DOI Page / Citation link:
https://doi.org/10.11588/diglit.68305#0014
4
index to the volume.
FVp.
3—4.
Profiles of Cornices of the Dome at
IL
5.
Cologne.
Profile of a Cornice from the Dome
LL
6.
at Regensburg.
Profile of a Cornice from the Dome
kt
7—7b.
at Magdeburg.
Profiles of Plinths from the Dome
LL
at Magdeburg.
8,8a & 8b. Profiles of Plinths from the Dome
LL
at Regensburg.
9 and 10. Console and Capital in the Dome at
LL
11.
Cologne.
Capital from the Dome at Freiburg.
LL
12.
Capital from the Dome at Regensburg.
13.
Crossflower from the Dome at Regens-
LL
14.
burg.
Crossflower.
LL
15.
Top of an arched buttress of the
LL
1G.
Dome at Cologne.
Elevation and Ground-plan of a Pillar
H
17.
from the Dome at Cologne.
Ground-plan of a Pillar from the
LL
Dome at Magdeburg.
18 and 19. Ground-plan of Pillars in the Dome
LL
20.
at Cologne.
Ground-plan of a Pillar from the Ca-
LL
21.
thedral at Freiburg.
Ground-plan of a window pier from
IL
22.
the Dome at Regensburg.
Ground-plan of a Pillar from the
LL
23.
Dome at Regensburg,
Ground-plan of the chief Portal from
LI
24.
the Dome at Cologne.
Profile of a Pillar from the Dome at
LL
25.
Cologne.
Ground-plan of the chief Portal of
LL
26.
the Cathedral at Freiburg.
Ground-plan of the south Portal of
LL
27—28.
the Dome at Regensburg.
Ornamental leaves.
Plate 54, B. Painted Glass Windows in
the Dome at Cologne.
Fig. 1. The first window in the perpendicu-
lar part of the Choir.
“ 2. The window in the centre of the Ro-
tunda of the Choir.
Plate 55. German Architecture.
Fig. 1. Interior of the Dome at Meissen.
“ 2. Steeple of the Dome at Meissen.
“ 3. Fagade of the Dome at Regensburg.
“ 4. Exterior of the Cathedral at Ulm.
“ 5. Ground-plan of the Cathedral at
Ulm.
“ 6. Interior view of the Choir of St.
Lorenz atNurenberg.
“ 1, 8 & 9. Interior, Ground-plan, and Apex of
the Spire of the St. Stephen Dome
at Vienna.
Plate 56. German and Northern Architecture.
Fig. 1. Refectory in the Castle Marienburg.
“ 2. Ground-plan of the Marien Church
at Dantzig.
“ 3 & 4. Interior and Exterior of the Dome at
Stendal.
“ 5. City Hall at Tangermuinde.
“ 6. Portal on the St. Stephen Church at
Tangermuinde.
“ 7. Interior of the Convent Church at
Berlin.
“ 8 & 9. View and Ground-plan of the Ca-
thedral at Upsala.
Plate 57. Italian Architecture.
Fig. 1. Interior view of the Church of St.
Francis at Assisi.
“ 2—5. Section, Ground-plan, and detail of the
Dome at Florence.
“ 6. Exterior view of the Dome at Orvieto.
“ 7—10. View, Ground-plan, and detail of the
Dome at Milan.
“ 11. Elevation of the Cd Doro at Venice.
Plate 58. Spanish and Italian Architecture.
Fig. 1. Interior view of the Cathedral at
Toledo.
“ 2. Interior view of the Cathedral at
Sevilla.
“ 3. Exterior view of the Cathedral at
Burgos.
“ 4. Interior of the Cathedral at Burgos.
“ 5 and 6. Elevation and Ground-plan of the
Church of Batalha.
“ 7. South Portal of the Cathedral at
Palermo.
“ 8 and 9. Elevation and Ground-plan of Sta
Maria della Catena at Palermo.
Plate 59. German Sculpture.
Fig. 1 and 2. Male and female Statue from the
Dome at Naumburg.
