichte Roms,
lid. iii. S. 13S, 569.
P. 519. '°i0) Arch. Zeit. 1S72, S. 35.
P. 520. I04t>°) Vid. Milchhofer's remarks in his report
upon the antiquities of the Peloponessos, in
the Mitt. d. Athen. Inst. ii. S. 311.
P. 521. I041) Paus., iv. 31. 6, 7, 10.
joi=j Paus., viii. 31, 1, 5.
1043) Paus,, vi,. 23. 5. Con/. Brunn, Gesch. d.
Griech. Kiinst. i. S. 287-291.
1044) Paus., iv. 31. 6, 7.
1045) The use of gold and ivory for figures of the
gods seems to have ceased in this century, the
only probable exception having been Scopas'
Apollo Smintheus. Leochares, however, used
this material in representing the ruling house of
Macedonia.
P. 522. "»<') Plin., N. H. xxxiv. 86.
I047) Pans., vi. 1. 6.
,04S) Arch. Zeit. 1S79, " Ins. aus Olympia," No.
301. Furtwangler, Arch. Zeit. 1880, S. 152.
I04') Ann. d. Inst. 1S4S, p. 4S. The inscription is
further discussed, Loeschcke, Arch. Zeit. 1S7S,
S. 12; and Brunn, Sitz. Ber. d. Kbit. Bayr.
Akad. d. JViss. 1SS0, S. 471.
,wo) Pans., x. 10.4; x. 26. 7.
I0SI) G. Korte, "Die Antiken Sculpturen aus
Biiotien," Mitt. d. Allien. Inst. iii. S. 301, and
iv. S. 26S.
P. 523. I052) Vischer, Erinncrungen aus Griechen-
land, S. 590. Reports about the finding of the
tomb are given, Revue Archeologiaue, Sept.
1880.
I0!3) Paus., ix. 40. 10.
I0S4) Mahaffy, Rambles and Studies in Greece, p.
=55-
,055) Curtius und Kaupert, Atlas v. Athen, pi. iv.-
viii.
P. 524. '°ss") Many casts of these tombstones have
recently been added to the Berlin Museum, and
the relationship to Attica becomes most evident
723
Suppl.
In the
Murray
Plutarch, Fab. Maxim. 22. Brunn, Gesch. d.
Griech. Kiinst. i. 362. Stephani, Der Aus-
ruhende Herakles, S. 134, St. Petersburg, 1S54.
Nicetas Choniat., De Siguis Con. 5 (p. S60, ed.
Bonn).
P. 513. I0I») Lippert, Dad. 2S5-2S7, ii. 231.
334-336-
,020J Paus., ii. 9. 7.
I0-') Anthol. Gr. ii. 255. 4 (Jacobs).
l°zi) Martial, ix. 44. Statius, Silv. iv. 6.
Journal of Hell. Studies, Mr. A. S.
publishes a small marble statuette found at
Koyunjik on the Tigris, by a sculptor Diogenes.
If this seated Heracles has any thing to do with
the celebrated grand Epitrapezios, it certainly
must have lost all the grandeur of the original.
About Heracles by Lysippos, vid. further Mi-
chaelis, Bull. d. lust, i860, p. 122. Bursian,
Fleckeisen's Jahrbiich. lxxxvii. S. 101.
,0") Strabo, x. p. 459. Bursian, N. Rheiu. Mu-
seum, xvi. S. 438.
"**) Anthol. Gr. iv. 16. 35 (Jacobs).
P. 514. ,025) Ann. d. Inst. xii. 1840, p. 94. yEsop
head, Mon. d. Inst. iii. Taf. 14; and Jahn, Arc/i-
acologische Beitrdge, S. 434.
1D-6) Diog. Laert. ii. 43. Tatian, C. Graec. 52, p.
"3-
10-7) Plin., A'. U. xxxiv. 63. Brunn, Gesch. d.
Griech. Kuust. i. S. 363. Stark, " Zwei Alexan-
derkopfe der Sammlung Erbach und des Brit.
Mus.," Festschrift dem Kais. Deutschen Archaeo-
logischen lust, zu Rom, zur JO jtihr. Stiftungs-
fcicr, 21 April, 1S79.
""J Plutarch, De Alex. M. Virtut. out Fort. ii. 2.
The translation is Goldwin Smith's.