“ 3 and 4. Statue of St. James and Paul, from
the Dome at Cologne.
“ 5. St. Stephen, from the Dome at May-
ence.
“ 6. Harmony, from a Portal of Chartres
Cathedral.
“ 7 and 8. The Weeping Mary, and Christ bear-
ing the Cross.
“ 9. The Adoration of Christ on the
throne.
“ 10. Virgin and Child between Saints.
“ 11. Christ taken captive.
“ 12. Carving in Ivory in the Museum at
Darmstadt.
Plate 60. German Painting.
Fig. 1. Coronation of the Virgin.
“ 2. Christ on the Cross, by Meister Wil-
helm, of Cologne.
“ 3 and 4. St. Veronica and the Head of Christ,
by Meister Wilhelm, of Cologne.
“ 5. Martyrdom of St. Paul, by Francesco
Livida.
“ 6—8. The Cologne Dome picture, by Meis-
ter Stephan.
Plate 60, A. French and English Sculpture.
Fig. 1. Female figure from the Dome at Char-
tres.
“ 2. The Virgin and High Priest, from the
Dome at Amiens.
“ 3—5. Statues from the Dome at Rheims.
“ 6. Relief from the Dome at Rheims.
“ 7. Death of the Virgin, relief from the
Cathedral at Strasbourg.
“ 8. Tomb-stone of the Duke Robert, of
Normandy.
“ 9 and 10. Tombs of King Henry VI. of Eng-
land and Queen Eleonore, wife of
Edward I.
“ 11. Tomb of a Knight and his wife.
Plate 61. Italian Sculpture.
Fig. 1. Relief from the tomb of Guido Tar-
lati in Arezzo, by the brothers
Agostino and Angelo of Sienna.
“ 2 and 3. Reliefs from the Altar of St. Francis
at Bologna, by Pietro and Jaco-
bello.
“ 4. The Annunciation and Visitation at
Pistoja.
“ 5. Capital from the Doge’s Palace at
Venice, by Philippo Calendario.
“ 6. Virgin and Child,by Giovanni Pisano.
“ 7. Virgin and Child, by Nino Pisano.
“ 8 and 9. Reliefs from the Campanile of the
Dome at‘ Florence, after Giotto’s
designs, by Andrea Pisano.
“ 10 and 11. Reliefs from the door of the Baptist-
ery at Florence, by Andrea Pisano.
Plate 62. Italian Painting.
Fig. 1. The Chastity of St. Francis, by Gi-
otto.
“ 2. The Nuptial Sacrament, by the same.
“ 3. St. Ann and Joachim, by Giotto.
“ 4. The Holy Virgin, by Giotto.
“ 5. Christ as a child teaching in the Tem-
ple, by Giotto.
“ 6. Ascension of St. Francis, by the
same.
“ 7. Miracle of St. Francis, by Giotto.
“ 8. Nativity of the Virgin, by Taddeo
Gaddi.
9. The Crucifixion, by Nicolo Petri.
Plate 61 Italian Painting.
Fig. 1 and 2. Sculptures from the Doge Palace at
Venice, by Philippo Calendario.
“ 3 and 4, Laura and Petrarch.
“ 5. The Triumph of Death, by Orcagna.
FOURTH PART.
The Monuments of Modern Art.
Plate 64. Italian Architecture.
Fig.
IL
Fig.
1. The Fagade of St. Francis of Rimini,
by Leo. Baptista Alberti.
2 and 3. Longitudinal Section and Ground-
plan of the Church St. Spirito at
Florence, by Philippo Brunelleschi.
4. Fagade of the Palace Strozzi, by
Benedetto da Majano.
5. Fagade of the Certosa, near Pavia,
by Ambrogia Fossano.
6 and 1. Fagade and Ground-plan of the
Church St. Zaccaria at Venice.
8. The upper story of the triumphal
Arch Alphons I. at Naples.
9. Palace of the Duke del Infantado at
Guadalajara.
Plate 65. Italian Sculpture.
Creation of Adam and Eve and ex-
pulsion from Paradise, by Lorenzo
Ghiberti.
The Israelites under Joshua march-
ing towards Jericho, by Ghiberti.
Details of the second door, by Loren-
zo Ghiberti.
Fig. 6, 7 & 8. The Adoration of the Three Wise Men.
The Annunciation and the entry of
Christ into Jerusalem, from the
first door, by Ghiberti, in the Bap-
tistery at Florence.
“ 9 and 10. Singing Angels, by Donatello.
Plate 66. Italian Sculpture.
Fig. 1. The Resurrection of Christ, by Lucca-
della Robbia.
“ 2. Equestrian Statue of Bartolomeo Col-
leone, by Andrea de Verocchio.
“ 3. Equestrian Statue of Cosmus I. by
Giovanni da Bologna.
“ 4. Group of the Virgin and Child, by
Benedetto da Majano.
“ 5. Statue from the tomb of King Ladis-
laus in Naples, by Ciccione.
“ 6. Descent from the Cross, Basrelief by
Donatello.
“ 7. Crucifix by Brunelleschi.
“ 8. The Annunciation by Donatello.
“ 9. Basrelief from the Certoso di Pavia.
“ 10. Relief from the Triumphal Arch Al-
phons I. at Naples.
“ 11, Adam and Eve, Relief by Jacobo della
Quercia.
Plate 67. Tuscan Painting.
Fig. 1. Coronation of the Virgin, by Fra Gio-
vanni Angelico da Fiesole.
“ 2 and 3. Two Angels playing on Musical In-
struments, from the Coronation of
the Virgin, by Fra Angelico.
“ 4. St. Peter and Paul before the Pro-
consul and the Martyrdom of St.
Peter, by Philippino Lippi.
“ 5. The Nativity of the Madonna, by
Domenico Ghirlandajo.
“ 6, The Visitation of St. Elizabeth, by
Domenico Ghirlandajo.
Plate 67, A. Tuscan Painting.
Fig. 1. Resurrection of the King’s Son by the
Apostles Peter and Paul, Masaccio.
“ 2. Groups from the Triumphal March of
Julius Caesar, by Andrea Mantegna.
“ 3. Hercules and Antaeus, after Andrea
Mantegna.
“ 4. The Birth of Venus, by Sandro Bot-
ticelli.
Hate 68. Tuscan Painting.
The Resurrection from the Dead, by Lucca Signorelli.
Plate 69. Painting of Upper Italy.
Fig. 1. The Coronation of the Virgin, by
Giovanni and Antonio Vivarini.
“ 2. The Crucifixion of Christ, by Andrea-
Mantegna..
“ 3. The Virgin and Child, by Giovanni
Bellini.
“ 4. The Virgin and Child, by Giovanni
Bellini.
“ 5. The Presentation in the Temple, by
Bramantino.
“ 6. Madonna and the Infant Christ, by
Philippo Mazzuola.
“ 7. The Virgin and Child, by Francesco
Moroni.
Plate 70. Umbrian Painting.
Fig. 1. Virgin and Child, by Francesco Fran-
cia.
“ 2. Virgin and Infant Saviour, by Nicolo
Alunno.
“ 3. The Entombment of Christ, by Pietro
Perugino.
“ 4. The Coronation of the Virgin, by
Gentile da Fabriano
“ 5. Portrait of Raphael at the age of 9, by
Giovanni Santi.
“ 6. Virgin and Child, supposed by An-
drea di Luigi, called L’lngegno.
“ 7. Adoration of the Three Wise Men,
by Pinturichio.
Plate 71. Italian Architecture.
Fig. 1. Fagade from the Palace Giraud in
Rome, by Bramante.
“ 2. Court of the Palace of the Cancelleria,
by Bramante.
“ 3. Interior of the Loggia of the Farne-
sina by Baldassare Peruzzi.
“ 4. Fagade of the Palace Pandolfini at
Florence, by Raphael.
“ 5. Fagade of a Palace at Rome, by Vig-
nola.