P. 515. IO-9) plin., .V. //. xxxiv. 64. Arrian, Anal), i.
16.4.
P. 516. ">») Con/. Note 1013, K. Lange, p. 54.
,0JI) Plin., AT. II. xxxiv. 64. Brunn, Gesch. d.
Griech. Kiinst. i. S. 274.
I032) Pans., vi. 1.4; and Arch. Zeit. 1879, " *ns> aus
Ohm.," Xo. 2SS. Paus., vi. 5. 1; 17. 3; 2. 1.
,0") Plin., .V. //. xxxiv. 62.
,0M) Ann. d. Inst. 1S50, p. 223. Monumenti, v. Tav.
13. Kekule, Die Grufpe des Meuelaos, S. 34.
P. 518. ,0») Strabo, xiii. p. 590. Plin., A7. H. xxxiv.
64. Anthol. Gr. ii. 50. 14 (Jacobs).
,036) Loeschcke, Arch. Zeit. 1S7S, S. 10.
""7) Brunn, Gesch. d. Griech. Kiinst. i. S. 403.
Plin., Ar. II. xxxv. 153.
,03S) Perkins, Du Moulagc en Pldtre chez les An-
ciens, and American Art Reviero, vol. i. p. 213.
18S0, supports the usually received theory about
the use of plaster. Story, International Review,
Nov.-Dec. 1S79, takes the opposite view.
I03«) Mr. A. S. Murray, Academy, 1879, Dec. 30,
writes : " This head of half life size was cast in
three pieces, with clearly cut joints, which have
been afterwards fitted together by a band of
liquid plaster underneath. One of the joints is
concealed by means of a wreath around the
head, which has been afterwards modelled by
the hand. Similarly the arms have been cast
in two separate moulds, the one giving the
upper, the other the under side of the arm.
The joints are very carefully concealed. The
hair is painted black, the lips and eyelids red,
while the pupils are indicated, thus giving the
whole a very realistic appearance. From the
excellent modelling of the head and arms, they
appear to belong to the third century B.C., and
would represent the skill of the period in cast-
ing in plaster." That plaster casts were used
in ancient Rome as they are at present, for
purposes of cheap decoration, is also a well-
known fact: Friedliinder, Sittcngeschichte Roms,
lid. iii. S. 13S, 569.
P. 519. '°i0) Arch. Zeit. 1S72, S. 35.
P. 520. I04t>°) Vid. Milchhofer's remarks in his report
upon the antiquities of the Peloponessos, in
the Mitt. d. Athen. Inst. ii. S. 311.
P. 521. I041) Paus., iv. 31. 6, 7, 10.
joi=j Paus., viii. 31, 1, 5.
1043) Paus,, vi,. 23. 5. Con/. Brunn, Gesch. d.
Griech. Kiinst. i. S. 287-291.
1044) Paus., iv. 31. 6, 7.
1045) The use of gold and ivory for figures of the
gods seems to have ceased in this century, the
only probable exception having been Scopas'
Apollo Smintheus. Leochares, however, used
this material in representing the ruling house of
Macedonia.
P. 522. "»<') Plin., N. H. xxxiv. 86.
I047) Pans., vi. 1. 6.
,04S) Arch. Zeit. 1S79, " Ins. aus Olympia," No.
301. Furtwangler, Arch. Zeit. 1880, S. 152.
I04') Ann. d. Inst. 1S4S, p. 4S. The inscription is
further discussed, Loeschcke, Arch. Zeit. 1S7S,
S. 12; and Brunn, Sitz. Ber. d. Kbit. Bayr.
Akad. d. JViss. 1SS0, S. 471.
,wo) Pans., x. 10.4; x. 26. 7.
I0SI) G. Korte, "Die Antiken Sculpturen aus
Biiotien," Mitt. d. Allien. Inst. iii. S. 301, and
iv. S. 26S.
P. 523. I052) Vischer, Erinncrungen aus Griechen-
land, S. 590. Reports about the finding of the
tomb are given, Revue Archeologiaue, Sept.
1880.
I0!3) Paus., ix. 40. 10.
I0S4) Mahaffy, Rambles and Studies in Greece, p.
=55-
,055) Curtius und Kaupert, Atlas v. Athen, pi. iv.-
viii.
P. 524. '°ss") Many casts of these tombstones have
recently been added to the Berlin Museum, and
the relationship to Attica becomes most evident