“ 6. View of the Villa Medici at Rome, by
Annibale Lippi.
“ 7. Court of the Palace Sauli at Genoa,
by Galeazzo Alessi.
“ 8 and 9. Elevation and Ground-plan of the
Church del Redentore at Venice, by
Palladio.
“ 10. The Fagade of the Church St. Gior-
gio de Greci, by Sansovino.
“ 11. Side Fagade of St. Mark’s Library at
Venice, by Sansovino.
Plate 72. Italian Sculpture.
Fig. 1. St. John the Evangelist, by Baccio da
Montelupo.
“ 2. David, by Michel Angelo.
“ 3. Virgin and Child, by Michel Angelo.
“ 4. The Virgin with the dead Christ, by
Michel Angelo.
“ 5. Moses, by Michel Angelo.
“ 6. Monument of Lorenzo de Medici, by
Michel Angelo.
“ 7 and 8. Male and Female Hermes, by Baccio
Bandinelli.
“ 9. Figure in Relief, by Baccio Bandi-
nelli.
“ 10. Hercules and Cacus, by Baccio Bandi-
nelli.
“ 11. Medallion, by Niccolo Cavallerino.
“ 12. Medallion, by Federigo Bonzagua.
Plate 71 Italian Sculpture.
Fig. 1. Tomb of the Doge Andre Vindramin,
by Giulio Lombardo.
“ 2. Basrelief from the Tomb of the Tor-
riani, by Andrea Riccio.
“ 3. Phrixos and Helle, Basrelief by San-
sovini.
“ 4. Death of the Virgin, Group in round
figures, by Alfonso Lombardi.
“ 5. Sculptures of the Certosa near Pavia.
“ 6. Perseus and Medusa, by Benevenuto
Cellini.
“ 7. Figure from the pedestal of the Per-
seus Group, by Benevenuto Cellini.
“ 8. The Nymph of Fontainebleau, Bas-
relief by Benevenuto Cellini.
“ 9. The Ocean and Earth, by Benevenuto
Cellini.
index to the volume.
FVp.
3—4.
Profiles of Cornices of the Dome at
IL
5.
Cologne.
Profile of a Cornice from the Dome
LL
6.
at Regensburg.
Profile of a Cornice from the Dome
kt
7—7b.
at Magdeburg.
Profiles of Plinths from the Dome
LL
at Magdeburg.
8,8a & 8b. Profiles of Plinths from the Dome
LL
at Regensburg.
9 and 10. Console and Capital in the Dome at
LL
11.
Cologne.
Capital from the Dome at Freiburg.
LL
12.
Capital from the Dome at Regensburg.
13.
Crossflower from the Dome at Regens-
LL
14.
burg.
Crossflower.
LL
15.
Top of an arched buttress of the
LL
1G.
Dome at Cologne.
Elevation and Ground-plan of a Pillar
H
17.
from the Dome at Cologne.
Ground-plan of a Pillar from the
LL
Dome at Magdeburg.
18 and 19. Ground-plan of Pillars in the Dome
LL
20.
at Cologne.
Ground-plan of a Pillar from the Ca-
LL
21.
thedral at Freiburg.
Ground-plan of a window pier from
IL
22.
the Dome at Regensburg.
Ground-plan of a Pillar from the
LL
23.
Dome at Regensburg,
Ground-plan of the chief Portal from
LI
24.
the Dome at Cologne.
Profile of a Pillar from the Dome at
LL
25.
Cologne.
Ground-plan of the chief Portal of
LL
26.
the Cathedral at Freiburg.
Ground-plan of the south Portal of
LL
27—28.
the Dome at Regensburg.
Ornamental leaves.
Plate 54, B. Painted Glass Windows in
the Dome at Cologne.
Fig. 1. The first window in the perpendicu-
lar part of the Choir.
“ 2. The window in the centre of the Ro-
tunda of the Choir.
Plate 55. German Architecture.
Fig. 1. Interior of the Dome at Meissen.
“ 2. Steeple of the Dome at Meissen.
“ 3. Fagade of the Dome at Regensburg.
“ 4. Exterior of the Cathedral at Ulm.
“ 5. Ground-plan of the Cathedral at
Ulm.
“ 6. Interior view of the Choir of St.
Lorenz atNurenberg.
“ 1, 8 & 9. Interior, Ground-plan, and Apex of
the Spire of the St. Stephen Dome
at Vienna.
Plate 56. German and Northern Architecture.
Fig. 1. Refectory in the Castle Marienburg.
“ 2. Ground-plan of the Marien Church
at Dantzig.
“ 3 & 4. Interior and Exterior of the Dome at
Stendal.
“ 5. City Hall at Tangermuinde.
“ 6. Portal on the St. Stephen Church at
Tangermuinde.
“ 7. Interior of the Convent Church at
Berlin.
“ 8 & 9. View and Ground-plan of the Ca-
thedral at Upsala.
Plate 57. Italian Architecture.
Fig. 1. Interior view of the Church of St.
Francis at Assisi.
“ 2—5. Section, Ground-plan, and detail of the
Dome at Florence.
“ 6. Exterior view of the Dome at Orvieto.
“ 7—10. View, Ground-plan, and detail of the
Dome at Milan.
“ 11. Elevation of the Cd Doro at Venice.
Plate 58. Spanish and Italian Architecture.
Fig. 1. Interior view of the Cathedral at
Toledo.
“ 2. Interior view of the Cathedral at
Sevilla.
“ 3. Exterior view of the Cathedral at
Burgos.
“ 4. Interior of the Cathedral at Burgos.
“ 5 and 6. Elevation and Ground-plan of the
Church of Batalha.
“ 7. South Portal of the Cathedral at
Palermo.
“ 8 and 9. Elevation and Ground-plan of Sta
Maria della Catena at Palermo.
Plate 59. German Sculpture.
Fig. 1 and 2. Male and female Statue from the
Dome at Naumburg.
“ 3 and 4. Statue of St. James and Paul, from
the Dome at Cologne.
“ 5. St. Stephen, from the Dome at May-
ence.
“ 6. Harmony, from a Portal of Chartres
Cathedral.
“ 7 and 8. The Weeping Mary, and Christ bear-
ing the Cross.
“ 9. The Adoration of Christ on the
throne.
“ 10. Virgin and Child between Saints.
“ 11. Christ taken captive.
“ 12. Carving in Ivory in the Museum at
Darmstadt.
Plate 60. German Painting.
Fig. 1. Coronation of the Virgin.
“ 2. Christ on the Cross, by Meister Wil-
helm, of Cologne.
“ 3 and 4. St. Veronica and the Head of Christ,
by Meister Wilhelm, of Cologne.
“ 5. Martyrdom of St. Paul, by Francesco
Livida.
“ 6—8. The Cologne Dome picture, by Meis-
ter Stephan.
Plate 60, A. French and English Sculpture.
Fig. 1. Female figure from the Dome at Char-
tres.
“ 2. The Virgin and High Priest, from the
Dome at Amiens.
“ 3—5. Statues from the Dome at Rheims.
“ 6. Relief from the Dome at Rheims.
“ 7. Death of the Virgin, relief from the
Cathedral at Strasbourg.
“ 8. Tomb-stone of the Duke Robert, of
Normandy.
“ 9 and 10. Tombs of King Henry VI. of Eng-
land and Queen Eleonore, wife of
Edward I.
“ 11. Tomb of a Knight and his wife.
Plate 61. Italian Sculpture.
Fig. 1. Relief from the tomb of Guido Tar-
lati in Arezzo, by the brothers
Agostino and Angelo of Sienna.
“ 2 and 3. Reliefs from the Altar of St. Francis
at Bologna, by Pietro and Jaco-
bello.
“ 4. The Annunciation and Visitation at
Pistoja.
“ 5. Capital from the Doge’s Palace at
Venice, by Philippo Calendario.
“ 6. Virgin and Child,by Giovanni Pisano.
“ 7. Virgin and Child, by Nino Pisano.
“ 8 and 9. Reliefs from the Campanile of the
Dome at‘ Florence, after Giotto’s
designs, by Andrea Pisano.
“ 10 and 11. Reliefs from the door of the Baptist-
ery at Florence, by Andrea Pisano.
Plate 62. Italian Painting.
Fig. 1. The Chastity of St. Francis, by Gi-
otto.
“ 2. The Nuptial Sacrament, by the same.
“ 3. St. Ann and Joachim, by Giotto.
“ 4. The Holy Virgin, by Giotto.
“ 5. Christ as a child teaching in the Tem-
ple, by Giotto.
“ 6. Ascension of St. Francis, by the
same.
“ 7. Miracle of St. Francis, by Giotto.
“ 8. Nativity of the Virgin, by Taddeo
Gaddi.
9. The Crucifixion, by Nicolo Petri.
Plate 61 Italian Painting.
Fig. 1 and 2. Sculptures from the Doge Palace at
Venice, by Philippo Calendario.
“ 3 and 4, Laura and Petrarch.
“ 5. The Triumph of Death, by Orcagna.
FOURTH PART.
The Monuments of Modern Art.
Plate 64. Italian Architecture.
Fig.
IL
Fig.
1. The Fagade of St. Francis of Rimini,
by Leo. Baptista Alberti.
2 and 3. Longitudinal Section and Ground-
plan of the Church St. Spirito at
Florence, by Philippo Brunelleschi.
4. Fagade of the Palace Strozzi, by
Benedetto da Majano.
5. Fagade of the Certosa, near Pavia,
by Ambrogia Fossano.
6 and 1. Fagade and Ground-plan of the
Church St. Zaccaria at Venice.
8. The upper story of the triumphal
Arch Alphons I. at Naples.
9. Palace of the Duke del Infantado at
Guadalajara.
Plate 65. Italian Sculpture.
Creation of Adam and Eve and ex-
pulsion from Paradise, by Lorenzo
Ghiberti.
The Israelites under Joshua march-
ing towards Jericho, by Ghiberti.
Details of the second door, by Loren-
zo Ghiberti.
Fig. 6, 7 & 8. The Adoration of the Three Wise Men.
The Annunciation and the entry of
Christ into Jerusalem, from the
first door, by Ghiberti, in the Bap-
tistery at Florence.
“ 9 and 10. Singing Angels, by Donatello.
Plate 66. Italian Sculpture.
Fig. 1. The Resurrection of Christ, by Lucca-
della Robbia.
“ 2. Equestrian Statue of Bartolomeo Col-
leone, by Andrea de Verocchio.
“ 3. Equestrian Statue of Cosmus I. by
Giovanni da Bologna.
“ 4. Group of the Virgin and Child, by
Benedetto da Majano.
“ 5. Statue from the tomb of King Ladis-
laus in Naples, by Ciccione.
“ 6. Descent from the Cross, Basrelief by
Donatello.
“ 7. Crucifix by Brunelleschi.
“ 8. The Annunciation by Donatello.
“ 9. Basrelief from the Certoso di Pavia.
“ 10. Relief from the Triumphal Arch Al-
phons I. at Naples.
“ 11, Adam and Eve, Relief by Jacobo della
Quercia.
Plate 67. Tuscan Painting.
Fig. 1. Coronation of the Virgin, by Fra Gio-
vanni Angelico da Fiesole.
“ 2 and 3. Two Angels playing on Musical In-
struments, from the Coronation of
the Virgin, by Fra Angelico.
“ 4. St. Peter and Paul before the Pro-
consul and the Martyrdom of St.
Peter, by Philippino Lippi.
“ 5. The Nativity of the Madonna, by
Domenico Ghirlandajo.
“ 6, The Visitation of St. Elizabeth, by
Domenico Ghirlandajo.
Plate 67, A. Tuscan Painting.
Fig. 1. Resurrection of the King’s Son by the
Apostles Peter and Paul, Masaccio.
“ 2. Groups from the Triumphal March of
Julius Caesar, by Andrea Mantegna.
“ 3. Hercules and Antaeus, after Andrea
Mantegna.
“ 4. The Birth of Venus, by Sandro Bot-
ticelli.
Hate 68. Tuscan Painting.
The Resurrection from the Dead, by Lucca Signorelli.
Plate 69. Painting of Upper Italy.
Fig. 1. The Coronation of the Virgin, by
Giovanni and Antonio Vivarini.
“ 2. The Crucifixion of Christ, by Andrea-
Mantegna..
“ 3. The Virgin and Child, by Giovanni
Bellini.
“ 4. The Virgin and Child, by Giovanni
Bellini.
“ 5. The Presentation in the Temple, by
Bramantino.
“ 6. Madonna and the Infant Christ, by
Philippo Mazzuola.
“ 7. The Virgin and Child, by Francesco
Moroni.
Plate 70. Umbrian Painting.
Fig. 1. Virgin and Child, by Francesco Fran-
cia.
“ 2. Virgin and Infant Saviour, by Nicolo
Alunno.
“ 3. The Entombment of Christ, by Pietro
Perugino.
“ 4. The Coronation of the Virgin, by
Gentile da Fabriano
“ 5. Portrait of Raphael at the age of 9, by
Giovanni Santi.
“ 6. Virgin and Child, supposed by An-
drea di Luigi, called L’lngegno.
“ 7. Adoration of the Three Wise Men,
by Pinturichio.
Plate 71. Italian Architecture.
Fig. 1. Fagade from the Palace Giraud in
Rome, by Bramante.
“ 2. Court of the Palace of the Cancelleria,
by Bramante.
“ 3. Interior of the Loggia of the Farne-
sina by Baldassare Peruzzi.
“ 4. Fagade of the Palace Pandolfini at
Florence, by Raphael.
“ 5. Fagade of a Palace at Rome, by Vig-
nola.
“ 6. View of the Villa Medici at Rome, by
Annibale Lippi.
“ 7. Court of the Palace Sauli at Genoa,
by Galeazzo Alessi.
“ 8 and 9. Elevation and Ground-plan of the
Church del Redentore at Venice, by
Palladio.
“ 10. The Fagade of the Church St. Gior-
gio de Greci, by Sansovino.
“ 11. Side Fagade of St. Mark’s Library at
Venice, by Sansovino.
Plate 72. Italian Sculpture.
Fig. 1. St. John the Evangelist, by Baccio da
Montelupo.
“ 2. David, by Michel Angelo.
“ 3. Virgin and Child, by Michel Angelo.
“ 4. The Virgin with the dead Christ, by
Michel Angelo.
“ 5. Moses, by Michel Angelo.
“ 6. Monument of Lorenzo de Medici, by
Michel Angelo.
“ 7 and 8. Male and Female Hermes, by Baccio
Bandinelli.
“ 9. Figure in Relief, by Baccio Bandi-
nelli.
“ 10. Hercules and Cacus, by Baccio Bandi-
nelli.
“ 11. Medallion, by Niccolo Cavallerino.
“ 12. Medallion, by Federigo Bonzagua.
Plate 71 Italian Sculpture.
Fig. 1. Tomb of the Doge Andre Vindramin,
by Giulio Lombardo.
“ 2. Basrelief from the Tomb of the Tor-
riani, by Andrea Riccio.
“ 3. Phrixos and Helle, Basrelief by San-
sovini.
“ 4. Death of the Virgin, Group in round
figures, by Alfonso Lombardi.
“ 5. Sculptures of the Certosa near Pavia.
“ 6. Perseus and Medusa, by Benevenuto
Cellini.
“ 7. Figure from the pedestal of the Per-
seus Group, by Benevenuto Cellini.
“ 8. The Nymph of Fontainebleau, Bas-
relief by Benevenuto Cellini.
“ 9. The Ocean and Earth, by Benevenuto
Cellini.